A Minute to Pray, a Second to Die

1968 "That's all McCord gives them!"
6.3| 1h58m| R| en| More Info
Released: 01 May 1968 Released
Producted By: Documento Film
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Synopsis

A famous gunman decides to change his life around and turn himself in when amnesty is declared by the new governor of the New Mexico Territory, but a vindictive sheriff sets out to stop him from reaching the Territory.

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Reviews

Claysaba Excellent, Without a doubt!!
Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
zardoz-13 "Sugar Colt" director Franco Giraldi's above-average Spaghetti western "A Minute to Pray, A Second to Die" is grim and cynical with a trio of Americans: Alex Cord, Arthur Kennedy, and Robert Ryan. Composer Carlo Rustichelli contributes an atmospheric score, and "Keoma" lenser Aiace Parolin makes everything look Euro-western cool. All the shots are perfectly composed with regard to the players on camera and the arena of action. Louis Garfinkle, who later provided the story for Oscar-winning Vietnam epic "The Deer Hunter," Ugo Liberatore of "The Tramplers," and Albert Band of "The Hellbenders" have written an exciting western about an outlaw, Clay McCord (Alex Cord), on the dodge. Bounty hunters flock after McCord and his partner Fred Duskin (Giampiero Albertini of "Commandos") and beat them at a mission. McCord knows Father Santana who runs the mission, and he is bringing him a bottle of whiskey. Two bounty hunters, Jesús María (Aldo Sambrell of "Navajo Joe") and Sein (Antonio Molino Rojo of "A Bullet for Sandoval"), kill the monk in cold blood. These bounty hunters are so bad that they remove the body from the head and stuff it into a bag rather than drag an entire corpse around with them. The bounty hunters try to ambush them. Sein masquerades as a priest, but Clay is too quick for them. He guns down Sein, and Fred takes care of Jesús. The fly in the ointment is that Clay suffers from tremors of the right arm, like the John Wayne character Cole Thornton did in Howard Hawks' "El Dorado." Clay takes refuge in the border town of Escondido. Incidentally, Escondido is run an imposed hombre named Krant (Mario Brega of "A Fistful of Dollars"), and he is no friend to McCord. The scene where Clay is walking with a bottle in his hand that casts the reflection of a desperado posed to shot him in the back with a rifle is neat. The story is peppered with flashbacks, and we learn how Clay turned into a swift-shooting, crack-shot of a gunslinger. Clay's poor ailing father is ridiculed and dragged unceremoniously through the streets while suffering a seizure. Clay snatches a six-gun and blasts away at the bastards.
spider89119 "A Minute to Pray, A Second to Die" is a quality spaghetti western with a solid cast and an interesting storyline. It is filmed beautifully, with a relatively high production value for a film in this genre.Alex Cord does a terrific job portraying Clay McCord, an outlaw who is suffering from increasingly debilitating seizures. He is seeking amnesty before his enemies close in on him, but is being too cocky for his own good when he asks for it. Robert Ryan delivers the best performance in the film as the governor of New Mexico. Mario Brega and Arthur Kennedy are also great here.This movie is very good, but it doesn't stand out to me as being one of the best spaghetti westerns out there. It's lacking too much in style to be in the same league as any of the great ones. It does have some cool spaghetti overtones, but overall it's a bit too much like an American western. This is especially evident in the music score, which is OK as movies go in general, but pretty dull by euro-western standards. The soundtrack kind of reminds me of the music from "The Unforgiven." Although there is an interesting story here, it is told in a manner which is a bit too conventional for my tastes. If a spaghetti western fan and a Hollywood western fan had to watch a movie together, this one would be the perfect compromise.All of this is not to say that anyone should avoid this film. I did enjoy watching it very much. As I said, it is a very well-done film and I recommend it to anyone who likes westerns, spaghetti or otherwise.
boardwalk_angel 118 minutes...was claimed on the DVD......but it only runs 98. The 20 minutes cut seems to have made a very choppy...rather unabsorbing film out of what apparently..with the INTENDED..(but chopped off here) ironic ending.. some nice bits..and a very good performance by Robert Ryan..a wonderful actor...could have been at least a pretty good film. As it is now...it's confusing.....and discordant...and exceptionally ordinary..a harkback, visually & musically, to the Hollywood carbon copy Westerns that Italy used to churn out before the 3 Sergios started weaving their magic. It was nice to see Arthur Kennedy & Ryan shoot it out with the bandits at the climax...and Alex Cord had a few good moments of action...other than that...a very forgettable film.
Samoan Bob Alex Cord stars in this beautifully-photographed Spaghetti Western about a gunfighter with an arm that goes into epileptic fits under pressure. After a local town decides to give amnesty and $50 to gunfighters that give themselves up, Cord strongly considers giving up his run-n-gun lifestyle. But of course there's bounty hunters, bandits and lawmen who don't exactly take a liking to that so Cord is gonna' need a lot of bullets. The action sequences are average for a Spaghetti (good guy shoots a bunch of times, bad guys throw their arms straight into the air and spin around) but the direction is quite good and the storyline is intriguing. Robert Ryan shows up to kick some ass and add some class to the proceedings. 7.5 out of 10