Raetsonwe Redundant and unnecessary.

Marketic It's no definitive masterpiece but it's damn close.

Executscan Expected more

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

rannynm An emotional masterpiece, Big Fish & Begonia is an artistically magical and thought provoking piece of anime. The animation is beautiful. I felt as if I was watching a classic painting come to life. The story is unforgettable. Each scene left my heart yearning for the characters to succeed. The story follows a humble, brave girl name Chun who dedicates her life to help a kind boy, Kun, who gives his life to save hers after she travels from her magical to his human world. She goes to great lengths to bring him back and gives him all her love and care. However, when a variety of obstacles threaten Kun's survival, Chun risks everything to save him. The animation is mystical and brings Chun's fantastical land to life. The characters from Chun's world are unique and their strange characteristics bring a special quality that is unlike other films. Many characters have a quirky addition such as antlers or a completely other-worldly face with multiple eyes. These subtle additions enhance the fresh and original elements the film specializes in. The backgrounds and scenery take the animation to the next level. The water and ocean play a huge role in the film and the animation transforms the water, displaying its beauty and importance. At night the ocean reflects the sky, its stars and the sublime hues present; while during the day it is almost invisible and many objects look like they are floating through air. One of the most notable animation feats is the scenery. In many favorite parts we see Chun running across landscapes and the camera captures her world in the most artistic way.The emotions of this film left me in awe, showing the friendship and love these characters are capable of. In every scene, I was either smiling or in tears because of the sacrifices they make for each other and for each others' happiness. The music enhances the mood of these scenes with a mysterious and peaceful quality. The messages of Big Fish and Begonia are: 1. If your conscience is clear, it doesn't matter what others think and 2. Follow your heart. I give this film 5 out of 5 stars and recommend it for ages 14 to 18. Reviewed by Sahiba K., KIDS FIRST! Film Critic. For more reviews by youth, visit kidsfirst dot org.

David Ferguson Greetings again from the darkness. Animated films from Asia will likely always draw comparisons to the films of Oscar winner Hayao Miyazaki, the Japanese master storyteller behind Studio Ghibli and such animated classics as SPIRITED AWAY, PRINCESS MONOKE, and THE WIND RISES. Some may find it curious to mention Miyazaki when discussing a project from two first time Chinese filmmakers, but their work here is so impressive, the comparison is justified. Not only that, it's quite clear Xuan Liang and Chun Zhang have studied the master's work and are believers in his style.As with any animated film, success can only be had when both the look and the story hold our attention. Supposedly the film took 12 years to complete, and with its intricate weaving of Chinese culture and tradition, and the dreamy visuals, we understand why. While I don't begin to understand the many references to Chinese mythologies and legends, and most of the classic Chinese literary characters are new to me, the movie has a spellbinding effect that draws us in and leaves us fascinated.On her 16th birthday, Chun partakes in a rite of passage that involves spending 7 days in the land of humans. See, Chun is from a magical parallel world where "the others" control the human world seasons and tides. And we all know that if one is going to have control over another world, it only makes sense to have a basic understanding of that world and its inhabitants! Chun is transformed into a red dolphin and shoots through a portal into the land of humans. It's there that she is saved by a boy, whose courageous act costs him his own life when he is caught in a vortex. Chun is determined to deliver his life back to him ... remember, she is from a magical world.The story really takes off from here and becomes an adventure filled with love and sacrifice. We are told "Some fish aren't meant to be caged, because they are meant for the sky", and it's not until the conclusion that we fully understand. Chun's mission has her crossing paths with both the Keeper of Good Souls who lives with more cats than anyone should, and a creepy Rat Lady who is the Keeper of less fortunate souls and commands an army of rats for her dirty work. This game of cat and mouse between the two factions of soul-keepers is but one of the many webs of intrigue presented in the story. As you would expect, these two parallel worlds collide and Chun, her friend Qui, and the hero human who is resurrected as a small fish named Kun are all at the center. Chun must protect Kun for his soul to survive, and this puts her in conflict with her own family who prefer the tradition of keeping the two worlds separate. "Without happiness, what's the meaning of longevity?" This quote is at the heart of Chun's passion, and in fact, also drives her friend Qui to go above and beyond. A debt to be paid sprinkled with love and attraction adds a personal touch to the otherwise fantastical proceedings. Though the visuals are splendid and enough to keep us engaged, it's the convergence of sky and sea - and Begonia flower power - that move this from a fancy cartoon into a story with depth and meaning. Remarkably, it's the first film for these two filmmakers, though I do hope we mustn't wait a dozen years for their next.

