Beanbioca As Good As It Gets

ShangLuda Admirable film.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

Justina The film never slows down or bores, plunging from one harrowing sequence to the next.

lucy-wainwright-827-448455 I've seen this film probably four or five times, and I love it more each time. I sought out Blow Dry because I love Bill Nighy, Alan Rickman and the late, great Natasha Richardson ... but it took me ages to find the DVD because it had these two random American kids on the cover.I was puzzled because Richardson, Rickman and Nighy had obviously been relegated to sub-plot which seemed incredible, but I watched it anyway. In the event, the marketing became only more baffling. I can only assume that the publicists played on Josh Hartnett and Rachael Leigh Cook for the American market, but in doing so they must have put off an awful lot of people like me - and surely Richardson at least carried plenty of weight in the US? And Nighy and Rickman are hardly unknowns!Anyway, now that I've found it in spite of the marketing people totally missing the point, I can review it. Blow Dry is whimsical, gentle and funny - and I mean that in the best possible way. It's a British comedy in the best tradition, understated, warm and centred solidly in the very ordinary lives of very ordinary people.Bill Nighy is predictably surreal and steals every scene he's in, but handles his role as the devious, dastardly but ultimately vulnerable and really quite likable villain of the piece very well. Alan Rickman struggles a little to portray his character's bitterness and hostility at first, but as the character warms up he comes into his own. Given his character's back story it must have been something of a task both for Rickman and for the writers to avoid making him utterly pitiable, but they managed it and Phil comes out the hero, still hurting but beginning to move forward with life in totally non-pathetic fashion.The screen belongs, though, to Natasha Richardson. The relationship between Shelley, played by Richardson, and Sandra is brilliant; totally convincing but not in any way more of an issue than it should be. There's a brief moment of surprise when you realise they're a couple, but it's written and played so well that you very quickly accept it and it becomes simply part of the story. Richardson's balancing act between pathos and comedy is finely-tuned and very admirable; the fact that she's dying is never forgotten, but neither is it allowed to overshadow the plot or stifle the comedy. For one of the best examples I have ever seen of good, simple writing skilfully delivered, watch Richardson's scene with the doctor in which her character learns she is terminal; it should not be possible to be that sad and yet funny at the same time!My one complaint with this film is the casting of Josh Hartnett as Phil and Shelley's son, Brian. Rachael Leigh Cook is non-descript and suffers from being on the same screen as Bill Nighy, but at least they just let her be American even if she was a strange choice in the first place. Josh Hartnett, meanwhile, should never have been allowed anywhere near this film, and all the line-cutting in the world (and you get the impression they cut as much as they could get away with) can't prevent him from ruining what should have been some of the finest scenes in the film. The scene about halfway through in which Richardson's character reveals to Phil and Brian that she has cancer and is dying should have been a deeply moving showcase for the talents of Richardson and Rickman, but the viewer is thrown completely out of the moment by Hartnett's utterly appalling trampling of the Yorkshire accent - which, in spite of its awfulness, still seems to have been absorbing enough to prevent him from actually acting at the same time.Aside from this utterly bewildering casting choice, Blow Dry is a fantastic film - I could rave about it even longer, but your time would be better spent just watching it.

