Exoticalot People are voting emotionally.

Smartorhypo Highly Overrated But Still Good

Phonearl Good start, but then it gets ruined

CommentsXp Best movie ever!

holograf This movie was an awful attempt to relive the beauty that was the movie "Amelie", ain't happening. Avoid this movie if you are an Amelie fan, all it will do is depress you to see our beloved Amelie 10 years older and trying to relive the glory of the past. OK it's making me write more, sorry to bore you with more text than necessary, but here goes. The plot was OK for about 20 min, though it was sad to see Amelie reborn as a tired worn out character who has had probably gone through 100 boyfriends by this point (this time she is named "emilie"). then it dragged and dragged until the writers found a way out of the mess they had created and just ended the story with a denouement and put us all out of our misery :)

buddybickford Not very often a film deserves 10 out of 10. The story is based on a misunderstanding that escalates out of control. Very clever movie absolutely fantastic script direction and acting, a total joy to watch.At the start a love letter is read out that is incredible and really is truly romantic.But guys be prepared to feel inadequate when it comes to your romantic side, my wife on hearing the love letter went completely wobbly (so did I but don't tell anyone), but don't worry I think I stunned her later with my own.'Roses are red violets are blue I love a girl and choogey choogey koo'Make sure you watch this movie you will love it.

moviexclusive Love seems especially beautiful when it happens in France, doesn't it? We've all imagined ourselves as the beautiful people headlining French movies like Amelie (2001), A Very Long Engagement (2004) and Priceless (2006). Is it just coincidence that the above-mentioned movies feature French cinema's darling Audrey Tautou? Here we have another romantic comedy starring the lovely starlet and her pixie crop.Tautou plays Emilie (probably paying homage to Amelie, the character which made the French star a household name), an owner of a hairdressing salon who receives a hand written love letter from a shy handyman. She dismisses the passionate letter at first, but when she realises that her mother is still distraught over the betrayal of her father, she decides to resend the letter to cheer the upset woman up. What follows is a series of misunderstandings and an awkward love triangle involving a man caught between two women who are mother and daughter. This is your usual French charmer, with a tried and test romantic comedy formula. You'd be chuckling instead of roaring in laughter at the setups and the occasional sexual innuendos, you'd be impressed with yourself (yet again) because you could see the ending coming one quarter into the 105 minute movie, and you'd have no problem sitting through this lightweight and accessible production where everyone, well, is a charmer.We are talking about the caricatured characters here, ranging from Tautou's smart alec but lovable protagonist, Nathalie Baye's (Catch Me If You Can) mother character who seems a little too hungry for sex, Sami Bouajia's (Days of Glory) handsome handyman, and other supporting roles written to provide additional laughs. This isn't exactly a bad thing though - the people in the world written by scriptwriter Benoit Graffin may lead everyday lives like ours, but there is something particularly charismatic about how they appear on screen. This makes us common folks desire for a lifestyle like theirs, and that's probably why everyone loves French cinema. Tautou and her signature bob does nothing new here, but still manages to have you siding with her idiosyncratic and quirky character. Baye steals the show as the mother whose love life is turned upside down after receiving a zealously written love letter. The actress manages to deliver a comical performance which provides the energy for the film. Bouajia isn't too bad either, as one can only imagine his frustration as he finds himself caught between two women. Supporting characters played by Stephanie Lagarde and Judith Chemla complete the likable ensemble cast. As this isn't a sweeping romance drama, you can expect standard production values (read: simple cinematography and simple art direction) which are more commonly found on TV movies. This, also isn't a bad thing, because your attention should be on the character's jesting and bantering.Director Pierre Salvadori, who also co penned the screenplay, is obviously hoping to repeat the success he enjoyed on Priceless five years ago, which also starred Tautou. A romantic comedy like this will be easily enjoyed by the masses, but it may also be conveniently filed into the category of "one of those" French comedies you've watched before.www.moviexclusive.com

fotobirajesh Emilie runs a beauty salon. Her father, is in love with a 20 year old, is seeking divroce and her mother, Maddy, is depressed. Jean, who works in her salon, sends Emilie an anonymous love letter. Emilie is least interested, but then decides to send this letter to her mother to lift her spirits. Sure, it did, but then she had to make up two more letters on her own. Maddy mistakes Jean as her writer. Emilie is in serious trouble. This is a brilliant romantic comedy. Mistaken identities, misunderstandings, untold love, search for love, all its there, but there is a touch of class all over too. The characters are brilliant. Emilie really wants to help her mother come out of the depression so she doesn't think twice before sending her a love letter. Only later does she realise, how difficult it is to create one by herself, which she cannot without the help of being drunk. At the same time, Emilie is somebody who walked out of a relationship when she realised her partner was more educated than her and is a man of letters. A simple reason, why the beautiful love letter, she received, didn't touch her at all. When she finds out that Jean is an intelligent chap, her irritation with him is wonderful. In fact the series of firing and reappointment of Jean is really funny. Maddy is depressed because of her husband, but she is a literature person so is moved by the adorable love letter. The way the love letter lift her spirits is really good. But she is soon depressed as the passion is absent in the second letter. Her search for the writer and her following up for Jean, and her final realisation of the truth it is all quite wonderful. Jean is a man of letters, knowing so many languages, who took up a maintenance job in the salon only to be near Emilie. But he is kind and sensuous too. So his frustration and kind of being out of mind, after the forced kiss with Maddie was really excellent. There are also couple of other small characters, like the partner of Emilie etc, who all does their part in the story.Except for the final moments, when Maddy realises the truth or Emilie understands Jean, the movie moves on with brilliant moments of subtle fun. How can the French be so good. Its unbelievable, how some scenes, dialogues and characters are created. It is the reactions and expressions of the characters, of course with the situations, which makes the incredibly funny moments and it is really brilliant. Almost all the scenes, involving Emilie, Jean and Maddy for the three fourths of the movie offer excellent laughs. At the same time, we are also worried about their future and are touched by the three, for how things turn up for them towards the end. A small lovely turn brings the movie to a nice end.Adurey Tautou is brilliant and brilliant. What an actress. She is living Emilie in the screen, is quite easy to say. But there were really tough scenes here where she had to give those spontaneous reactions and she excelled in each of them. A terrific performance. Hopefully, like in the case of many other movies, within a few years, this movie would be remade in Hollywood. I can see Julia Roberts playing Emilie and the movie becoming an international hit. Fans of Hollywood will again rave about the greatness of Hollywood (like it happened with many other remakes) and these brilliant artistes behind the original would be forgotten.