Barenaked in America

1999
7.5| 0h30m| en| More Info
Released: 01 January 1999 Released
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Synopsis

A rockumentary about the Canadian rock band Barenaked Ladies's life, in a nutshell. It follows the band on its Stunt Tour.

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Reviews

VeteranLight I don't have all the words right now but this film is a work of art.
GazerRise Fantastic!
Cooktopi The acting in this movie is really good.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
satanslittlehelper Not bad. I've never really had more than a passing interest in the Barenaked Ladies, but I liked the movie anyway. The personalities of the band really come out here, especially in the concert footage and the little anecdotes. As far as the technical side goes, it doesn't exactly shine. We've all seen better documentary footage. Still, it's a cute, harmless little movie. Not bad.
Gary M. James I'm familiar with The Barenaked Ladies from their frequent concert appearances in my home town of Rochester, NY and my visits to Toronto. While not being a full-fledged fanatic of the group, I've listened to their work prior to their CD "Stunt" and their last CD "Maroon".When it comes to concert documentaries, "Barenaked in America" doesn't rank as high as films like "Woodstock" or "The Last Waltz" but there is a lot to like about the documentary/concert film directed by Jason Priestley. "Barenaked..." takes an look inside a talented musical group from Ontario, Canada that's about to hit the big time: performing in large U.S. arenas, having the number 1 single in the U.S. ("One Week") and their album "Stunt" going platinum. Despite all of this, one member (keyboard player Kevin Hearn) was unable to join the group in their U.S. concert tour because he was diagnosed with Leukemia. It could have put a damper on the tour for the group but lead singers/guitarists Steven Page & Ed Robertson, bass player Jim Kreegan and drummer Tyler Stewart (with substitute Chris Brown on keyboard) still went on with the show. I like the way this near-tragedy was handled in the movie. But the film is not totally somber. It's alternately funny and insightful. It takes a look at the group's early years when they didn't have enough money to record a song in a studio so they performed in something similar to an instant photo booth, to asking people on the street if they knew who the Barenaked Ladies were and the comments that come out of the people's mouths was very funny. I tend to agree that fans of the Ladies will love this movie. I think a few people who may not have been fans of the group might be converted after watching the movie. But I'm happy to say that the conversion would be harmless.
noahk I caught a matinee of this limited release film in Georgetown, DC, in a tiny theater with the smallest movie screen I've ever seen with very few people in the audience. I've been waiting for this one for a while and I loved it.Of course, it's not for everyone. I can't see those who aren't already fans of Barenaked Ladies being terribly interested. For me, it was wonderful-- I've been listening to them since 1992 and I consider them my favorite band. I didn't really even learn much new about them, but the documentary was lovingly done and left me feeling good. Can't wait to see BNL in concert again. 9 out of 10.
ToldYaSo From the onset, "Barenaked In America" is entertaining and full of verve. Even the opening credits offer the promise of an interesting and fun journey. The documentary was featured in the 1999 Toronto Film Festival for its world premiere with director Jason Priestly presenting along with Steven Page, Ed Robertson and Tyler Stewart of Barenaked Ladies. Priestly has had association with the band for some time and it seems to be a labour of love for him.The film goes behind the scenes to capture moments from their early history to their most recent tour. Even a native Torontonian fan of the band like myself discovered things I never knew about this dynamic ensemble. With many humourous accounts and opinions from celebrities to the BNL tour bus driver to the band themselves, I feel a second viewing is required to finally make out what I missed due to the boisterous laughter from the delighted audience.With generous helpings of reflections, interviews, past video moments like "Speakers Corner" and live concert performances, the diversity of this documentary is something of an allegory for the band itself. With a reputation for fantastic live improvisations on stage and proven musical talent, the Barenaked Ladies stand out as true entertainers committed to giving their best and keeping it fresh so that each performance holds something new for the audience.My favourite moment came from a more serious side of the band with unexpected comical results. For the band's shooting of their video "It's All Been Done", we find the band behind the scenes discussing their discontent after seeing the initial footage. They thought the concept was fine, of shooting the film from a cat's point of view, but felt it was poorly shot and wasn't going to come across well. Talking to their manager, who seems more interested in quelling their sentiments of dissatisfaction then rectifying the matter or championing their concerns, we see them frustrated as an expensive video shoot seems like a waste of money. Ed mentions a terrible shot of little else than a shag carpet for too long a stretch until it finally reaches the band and looks up. "Cats don't walk like that. It's looks terrible." Their manager responds with "How do you know cats don't walk like that?" Ed responds almost angrily, "I have three cats, I know how they walk!" I don't think I laughed as hard as I did at that moment any other time in the film, but it's probably a had to be there moment.With a subject matter like Barenaked Ladies, I'm sure the editors had their work cut out for them. They undoubtedly had enough material for a three hour film that wouldn't feature a dull moment. As it was, the breakneck pace of the film kept it fresh, entertaining and basically a treat for any fan of the band. Given the band's recent success in the American market, that probably accounts for a good number of people. Given its high quality but perhaps limited audience appeal, I wonder what sort of release this documentary will enjoy. In any case, I feel privileged to be among the few to have seen it, and look forward to an opportunity for a repeat viewing.

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