Rós Vailintín When I walked out of the cinema last Sunday, I heard a man said to his girlfriend behind me, 'A waste of money, innit?' Many people says that. I've read a review before watching it, and the reviewer mainly held that the scenes were certainly beautiful, and we could see that the crew had dedicated all for it, but according to the plot, Chun ignored her family, her friends, ignored Qiu who genuinely loved her, even her entire world, to pay the life back to a human boy who had once saved her, and this needed to be reconsidered. Well, I admit that this animation is not perfect, whether it's the plot, or the characters, or the pictures. But I feel that this work should be judged in a purer way, and not to focus too much on whether the deeds of Chun were 'worthy' or not. The concept of 'worthy' is different for a teen and an adult, and here, for a sixteen-year-old girl, what she did was worthy. It's extremely childish, childishly selfish, but it's what she believed was right, and she wasn't all unreasonable. Let's think in another way. What were all the grown-ups doing? Trying to eliminate Kun. Why? Because he saved Chun, and Chun wanted to pay her debt of gratitude, which caused all the disorders of their world. Was this reasonable then? Couldn't they spare a bit of the effort they paid to kill Kun to hold the situation back when it first became urgent? They probably could. Chun actually stopped the sky from cracking by giving everything she had to her grandpa. If all others had stood together like how they built the bridge, it probably would have costed less to do it. But they gave their all to kill another life they thought was blamable, and if they had succeeded, Chun would have died too, and they would be sad and would regret, and someone else would lose half a lifetime to bring her back. In fact, no one in this entire animation was absolutely reasonable, neither there was in the real world. I suggest that we put the adult logic away for a while, and appreciate the effort the crew paid and the pure 'life for life' values. I'm not comparing it to other Chinese animations because I haven't watched them, but it deserves 3 stars for pictures, 3 stars for voice and music, and 1 star for thestory.

Ban Li Da Hai (Da Yu Hai Tang), an animation that can easily impress you with fantastic graphics, yet it's seemingly simple plot can hardly be understood thoroughly without background knowledge of ancient Chinese culture and myth.--------Here may involve some plot detail, watch out--------The story outline appears to be a girl (Chun) trying to get back the life of a boy who saved her. However the real No.1 actor, is the boy behind Chun, another one of "the others", Qiu, who has the ability to manipulate water.Chun has the ability to manipulate the growth of Hai Tang (Begonia in Chinese), which was once named "Beauty of the Nation" in traditional Chinese poetry. However, her fight against the society of "the others" is in no way fragile as the flower. Instead, the power of will is so strong that can overcome obstacle from authority, natural disaster, and familiar bond. Guess that's why she is name after a 16,000 years old tree, Chun. Qiu was Chun's childhood friend. And he has always loved Chun secretly. The love was so strong that he would give up everything including his freedom of eternity to exchange the happiness of Chun and her beloved one. Started from a young boy who just become an adult last year, Qiu even dare to steal the sacred mask that is used to connect fairy-land and the human world. People always say until death tear us apart as a promise between lovers. But the cruel separation between Qiu and Chun was even beyond the dimension of life and death--Qiu has to observe, manage and maintain the spiritual library(known as Tong Tian Ge, the pavilion to the sky) that over sees the spirits of everyone. That is to say, though deeply in love with Chun, Qiu has to watch her life and death and there is little he can do about it. The worst thing is not that you don't know if you can get what you want if you try, it is the desperation that you know for sure you can never get what you what, and yet you only can sit and watch the last thing you want to see from happening. What will Qiu become? Like the sneaky predecessor, the "trader"? or getting "mature" like everyone else in the fairy-land?That, is the only thing I really really want to know.