Jeanskynebu the audience applauded

MamaGravity good back-story, and good acting

Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Dana An old-fashioned movie made with new-fashioned finesse.

haildevilman This would have been better titled "1988 with 1969 fantasies." The opportunity to re-do the sixties idealism to a new crowd was squandered here by stereotypes. It was clear the writers and/or producers got their ideas from nothing but a few library books.While the attempts to not go OTT with the fashions was honorable, they didn't go far enough. A few short dresses didn't cut it.And the older brother becoming an MIA was so predictable it was pathetic.The best thing about this flick was the soundtrack. I could listen to Cream's "White Room" all day.I kept waiting for Keifer to repeat Daddy Don's line from "Kelly's Heroes." "Give me those positive waves." Shaky at best.

MisterWhiplash I only watched 1969 late night one night because the title indicated to me that it might be a film dealing with the issues of the time in the year with sincerity or promise, or even as a documentary. I didn't know how the film would go after the first couple of scenes I saw, but Bruce Dern seemed formidable enough to keep a watch. When the credits started to roll though I thought to myself, "what a cliché ridden disaster this became, why did I stick with it?" I guess I stayed tuned because the actors seemed promising enough- Dern in a supporting role as a hard-nosed father, his son in the lead played by Kiefer Sutherland, his cocky best friend played by Robert Downey Jr., and his beautiful sister played by Winona Ryder. Sutherland's character, Scott, decides he doesn't want to go to Vietnam like his brother, so he enlists into college with Downey's character, Ralph, and the two begin to discover what they've been sheltered from- free-love, drugs, and soon enough sex. Some of these early scenes seemed to look kind of silly, but I enjoyed the (partly obvious) soundtrack and thought if I stayed with picture (instead of flipping to a different, better movie) it might pay off in the second or third act. I got proved wrong, as line after line and moment after moment seemed to lower my expectations, and the characters headed towards an last scene that made me want to puke in my lap.The probable cause of the pits in this movie come from writer/director Ernest Thompson. I don't know who he is really, and I haven't seen any of his other efforts as a filmmaker, but it looked as though he was either tapping into his own by-the-numbers first account of the turmoil that went with coming of age in that year, or was tapping into the memories of other baby boomer yuppies who still try to think back to when they wanted freedom before gluing themselves into the "me" generation. The players tried to do what they could, a couple of scenes had some laughs, and I grinned at a line or two from Downey Jr. Yet I couldn't get over how much the movie hit its well intentioned points home with near propagandizing techniques. To sum it up, this is absolutely the soapy, "made-for-television" version of what life was like in 1969. If you want the truer, earthy version(s) see Woodstock or Easy Rider - those two may be folklore at this point for that generation, but at least they work as being entertaining thirty-four years later to the following generation. Grade: D

karmacoupe i can see why some people dislike this movie, but i enjoyed it.good stuff: music (CSNY, Canned Heat, Creedence), costumes, subject, issues dealt with, cast! young Winona, Keifer & Robert Downey Jr., plus the van and cars, conflict btwn generationsbad stuff: melodramatic, simplistic, like a TV movie or Walt Disney.there was a 1999 'mini-series' (2-part) on cbs i think that was a lot like this. ie; it's more a TV movie than an Easy Rider or Platoon. If you go in with the 'TV' mindset i'm sure you'll enjoy it if you like this subject and/or era -- the Vietnam War and its effects on American families. i only knew of this era thru documentaries and books, but living in America in 2003, there are real war-tearing familial similarities that are only likely to get more exaggerated. seeing a portrayal, even a 'TV movie' version, just helps a little bit.

Paul Weissman Mediocre film about two young men coming of age in the title year. The acting is fine, obviously, considering the cast, but the script and direction pummels every point home with all the subtlety of a good Pete Townshend guitar smash. P.S.- - any scene in any film that uses the opening stanzas of the Hendrix version of "All Along the Watchtower" gets your adrenaline flowing. Didja ever notice that? (It happens once here)