A Bright Shining Lie

1998 "In war as in life, the difference between truth and deception is what a man allows himself to believe."
6.4| 1h58m| en| More Info
Released: 30 May 1998 Released
Producted By: Labrador Films
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Something in his past keeps career Army man John Paul Vann from advancing past colonel. He views being sent to Vietnam as part of the US military advisory force a stepping stone to promotion. However, he disagrees vocally (and on the record) with the way the war is being run and is forced to leave the military. Returning to Vietnam as a civilian working with the Army, he comes to despise some South Vietnamese officers while he takes charge of some of the U.S. forces and continues his liaisons with Vietnamese women.

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Reviews

Solemplex To me, this movie is perfection.
Hottoceame The Age of Commercialism
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
sfdphd This film is interesting in comparison with Go Tell the Spartans, which came out 20 years earlier in 1978. The earlier film starred Burt Lancaster, who is less than gung-ho, unlike Paxton in Bright Shining Lie. What is similar in both films is the way both men begin to realize that what is really happening on the ground in Vietnam is quite different than what the administration is telling the public and the administration refuses to hear the truth from the soldiers on the ground, giving orders that actually get soldiers killed. Paxton's character just keeps upping the ante, refusing to back down, insisting that he can somehow win this war and work around the military leaders. Lancaster gives up on fighting the military leaders and just stays with his men in the field. In Court-martial of Billy Mitchell, Gary Cooper is another gung-ho soldier in an even earlier time period, the 1920's, just after World War I, when airplanes were new to the military. He wants to create an entire Air Force, which both the Army and Navy think is unnecessary. He somehow predicts a future when the USA's fleet at Pearl Harbor is attacked by bombs from Japanese airplanes (how did he guess that?) and foresees the need for a modern air force. He is willing to sacrifice his military career to get that message across. Again, a fascinating film in which the top military leaders refuse to listen to the soldiers in the field (this time in the air vs. on the ground) and these soldiers die because the leaders refuse to listen. These three films certainly show that the military is a pretty bad place for soldiers whose lives may be unnecessarily sacrificed by the commanders who refuse to listen to the people actually fighting the war.
Alex-372 This movie recounts the life and times of John Paul Vann, one of the movers and shakers of the US's non-military programs in the then South Vietnam. Although made in 1998, the movie has a very early to mid-1980s feel to it where production values are concerned and seems to be ignorant of and learned nothing from any movies and series made on the subject since (Tour Of Duty, Off Limits, 48 Charlie Mopic, even Hamburger Hill). The only really good effect was the artillery explosions when Vann apparently called in artillery on his own bunker.A much more interesting and exciting movie could have been made of another book on the non-purely military aspect of the Vietnam conflict (which was essentially economic and political in nature and solution) is Orrin DeForest's "Slow Burn", a book about the much neglected area of military and political intelligence. It has intrigue, suspense, intelligence, (real) romance and comradery that in this movie is only touched on.Anyway, because this movie is based on a book, it has a rather shallow feeling, because again (as usual) the director tries to put in too much, and doesn't connect the material and scenes in a way that is anything other than chronological. He should have picked the ones that could have blended together into a more interesting story.
jkchou For a TV Movie, this film was good. The film didn't look amateurish and the overall quality was generally very good. One scene that especially stood out was when Bill Paxton rushed to the village only to see it get destroyed. However, this movie could have been much better. The most critical error of this movie is that it tries to cover too many elements and ultimately fails to fully address them to any satisfying extent. It lacked focus. There were a lot of good ideas, such as the hidden propaganda, the conflict of war strategy of various people, the familial problems, to the questionable moral and ethical values of the main character..., but most of them were dealt with not more than a dozen lines! In short, this movie needed to be more developed and needed another revision before it was released.
MarioB This TV movie is simply awful! There's no imagination, no innovation, the cast is bad (while Paxton tries hard to behonest), the story is weak and there's an army of clichés: Viet girls are easy to seduce, everybody's crying when the radio tells that JFK was shot. There was Apocalypse Now, The Deer Hunter, or Platoon, to tell everybody how stupid this Viet-Nam war was. But in the 1990's, HBO produce this movies in a very conservative way, for very conservative people, tryin' hard to find a patriotic hero for this nonsense war. This movie is an insult for the young people who died at this war. The 1990's are a very very sad period...