Around the World Under the Sea

1966 "Hold your breath for the biggest undersea adventure of all!"
5.3| 1h50m| G| en| More Info
Released: 22 June 1966 Released
Producted By: Ivan Tors Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A five man submarine plants sensors around the worlds oceans to monitor for a impending earthquake.

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Ivan Tors Productions

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Reviews

Exoticalot People are voting emotionally.
Stellead Don't listen to the Hype. It's awful
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
simnia-1 All those reviewers who disliked this film are largely correct: this film is largely geared toward boys, it's unrealistic, the science isn't sound, the acting might be considered weak, some effects are weak, and so on. But I still love it. So what are all those reviewers missing? Well, it turns out there is a lot more to a film than just plot, acting, effects, soundtrack, and realism. Here's what negative reviewers are missing: This film accurately depicts a Utopian lifestyle of sorts, even in today's world. It fires the imagination. Imagine going on a round-the-world tour aboard a glass-ported submarine with elite scientists, an elite engineer, a beautiful blonde lady, being the first to explore new parts of the underwater world, playing chess (and winning!) against a state-of-the-art computer, going on a high-tech treasure hunt, working with state-of-the-art equipment, saving lives around the world due to your efforts, interacting with sea animals (via dolphin communication), and incidentally having adventures along the way. I can't think of *any* other underwater film, old or new, that realistically captures this feel of the ideal of living underwater as this film does. ("The Core" (2003) comes close to capturing the same cozy feeling of a state-of-the-art ship manned by elite scientists, but that was underground, not underwater.)Films like this offer a visionary ideal for living, especially in this modern age where some people really believe that hedonism and materialism are the ultimate good, and that intellectualism and science are to be ridiculed and avoided since being "cool" is antithetical to intellectualism. The film also has some decent humor, and a nice, realistic mix of sexism and promotion of women's equality.There are numerous other likable things in this film. The underwater scenery is beautiful, Shirley Eaton is beautiful, the equipment is cool, the inclusion of a chess game is terrific, the capturing of the daily submarine routine (planting sensors, playing chess) is great, and the constant presence of science provides an intellectual atmosphere.Also, each the characters is likable in his/her own way. I especially liked Hank Stahl, whose mature insights into the ugly side of human nature are standard nowadays, and he is about the only character who is not foolishly chasing after Maggie the entire time. Also, although I'll admit it's puerile, I loved the guinea pigs, even though they were probably included just for humor and for young viewers. I even bought some guinea pigs as pets for the first time in my life as a result of re-watching this film as an adult!There are a number of coincidences throughout that were probably accidental, but are either charming or humorous, depending on your taste in '60s movies and television: (1) a brief, repetitious, 2-note, Jaws-like musical theme in one underwater scene of the Hydronaut; (2) an UNCLE communicator-like 2-tone beeping from an alarm that goes off while David McCallum (Illya!) is in the scene; (3) a spherical sub streaming yellow dye, reminiscent of James Bond in the final underwater fight sequence in "Thunderball"; (4) a helicopter rescue of floating survivors at the end, reminiscent of the rescues at the end of "Thunderball" and "You Only Live Twice"; (5) entering into a briefing room where a monotone-voiced narrator is speaking, reminiscent of Number 1's briefing in "Thunderball."Some other delights for '60s fans are: (1) footage of the J. Neville McArthur Engineering Building at the University of Miami, with its charming, white waves facade; (2) Lloyd Bridges incessantly leaping into the water to try to be a hero at every opportunity, usually without enough air or without proper equipment, "Sea Hunt" style.The chess match alone deserves some comment. You could view the inclusion of chess in the film only as an appeal to young adolescent males, but then you would be overlooking the Conshelf II underwater habitat of 1966 as depicted in National Geographic magazine, which had one well-known photo of two men playing chess next to a porthole with fish swimming outside. That photo, in turn, probably inspired the scene from the EPCOT ride Horizons that had two men playing chess beside a porthole in a futuristic underwater habitat. And that's not to mention the HAL-Bowman chess game aboard the spaceship Discovery One in the film "2001: A Space Odyssey" (1968). There is something about chess that is a good match with futuristic living quarters. Maybe it's the heavy intellectual component in both the game and the design of any such habitat, or maybe it's the contrast of ancient with futuristic (or should we say "hypermodern"?). Also, inclusion of the computer chess program in the film was an interesting, realistic, and historically significant. Even today online chess players on Yahoo often get caught cheating when they resort to their home chess computers for suggested moves, which is against the rules, so that twist in the plot was ahead of its time. Also, it wasn't until the 1980s that chess programs became strong enough that they could reliably beat most human players, therefore when Hank Stahl won the chess match even when Dr. Volker used a computer against him, that was realistic and ahead of its time.The late '60s, despite its problems, was beginning to approach an ideal that was captured extremely well in this film. Everything from the pervasive white color of equipment (such as in the sub interior, ships, and helicopters) that gave a sense of cleanliness, to the orchestral score, to the constant scientific background (which was also prevalent throughout Disneyland in that era), to a simultaneous acknowledgment of women's strengths and weaknesses, gave a sense of progress, community, and balance of the physical, emotional, and intellectual. It shows us a paragon of human society that is realistically achievable. Acting skill or realism of the non-decompression scenes is irrelevant to this bigger vision.
rdevine_az I remember seeing this as part of a summer movie program in 1963. I got to see 11 movies for $1.00. One movie was shown each Tuesday. So I paid nine cents for it. That was fair.It was great entertainment for the 7-13 year old crowd. Lloyd Bridges was known for Sea Hunt. Keenan Wynn had been in some TV Westerns so he was a known entity. Flipper (Kelly), Daktari(Thompson) and Man from Uncle(McCallum) hadn't even been broadcast, so most of the cast was unknown.Bad acting, bad science, great special effects. Everything a 7 year old boy looks for.
Chung Mo This is a gem of disaster from the waning days of MGM. It seems there was a decision that the only way to beat the loss of ticket sales to television was to out-stupid it. With a logic straight out of "Rocky Jones" and a script from Ignoramus Inc., this film busts the audience's tolerance and drives over it. This film must have been dumped by MGM towards the end of production. Listen to the sound. All the scenes at the home base of the sub team have incredibly bad sound for a major studio release. They must have decided that it wasn't worth the cost of rehiring the actors to re-dub their voices so they left the terrible sound.The guinea pigs were so embarrassed by this film that they never acted again.
bigshoe1 The summary alone should tell you to rent this "god help us all if this is available to rent" ONLY if a) your an insomniac, b) masochist or c) a masochist who has trouble falling asleep. The 'acting' is sub par, the characters are one dimensional and the plot.... well, it just proves that one can indeed write a movie script inspired by a box of corn flakes. Wait, that's not fair, corn flakes would make a better movie. The plot of the movie is this team of 'experts' travels the oceans laying down seismographic monitors to detect underwater earthquakes. Near the end, surprise, they get into trouble and have to think of a clever way to escape. The viewer on the other hand, has a much easier way out, change the channel to the Home Shopping Network in search of better entertainment. As for the cast, the only way they could have pulled some of those actors is by making this a contractual obligation or maybe blackmail.