Portia Hilton
Blistering performances.
Matylda Swan
It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
Isbel
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Woodyanders
Plato's Retreat was a legendary sex club in New York City that was for several years the go to place for libidinous adults to get down and party hearty after it opened in 1977. This appropriately seamy and somewhat rough around the edges documentary offers a wealth of enjoyable and illuminating interviews with various individuals who either knew founder Larry Levenson or frequented the joint back in the day: Levenson's sons, various Plato's Retreat regulars (who come across as disarmingly candid and unashamed everyday schmo types), comedian Professor Irwin Corey, filmmaker Melvin Van Peebles, the ever-outspoken Al Goldstein (who openly admits that Levenson was a shallow bore due to the fact that he was just all about sex), writer Buck Henry, former mayor Ed Koch, and porn stars Fred Lincoln, Ron Jeremy, Annie Sprinkle, and Jamie Gillis. Among the topics discussed are Levenson's amiable happy go lucky persona, the wild anything goes "if it feels good, do it" hedonism of the 1970's, how the rampant nudity and open unabashed sexuality that was pervasive in Plato's Retreat enabled everyone to shed their inhibitions, prostitution in the club, the fact that Plato's Retreat offered a comfortable and nonjudgmental atmosphere where everyone was accepted, the incredibly disgusting buffet table, Levenson's problems with the IRS and subsequent downfall (he wound up working as a cab driver towards the end of his life), and the dreaded AIDS epidemic putting a kibosh on everyone's fun. The key thing that makes this documentary so effective and provocative is its admirable refusal to either glorify or vilify Levenson and the sexual freedom his club represented; instead both are presented warts'n'all without apology and it's up to the viewers to make up their own minds what to think about all of this. Set to a funky-throbbing soundtrack and loaded with plenty of incredible raw newsreel footage of Plato's Retreat in its swinging heyday (the TV ads in particular are simply amazing!), this one is well worth seeing.
doubledayS
It was a very grounded movie of course built in the concrete slabs of New York's Bad Side. The very notion of swinging poses a threat to individuals sturdy in there long term relationship. However that's how it began a complacent experimentation with couples into a daring position of new romance. To me it showed the germlike possesiveness that spread into heavier waves throughout the time-span of wreckage and renewal. All planned by one destroyed businessman - yet love is diverse in it's care and steams of fanatiscism do carry the broken to a position of identity.Conservatives will know this as a beautiful ephemeral trash building of eternal reclamation.
jotix100
The infamous Plato's Retreat, where everything sexual took place, had a tragic death as the AIDS epidemic swept New York. It was a victim of its own success. Plato's was, after all, where couples willing to swing went to fulfill their dreams of having intercourse with different partners. The founder, Larry Levenson, boasted his joint gave him the opportunity to have sex with about ten different women each night. Soon after the initial success, as the club attracted a different type of crowd, prostitutes and other element invaded the premises.As anything trendy in Manhattan, Plato's Retreat had a quiet beginning, but after word got out that orgies could be had for a relatively small amount, there was standing room only. In interviews with some of the people who participated in the activities inside, we are told what the place meant for different swingers. In retrospect, how much of the accounts that come out in the documentary are real and what are not.Directors Jon Hart and Matthew Kaufman try to concentrate on the life of Larry Levenson, the founder of Plato's. When all is said and done, Mr. Levenson was a victim of the club's own success. He had a high price to pay serving time in jail for tax evasion, something that usually get a lot of promoters in high waters. Mr. Levenson came from a modest household in Queens. After the club opened, he became the big shot he probably was looking to be most of his life. Plato's Retreat was a good way to lose one's own inhibitions, after all, everyone that went to have a good time was no different from everyone else. It is pointed out how ordinary people felt great because they went only for the sex, not beauty, something that is not the case in most other venues in the city where beauty and style is the dominating reason of being seen at those places. Plato's Retreat only lasted a few years at the Ansonia, then it relocated to a 34th Street location, but by then all the hype and the fear of contracting AIDS took a heavy toll on the people that went there for the anonymous sex that could be found there.
Roland E. Zwick
Anyone who ventures into "American Swing" expecting to see a documentary on Benny Goodman is in for one hell of a rude awakening - and that's putting it mildly. For the "swing," in this case, actually refers to the "wife-swapping" phenomenon that swept through middle-class suburbia in the 1970s. And no figure did more to popularize that trend than Larry Levenson - the "King of Swing" as he came to be called - whose "live sex club," Plato's Retreat, located in Manhattan's Upper West Side, served as the epicenter for so much of the action.Let it be stated right up front that this eye-opening documentary is not for the prudish or the easily offended, for its footage is graphic and its language raw, often akin in its look to crude 1970's porn. It takes us straight into the heart of a scene that became famous for its flagrant nudity, its unbridled group sex, and - if the eyewitness accounts are to be believed - its really bad food (apparently, the smorgasbord that kept bringing the people in was of quite a different kind!). Directed by Matthew Kaufman and Jon Hart, the film features interviews with many of the now-aging club regulars who happily regale us with tales of their personal escapades there. A number of celebrities who frequented the club, as well as certain reporters and broadcasters who covered the beat at the time are also interviewed."American Swing" is most interesting as a social document, showing how the "free love" ethos espoused by the hippies in the 1960's expanded into the mainstream a decade later. Suddenly, ordinary businessmen and housewives, truck drivers and longshoremen could partake in the life of the sexually liberated. In his own mind, Levenson sincerely believed that he was serving a salutary purpose with his club, providing couples who didn't want to be stuck in a monogamous relationship with a more honest alternative to "cheating." It is not the intention of Kaufman and Hart to judge the people who took part in what Plato's Retreat had to offer, but neither is it their intention to shy away from some of the less savory consequences that eventually overtook many of them: principally, the diminution of romance, rampant drug abuse, and the spread of disease. In fact, it was the sudden appearance of AIDS in the early 1980s that brought the decade-long love-train to a screeching halt. That, along with Levenson's own troubles with the IRS (including time spent in prison for tax evasion) and possible dealings with the mob, is what eventually brought an end to the place - and to the era of licentiousness that helped to spawn it.So, was Levenson a trailblazing sexual revolutionary who made it possible for otherwise ordinary middle-class people to live out their wildest fantasies? Or was he an emotionally stunted individual who cast away the mores of society in a bid to fulfill his own kinky desires and make a kingdom and a name for himself in the process? To their credit, Kaufman and Hart provide no easy answer to those questions, neither for the prigs in the audience nor for the libertines.All same for the movie itself - for even though Levenson's life ends sadly, "American Swing" does not play out like the typical cautionary tale. For, in the end, we are left to reach our own conclusions as to whether Plato's Retreat was in reality a hedonistic paradise or merely a moral cesspool - or, indeed perhaps, a little of both.The only thing you can really do is check out "American Swing" and make that determination for yourself.
