A Song Is Born

1948 "...with the hottest men in music - beating out the rhythm with'm!"
6.9| 1h53m| NR| en| More Info
Released: 19 October 1948 Released
Producted By: Samuel Goldwyn Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The story of seven scholars in search of an expert to teach them about swing music. They seem to have found the perfect candidate in winsome nightclub singer Honey Swanson. But Honey's gangster boyfriend doesn't want to give her up.

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Samuel Goldwyn Productions

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Reviews

Micitype Pretty Good
Acensbart Excellent but underrated film
Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Maleeha Vincent It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
MartinHafer Annoying intro bit with bookish Kaye and the dopey song opening is VERY similar to "Ball of Fire"--and with subpoenaed boyfriend--awfully soon for a remake. strong focus on black musical acts of the day--including Louis Armstrong and Lionel Hampton is that Mayo singing? If so, nice voice liked the music but it did make the film meander a lot--which is bad, as the original film was about the same length WITHOUT the music very multi ethnic"Ball of Fire" is a fantastic classic film. In my review, I gave this one a 9--but nearly gave it a 10 because it was THAT good. The film is a very clever reworking of the Snow White story--set today and with gangsters!! It is an adorable film from start to finish. "A Song is Born" is a remake, and, like too many remakes during this era, it came out not all that long after the original. Now considering that the original was just about perfect and starred Gary Cooper and Barbara Stanwyck, what sane person thought this Danny Kaye remake was a good idea?! Sure, it's pleasant enough--but not nearly as good as the real thing.Both films have plots that are just about identical. A gangster's moll (Virginia Mayo) is hiding out from the police because they are trying to make her testify against her scum-bag boyfriend (Steve Cochran). On a lark, she moves in with a group of professors. In the original, they were working on an encyclopedia--here they are music professors cataloging music. One of them, the youngest (Danny Kaye) eventually falls for this lady--which is a severe problem since her boyfriend is a nut! How does it all work out--see the film.Because this film is less a comedy and more a musical, the film has guest appearances by some pretty amazing musical talent--such as Louis Armstrong, Lionel Hampton and Benny Goodman! It was also impressive because this was a very multiracial cast who interacted like old friends--something unheard of in 1948. The problem with this, however, is that because there is so much music, there is far less time with comedy--and the adorable old professors were far less adorable and lovable here. The only major plus of this ensemble cast of professors was Danny Kaye. While he was not nearly as good as Cooper, it was sure nice to see Kaye in a MUCH more understated and subtle role than usual. Overall, I'd give this one a 6 (which might be a bit generous--my wife thinks it only earns a 3). It is entertaining but is so unoriginal and unfunny that I say just watch the original and be done with it.
jailbyrd I fell in love with this movie first viewing it as a kid several years ago. I am surprised TCM does not air it more often. Danny Kaye plays a stuffed shirt music professor who lives with 5 other elder professors.Kaye sets out to document the history of Jazz music visiting clubs and inviting the musicians he has heard to several daily "jam" sessions to record music for a jazz library. He invites a lounge singer he meets,who is involved with a mob boss, and she winds up hiding out from the law at the professors house jamming with these musicians. This film is excellent for one good reason: the musicians invited are some of the best jazz players that ever lived. Clarinet player BennyGoodman, trombonist Tommy Dorsey, Vibraphonist Lionel Hampton, Pianist Mel Powell, and the great Louis Armstrong. There are also two vocal groups, guitarists and percussionists. If you ever had a dream group of musicians you wanted to see play together, you won't be disappointed with this film.One of the remarkable features of this film is not just that so many jazz greats were in it but that they were able to play together in the first place. This movie was made in 1948 when segregation was very much in force. Many of the great white jazz musicians of this time could not play on stage with the black musicians. The clubs white musicians played at did not allow blacks in them or they had to enter through the back door. Most of the time it simply was not allowed. So many great white jazz players who admired Armstrong and Hampton could never play with them because of this. Watch this film though, every jam session you see all the musicians present, black and white, are so engulfed in the music, no one even notices black, white or whatever. Just great music and a lot of fun! The back story is a little silly with Mayo on the lamb from the DA and hiding out at Kaye's residence. Kaye falls for her , playing naive and clueless to her motives. But of course they will wind up together in the end. Mayo looked beautiful in this film,great body! But the real draw is all the musicians. If you're a lover of jazz or even just music, this is a true gem to watch.
drednm Long, dull remake of BALL OF FIRE by the same director (Howard Hawks) just 7 years after the original Gary Cooper/Barbara Stanwyck starrer. Why? Danny Kaye mercifully doesn't do his accent schtick patter songs here but he doesn't do anything else either. Plus he can't act. Virginia Mayo does better and tries to inject some life into this DOA turkey. The only time the films has a spark of life is from the music.Such major musicians as Louis Armstrong, Benny Goodman, Lionel Hampton, Mel Powell, Tommy Dorsey, Louie Bellson, Charlie Barnet, and supporting actors like Esther Dale, Mary Field, and Hugh Herbert spark some interest, but the story is too familiar, the ending is excruciatingly drawn out, and the story is almost a scene for scene remake of the better, earlier film.WHY?
bkoganbing I'm truly dating myself but back in the swing days there was a bandleader named Sammy Kaye who used that as his band's slogan. Otherwise my title would have been the tag line for this film.It was only seven years earlier that the original film, Ball of Fire also came from the Sam Goldwyn Studio. In that one Gary Cooper was one of several professors who were putting together an encyclopedia. His specialty was linguistics and he selected Barbara Stanwyck to help in learn new slang terms.Here it's a musical encyclopedia and Virginia Mayo stumbles into the lives of the sheltered professors putting this history together. They've led such a cloistered existence that the whole jazz era has passed them by. So Kaye in the Cooper role and another professor played by Benny Goodman with Mayo get some of the best to help them along.A Song is Born is a pleasant although a previous reviewer is correct in saying that Danny Kaye is far more subdued than usual in this film. But anytime you can get Benny Goodman, Tommy Dorsey, Louis Armstrong, Charlie Barnet, and Mel Powell together for a jam session, the film automatically becomes worthwhile.This is for every fan of jazz in the world.