Nonureva Really Surprised!

ChanBot i must have seen a different film!!

Noutions Good movie, but best of all time? Hardly . . .

Intcatinfo A Masterpiece!

Deadiron29 The debate about the effects of violent video-games on people had existed long before GTA (when Mortal Kombat was released it was the first time I personally heard about it) but, with GTA something changed that made the debate much more heated and aggressive. Conservatives all over the world were open arms about how these evil games were turning the children into potential killing machines. Jack Thompson although not the only one, was the more well known among these people.The movie starts one day after the release of Vice City and spans across all the creative process and release of San Andreas. Within set time frames two plot lines are follow, the legal battle between Thompson and Rockstar, and the development of San Andreas. These plot lines flow nicely and never feel too slow-paced.I was surprised at how balanced the film was, it does not takes any sides and does not portray Thompson as just an asshole, it shows a man who believes he is doing the right thing (whether or not is truly the right thing is for us to decide) And although this story does have objectively a winner at the end, the effort of presenting the event fairly and not in a one sided manner is something to applaud for.Daniel Radcliffe is good as Houser. I cannot say it is a remarkable performance. The same goes for Paxton's character although he projects a lot more energy into the role but, that has to do more with the way the character is written than anything else the supporting cast does the job but, there is no one particularly memorable.The influence of The Social Network in this movie cannot be denied and its one of the reason some people have criticized this film strongly, stating that is just a carbon copy of it is not. The influences are present in the tone of the movie but, saying it is a carbon copy of David Fincher's film is more than a stretch.All things considered, The Gamechangers is an entertaining TV movie about a controversial subject which remains still. I doubt it will be a classic by any means but, it does the job of telling the story in a fun an effective manner.

rabbitmoon Stories about ideas are fun. Watching the evolution of an idea to success and the aftermath captures something exciting about being human and having the power to create and act. I think of Cobb in Inception, saying "what's the most resilient parasite? An idea". And of course, one of the best movies about ideas is David Fincher's The Social Network. Unfortunately, the writer here is no Aaron Sorkin. The central conflict of the story is Houser vs Thompson in a debate that's not particularly explored in any meaningful way, nor concluded with any sense of satisfaction. It all just feels slight and phony, like it was made for 13 year olds. Radcliffe looks like a college kid on work experience, and strangely looks better suited to Chris Morris's Four Lions than a game development studio. He just never seems to have the depth or confidence to really sell a character. The Rockstar staff don't talk like people who have grown and worked together, knowing each other implicitly - instead they stick to turgid dialogue word for word because the director obviously didn't give any room for the characters to breathe or flesh out. Worst of all is how much it tries to emulate The Social Network. Shots of people tapping away on keyboards are given an electronic score that desperately wants to channel Trent Reznor's excellent score for TSN. The attempts to create an exciting atmosphere fall flat on their face though, because the script just isn't that interesting. Its probably the best they could do with a small TV budget and a nervous, possibly inexperienced crew, but it would have benefited from finding its own voice rather than copying better films and trying to be better than it really is.

Andrew Smith I'm usually a big fan of most of the BBC's output but I find it impossible to understand why when one side in the drama wanted nothing to do with it that they decided to proceed anyway and they did so with none of the explanation or background that would've humanised the staff of Rockstar Games.To deem the drama factual is laughable, almost every person depicted was a characterisation in one way or another (sharp-suited, curt lawyers / scruffy game developer / insomniac gamer)… In fact so little character development occurs I don't even think it's correct to classify it as a drama.I think the biggest failure was the disconnect between the over- clarifying language used throughout and the areas where the message was lost because of a lack of consistency with that format… Namely that at no point was it spelled out that the game was not being sold to children but being purchased by adults. They were happy to allow the opposition to repeatedly (to the point of nausea) claim that the game was corrupting their children but never in their otherwise blanket exposition state that the game wasn't aimed at or allowed to be legally sold to children.There were things it did well such as stating that no firm links exist between violence in media and reality and depicting the difficulties faced by the opposition lawyer who brought the case and his family however these failed to make up for what was otherwise a rushed overview that failed to provide sufficient justification about Rockstar Games' motives or goals. How did they expect they could create a meaningful drama by trying to glean information from court documents and articles rather than speaking to actual people? I suspect the irony of the BBC failing to understand how a "factual" drama about a video game world without the input of any "real" individuals is lost on them.

joedouglashodgson Critics, even Rockstar themselves, have been very negative of the recent release (15th September 2015) of The Gamechangers. It has been slated for being poorly acted or not accurate to the real-life events or even just plain bad; but what these opinionated reviews are missing is the entire pragmatic of the film.The Gamechangers clearly states, without sounding like one of lawyers in the film, that the scenes shown have been altered for dramatic effect (or words to that effect) thus any point on how realistic the film really was is entirely out of the question, all that matters is that the events happened. Just happened. And what this film really did was present both sides of the argument in, for possibly the first time in the film industry, a balanced manner. In my personal opinion the film does not romanticise any aspect of the lives of each side of the GTA debate, which can be generalised to the entire argument of violent video games, and even if, as a viewer, the viewer feels they liked or were made to associate more with a certain type of character, or one side of the argument, more then they must ask themselves if a character on the opposing side could not be empathised with by a different type of person. In film, everyone feels a connection with a certain type of character and those characters vary. Some prefer the villain to the hero, the Joker to Batman and so on. Yet as the film finishes, which ever character you empathise with the most you cannot but feel as thought you are stuck in two minds, debating with yourself, about who really is the most respectable, honourable or even moral character in this tale. The plain exclamation that --- remains on death row seems to provide a led weight on the conscious if you associate more with the GTA team or, conversely, the amount of money and respect Rockstar still gain, as is stated, provides a balancer for those who associate with the moral movement against violent video games for developing minds. Either way both sides have characters presented as mad, immoral and ugly whilst also portraying aspects of good, revolution and development.In essence, this film has provided a non-biased ending, which the viewer can take away not a sense of excitement or pleasure from their film but rather leave in a contemplative and quizzical state. And that is rare for modern film. This picture has, as is the aim of many of the characters, broken down barriers and revolutionised real-life based film. But the question after you have balanced your moral scale and decided on a place to stand is why have films documenting real events not provided as bleak and factual interpretation as this one previously? Real-life dramas should let us make up our own minds. And I believe this film has taken the first step in letting us do so.