jpschapira Many times you watch a movie for several reasons or because you want to find several things, and during the movie you find other things that you didn't expect but become extremely pleasant. I decided to watch "Blow Dry" because of Rachael Leigh Cook, not even because of Josh Hartnett. If I had known that I'd find Alan Rickman, Bill Nighy and some of their fellows, the ride would have been very different. Fortunately; I didn't know.The events in "Blow Dry" unfold in a very peculiar way. In fact, the film is a peculiar comedy with peculiar characters that go through the most peculiar situation. Surprisingly, they are all human beings at last; there's a buried story between them and they show natural emotions as they speak. Maybe it's Simon Beaufoy's solid screenplay, or the fact that the past explains every action and, unlike typical romantic comedies, characters know each other and don't fall in love within days.What makes the picture dynamic and enjoyable is that there are not only two main characters, or only one love story. The plot shows the lives of two families encountered (one separated) by one peculiar (yes) activity: hairdressing. The annual British Hairdressing competition takes place in Keighley, a little town. "This competition", declares the mayor Tony (Warren Clarke) "Will change the history of this town".Raymond Robertson (Bill Nighy), the world champion, assists the competition with his daughter Christine (Rachael Leigh Cook) alongside him. She'll be one of his models, given that the competition consists on different kinds of hair styles done to different people. Robertson is scared for only one man from Keighley who could enter the competition: Phil Allen (Alan Rickman).Allen cuts hairs in a local barbershop with his son Brian (Josh Hartnett), but has been out of competitions for ten years, since the day his wife Shelley (Natasha Richardson) ran away with his model Sandra (Rachel Griffiths) in a lesbian affair that left him all alone. There are things unsaid here; more than we could ever imagine. The stages of the competition take place and the characters' relationships evolve.Who wins the tournament, why and under which circumstances becomes less interesting as we see the other part of the film being developed; the part of the emotions. Paddy Breathnach, the director manages all of this perfectly, leaving a lot of room for the comedy and taking advantage of every illuminated moment the script presents.These illuminations arrive with the cast of gifted actors and the different colors they bring. From the younger, like Rachael Leigh Cook who hasn't been doing much lately but has a great career for her age and a beautiful smile to connect with her talent; and Josh Hartnett, with a well accomplished British accent and experimenting with comedy before his lead in "40 days and 40 nights". To the elder, like the duo created by Richardson and Griffiths, which depends on a lot of accurate chemistry; and Warren Clarke's Tony, who is a revelation as he gains confidence while the days go by in the competition.But finally, those relaxed and calmed old men (to put it in a way) who have great talents and make anyone laugh, but probably will never be recognized for it. When I saw "Galaxy Quest" I noticed certain uniqueness in Alan Rickman's voice and look; years after: it's still there. The man makes me laugh with no efforts, and so does Bill Nighy, an eternal stubborn and annoying actor who couldn't care less about the roles he plays; so to ridicule them, which makes them perfect.British comedies are and have been the funniest comedies of the world; it is because of actors like Rickman and Nighy…Believe me.

monkeysuncle91 This is an appalling film. Rickman cannot pull off playing a working class British Barber but at least gives it a fair aul whack. But Hartnetts accent is quite easily the most shocking that I have ever encountered in a motion picture. And I'm Irish so I've noticed a lot of Shockers. Paddy Breathnach must have done his best though, as I honestly do not believe a director could have allowed such poor acting in his film had the casting choice actually been his. And whats the deal with 'Quirky British movies'? They are by and large fantastical hodgepodges crying out for originality but consistently looking like the idea was scibbled on the back of a beermat.

