Belizaire the Cajun

1986
6.5| 1h43m| en| More Info
Released: 13 June 1986 Released
Producted By: Cote Blanche Productions
Country:
Budget: 0
Revenue: 0
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Synopsis

In 19th-century Louisiana's Cajun country, Belizaire (Armand Assante) is the informal spokesman for his citizens, who don't see eye to eye with local racists who wish to eradicate all Cajuns. Complicating matters is the fact that Belizaire's former flame (Gail Youngs) is now married to his biggest rival (Will Patton), an affluent landowner's son. Before he knows it, Belizaire is caught up in a web of murder, lies and prejudice.

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Reviews

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Mandeep Tyson The acting in this movie is really good.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Michael Neumann A rarely seen corner of folk culture receives star billing in this lively slice of backwoods Americana, directed by an alumnus of Robert Redford's Sundance Institute. The background is historically precise: a 19th century clash between expatriate French Canadian settlers and local vigilante ranchers in rural Louisiana, but in the foreground is a rousing, crowd pleasing drama much in the style of many a western. Armand Assante plays the title character, a celebrated Cajun rogue and medicine man hoping to end the repression of his kinfolk by pleading guilty to a murder he didn't commit. This selfless gesture leads him straight to the gallows where, in an unlikely but exciting climax, he manages to outwit the enemy and save the day (not to mention his own neck). It may lack the technical gloss of a bigger budget film, but more than compensates with plenty of rich period detail and flavor. Robert Duvall, credited as a creative consultant, appears in a brief cameo role.
tavm When I was a teenager in Baton Rouge, La. in 1986, I saw a large newspaper ad for this movie, Belizaire the Cajun, in my local paper, the Morning Advocate (now simply The Advocate). Among the critics that praised the movie in the ad was one David Foil who wrote his full-length reviews that appeared every Friday in the FUN section every week. I don't remember him having one of this in any FUN section but the fact that this got such a large ad in our paper obviously meant that this was a very important movie for Louisiana citizens based on the subject matter and the fact that the filmmaker, writer/director Glen Pitre, came from the state. Having now seen Belizaire the Cajun 21 years after its original release, I can now say what an awesome drama about the Cajuns and their struggles against the prejudice of certain white Americans who settled in The Pelican State, this is. Armand Assante plays the title character, who is a healer of various illnesses, with such a sense of humor and pride in his heritage that you're with him all the way with his attitudes on various peoples that upset him. Among them are Will Patton as the father of the children of Gail Youngs who has a history with Assante, and Stephen McHattie who is Patton's brother-in-law and seems to hate Assante and his people even more than Patton. Michael Schoeffling, best known as Molly Ringwald's crush Jake Ryan in Sixteen Candles, plays a cousin of Assante's who gets in trouble. And someone related to director Pitre named Loulan plays the sheriff. Plus there's a cameo by Robert Duvall, who helped get this film made, as a preacher. All of the performances I've just mentioned plus others are excellent as well as the Cajun music played by Michael Doucet and Beausoleil. Without giving anymore away, I'll just say the cliché, you'll laugh and cry and possibly think of how far we've come culturally a century or so since those times. And maybe hope to find someone to dance to the wonderful Cajun music that's presented here...
nicdel1976 This amazing film tackles cultural barriers, time and love. It is a visually stimulating film and it has surprisingly well known actors to boot! (Wasn't Belizaire's cousin the same man who played Jake from 16 Candles!) The main child character Dolsin is played by a gem of an actor. Such untapped talent! The way he threatened the main character was so real, I felt like I had been threatened by Dolsin myself. The costumes, especially Belizaire's hair, accurately portrays the evolution of the trends in Louisiana. The music was absolutely accurate and I believe you can still find dem ol cajuns barefooted and dancing around with a squeeze box and a wash board. I'm not sure what else to write. I'll leave you with this thought "I'll take two, I lose dees..."
artzau This is a fine film-- not necessarily a great one, but one with some great content. Armand Assante, who like the late character actor, J. Carrol Naish, is able to place himself seamlessly in almost any ethnic role, from a Cuban to a Greek, is Belizaire, the Cajun. Little knowledge will be gained about these marvelous people who were expelled in early 19th century British ethnic cleansing from L'Acadie, a region near present-day Quebec, to the Dominican Republic, scattered along the eastern seaboard of the US and then making their way back to Francophone Louisiana. The term 'Cajun,' comes from a local pronunciation of Acadian. The Cajuns fiercely separate themselves ethnically from the other descendants of the French immigrants, the Creoles both culturally and linguistically and doggedly maintain their cultural traditions into the present time. This film, which is not at all badly done, touches little of that and gives only a tiny taste of Cajun culture...but in the brief spot using the music of Michael Doucet and his band, Beausoleil-- what a taste! The plot, Belizaire is an entrepreneur and pleasant con-man who's in a love competition with Will Patton (in an early role), leads to complications in which Belizaire is willing to sacrifice his life to bring peace with his non-Cajun neighbors. In the end, Belizaire uses his quick wits and con-man skills to make the situation right. I would have liked to have seen much more of the Cajun way of life brought in. But, there were some fine local scenes and the costumes and settings looked great. The Cajuns are a fascinating group of people with wonderful music and traditions. We get only occasional glances of this rapidly disappearing way of life and this film adds another glimpse which should not be passed up, no matter how imperfect it is. This film is available on video and is certainly worth the price of rental. If it crops up on the late show, I would certainly check it out.