Ben Hur

2010
6.3| 3h4m| en| More Info
Released: 01 May 2010 Released
Producted By: Akkord Film Produktion GmbH
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

About the struggle between the Roman Empire and its rebellious conquest Judaea, and two best friends caught in a terrible moment in history.

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Akkord Film Produktion GmbH

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Reviews

Cathardincu Surprisingly incoherent and boring
Greenes Please don't spend money on this.
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Merolliv I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
Kirpianuscus if you ignore the parallel with the adaptation from 1959. because it is different. for the accent on ordinary people situation. beautiful cinematography, decent acting. and new nuances of a story who seems be well known but who becomes more seductive from a specific angle. because it tries to be different. not only for escape from comparisons but for the desire to give a nuanced message. not religious in significant measure. but interesting. and, maybe, useful for a new public.
Leofwine_draca Say BEN HUR and people immediately think of the Charlton Heston Hollywood epic: a film full of elaborate sets, huge crowds and epic chariot races. The powers that be decided time was ripe for a new version of the story, albeit in miniseries form, and no doubt to take advantage of the new-found popularity of the historical miniseries after the success of HBO'S ROME.I for one am a huge fan of such stuff, so I was immediately predisposed to enjoy this outing. I was engaged from the outset: to my shame, I haven't yet seen the Heston film, so watching the story play out was a fresh and involving experience. The total running time is around three hours, and I didn't find that a single moment dragged.As with many of these productions, the cast is packed with familiar faces. Ben Cross, Alex Kingston, Marc Warren, Art Malik and in particular Ray Winstone all seem to be having a ball with the roles they're provided. Stephen Campbell Moore, as the youthful hero, is sufficiently just, upstanding and likable enough, and watch out for a trio of highly attractive female cast members who ease the viewing experience: Emily Van Camp, Kristin Kreuk and, particularly, Lucia Jimenez.The budget is high enough for them to film in authentic, sun-drenched locales, with copious use of sets and extras to build a realistic portrait of the times. The use of CGI (such as in the naval battle sequence) is certainly adequate and the final chariot race doesn't disappoint. It's no ROME, but then, what is?
Glen McCulla Well, this little thing certainly caught me by surprise when it cropped up on British TV recently: i was completely unaware of this remake-of-a-remake (with a third version of "The Thing" playing in cinemas at the moment, it seems to be the in-thing these days...).And yet i was not as let down as i expected to be. Despite the flaws of an obvious television budget - although stretching to some very picturesque location cinematography - the well worn story of Judah Ben-Hur is related and realised in an accessible and enjoyable fashion. Featuring a cast very familiar to viewers of sci-fi and fantasy - Alex Kingston (Doctor Who), Kristin Kreuk (Smallville), Ben Cross (Star Trek), and Ray Winstone (err.. Robin of Sherwood? I may be stretching a point here) - we are treated to a small-screen epic of Roman intrigue, family infighting, and brother against brother in the ancient world. Of course, some of the most famous setpieces of the famous Heston movie are recreated, some done very well such as the naval battle at sea, some not - like the epic chariot race reduced to a glorified Go-Kart chase around a dirt track.So some of the grandeur and pomp is missing, but the heart of the original story is still here. Unfortunately, the actor portraying Messala lacks the charismatic evil of Stephen Boyd, coming across at times like a thuggish Roman skinhead. Thankfully, however, our Ben-Hur is no Heston, and actually imparts some emotion into the role instead of macho and mannequinish posturing. It's sad to see that the homoerotic subtext that film screenwriter Gore Vidal imparted into the relationship between the two protagonists was not recreated: if Vidal could smuggle it unsuspected past Heston in the '50s, then surely it could have gotten by the network censors today?In any event, this was a thoroughly enjoyable romp through an oft-told tale. One can only hope that this story can be left in peace for a while now. Oh, and one more thing: i would've thought they'd cast a more charismatic actor as Jesus. I had trouble thinking anyone would follow this bloke into the pub,never mind the Kingdom of Heaven.
michaelhills The 1959 version of "Ben-Hur" is without a doubt one of the truly great motion picture epics, so it was with surprise, and dismay, that I saw this 2010 re-make mini series appear on my local TV channel, and against my better judgment started to watch, what could only be, this travesty. To my surprise I found within 30 minutes I was totally hooked and engrossed by a deeply touching and superior Television experience. What it lacks in sheer magnificence of the 1959 version, it more than makes up in the human story of a family torn apart by terrible misfortune and fate. Wisely the makers chose a superb young cast in the leads, with Joseph Morgan (as Ben-Hur) and Stephen Campbell Moore (as Messala) not only doing justice to these epic characters but imbuing them with true human emotions. The story is very much the same as the original, and even though it was said the makers played down the religious aspect, I personally found that by doing this they actually heightened it in some respects to truly wonderful effect, especially during the last hour of the story which left this viewer with more than a few tears in his eyes. Naturally the sexual aspect is more explicit, but if one watches the original 1925 silent version you realize that is is something which has always been there but left and only implied in the 1959 version. The famous chariot race of the 1959 version can never be duplicated and the film makers obviously did not have the budget or tried to do so, but apart from that, if you have the opportunity to see this version, do yourself a favor and do so. I think, like me, you will be pleasantly surprised.

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