Wynter_Miller Kieghley is a small Yorkshire village far from the fumes of the tour bus. Mayor Tony, overjoyed by his town's choice as host for the Year 2000 British Hairdressing Championship, announces this grand coup to a lukewarm response by the small group of townsfolk who bother to show up for his meeting. Young Brian Allen(Josh Hartnett), however, is very excited. Full of expectations, he approaches his father, Phil Allen(Alan Rickman), proprietor of the local barber shop where Brian works as well. Brian's reminder to his dad that Phil has already twice won this championship is met with a low growl of parental hostility. Phil flatly refuses to discuss it, much less enter. Blocks away, Shelley Allen(Natasha Richardson), walks the short distance to the local hospital for her doctor's appointment. Here, quite unexpectedly, this "light little film" delivers a heart punch. Watch Richardson's beautiful performance as the doctor reveals the cancer she's been battling is back. As he begins dispassionately discussing her treatment options, she forces him to make it personal by completing his speech with brutally honest cynicism ("Your last two treatments have failed, so its probably trying to tell you summit there..."). He urges her to consider another round of chemotherapy, but they both know she won't go through it again.Richardson perfectly captures the dignity, and agony, of a bright, intelligent woman who, facing the fact she is dying, decides not to pursue a hopeless situation. Her exchange with Daisy(Rosemary Harris), a terminally ill inpatient at the hospital, is acerbically poignant. You get the sense that she's suspected this for quite some time, and now it's time to prepare to leave this life, and set her affairs in order. To Shelley, the British Hairdressing Championship seems an ideal way to reconcile many old wrongs. An accomplished hairdresser, she owns the local beauty shop, living upstairs with her partner Sandra. Ten years before, she and husband Phil had competed for their third championship title with Sandra as their model. On the eve of competition, she and Sandra left Phil to enter into their lesbian relationship. Phil never forgave either one of them. Although just blocks from one another, he hasn't spoken to her, or Sandra, for years. Brian remained with his father after the breakup, and Shelley's relationship with him is, at best, awkward and strained.Now, however, she desperately wants to change all that while there is still time. She wants the old team back together again for one last go. But how? Brian likes the idea but turns her down. He has issues with his mum. Sandra thinks the whole thing is mad, and hates Phil as much as he hates her. Phil wants no part of it whatsoever. His sense of betrayal and deeply abiding hurt are palpable. It seems impossible. Resolute, she enters her salon, A Cut Above, into the competition anyway, to the delight of Mayor Tony, who hypes the entry in an effort to foster local interest. The contestants arrive with their glittering entourages. These include the infamous Raymond Robertson(Bill Nighy), with his unscrupulous assistant, Louis (Hugh Bonneville), and his daughter Christina(Rachel Leigh Cook), over from America on holiday.The hotel is full, and Robertson is forced to lodge with a local sheep farmer. David Bradley (Argus Filch of Harry Potter) is terrific as Noah, the dour farmer. He doesn't say much, but shows his sense of humor over his dead relative's hairstyle and sympathy towards Christina for having a git like Ray as her father. Bill Nighy as Raymond Robertson is excellent. Arrogant, ruthlessly competitive, nothing is as important as victory, including his daughter. Prior to the start of competition, he simply cannot resist the temptation to visit Phil's shop and gloat over the "fall from grace" of his former rival. The meeting sparks a heated confrontation between Brian, who witnessed the exchange, and his father. Angry at Phil's handling of the situation and his refusal to enter and show Ray up, Brian defies Phil and informs Shelley he will cut for her in the championship. Although pleased, Shelley knows they still really don't stand a chance in the final part, "The Total Look", without Phil. Although his legendary signature event, Phil adamantly wants no part of it.That's enough synopsis to be going on with, I think. Watch especially the subplots. Mayor Tony's hilarious transformation from pompous small town official into glittering event presenter. The rally of the townsfolk behind their local team. Brian's funeral fiasco. Christina's Technicolor sheep. The amazing Daisy in "Evening Hair". Sandra and Phil in a bathtub on a hill. Rachel Griffiths performance as Shelley's lesbian lover Sandra is rich with detailed emotion. Her unresolved conflict with Phil, her insecurity at being "only the f*cking girlfriend", her reaction to the awful reality that the person she loves beyond reason is truly dying. And, gloriously, her radiant "Total Look", which has to be seen to be appreciated. Well. A little more in depth than I had planned, but that's the overall feeling you get from Blow Dry. More than expected. More than planned. It works on so many levels. The lighthearted silliness of the British Hairdressing Competition, of all things. The reunion of two childhood friends, Brian and Christina, who rediscover each other as attractive adults of the opposite sex. The study of a man who must come to terms with the lesbian lifestyle of his wife, whom, deep inside, he still loves. And the moving portrait, throughout it all, of a dying woman's last attempt to recapture former glory and engineer the reconciliation of all those whom she most loves.Buy this film. Treasure it. And, when somebody asks you how you felt after you've watched it, you can honestly turn to them and say: "Never better, love, never better".