Mjeteconer Just perfect...

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

chaos-rampant I was very recently exposed to this filmmaker and utterly captivated by another one of his films, so that alone ensures I'll want to see everything by him at some stage. He seems like one to follow and devote serious time to: a vibrant new voice that embraces damaged worlds with the gentle ardor of Zen. He makes the films Mizoguchi ought to have made but for drowning still reflections in overbearing dramatics.This is even more sparsely arranged than that other film. Once more the point is that it's seemingly about nothing, purely episodic life from a teenage girl's journey into young adulthood and love. Once more the point is that there is no solid core to explain from, only glimpses from a floating world. Nothingness permeates, but a sweet, Buddhist nothingness that is pregnant with life.The world is still new that she enters, the mind is clear, fresh. There is a lot of idle perambulation but no vexation. Solitude that is sweet enjoyment of the present moment. Being that is still magnificent in its simplicity.Against this backdrop the smallest gesture rings far and wide with meaning, say a smile beneath a red umbrella for the joy of being able to freely smile or the feeling of being wet but safe. It is the best cinematic Zen I know of.Spontaneous joy without pleasure. A world that makes sense because the senses are open, receptive. Astute viewers will pick up a connection to old landscape compendiums from the Shogunate era, the title of this post is a reference to one; those were intended for tourists passing through Edo, but were the training ground for cinematic perspective, more deeply intended for the travelling eye.On a technical level, I believe this was solely conceived as an exercise where the filmmaker got to work out a few shots and atmospheres he had in mind: spring rains, clear evenings, bird's eye views, calligraphic sweeps, many worlds fleeting from the windows of a speeding train. A lot of that paid off in Lily Chou-Chou, there in a longer form.This is small but full and ripe, a rare thing. I'm even more eager to follow his work.

sitenoise A sweet slice of life portrait of a girl's transition from a high school in Japan's northern countryside to university in Tokyo. It's a series of vignettes that begins with her family seeing her off and ends with a reveal of why she went to this particular university. In between we watch her move into her new apartment, cook meals for herself, meet her neighbors and classmates, buy a bike, and browse a bookstore. It may not sound like much but it's very well crafted. Takako Matsu is as endearing as can be. It was a pleasure to see her, as a teenager, play this naive young girl after having recently seen her, at thirty-two, play an archetypal Japanese woman in Villon's Wife.This is a short film, at just over an hour, that doesn't attempt much more than capturing a few moments in the life of a girl who is not only changing her outward surroundings but also following her inward desires. The reason she chose to go to the university in Tokyo is because her unrequited crush on boy one year her senior is attending it. The film could have been longer and explored their relationship but then it wouldn't have ended as poetically as it does right at the moment they meet. Broken umbrellas, a rainstorm, and a barrel full of young love, idealism, and hope. Simply beautiful.

henryand Everything in this movie is beautiful! The scenery is, the actress is, the whole story is. Although it's a very very simple love story, you can feel the internal beauty that the director want to express if you can calm very down to see it. Sometimes while seeing it, I even think the plot is no more important. All you should do is to feel the beautiful things in it. Takako Matsu is famous most because of her lovely performance in many Japanese soaps. However, we can still see her excellent performance in this movie. Meanwhile, Shunji Iwai shouldn't be forgotten. He is a very gifted young movie director. He is simply an artist. You can know more about Japan movies after seeing his works. Frankly, I love this movie completely due to Shunji Iwai and lovely Takako Matsu.

Dave-689 This is a delightful film that I fell in love with on a flight to South East Asia. Because it is so short I must have watched it five or six times and consequently I grew to love it more and more.It has a lovely distant calming quality on you, which is reflected in the slow pace of the film, yet the pace does not make the film any less enjoyable, it actually brings you closer to the central character of the girl and makes you feel a part of her life. This film also had a poignant effect on me as I was going to see my Asian girlfriend and as a result brought a lump to my throat at times.In summary an excellent piece of Japanese film making, that captures the mood of going to University, making friends, feeling lonely at times, being in love and happy.I just wish I could find a copy on video!