Stellead Don't listen to the Hype. It's awful

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Yamil Chuaire Well, I was with my friends and we wanted to have a spooky night, so we went to the movies store and while we were searching I found this. I liked the cover so we choosed this and "Dorothy Mills" (Another crappy movie BTW) First of all, the budget is low, so low, I'm pretty sure the director paid the movie with his McDonalds part time salary. Don't say just because is an "indie movie" you can't expect a gr8 acting and effects, 'cuz is not true, the acting was horrible, it was creepier than the movie, the ghost were stupid, I don't know why a ghost from hell is going' to look like a broken TV screen and why the hell was always chewing a wood stick, Satan doesn't have some Tridents? Honestly, there's not a lot to say 'bout this movie, just don't make the same mistake I did watching' it, don't waste your time, your money, your energy and enthusiasm. I can say THE WORST MOVIE I'VE SEEN IN MY WHOLE LIFE (and I think it'll be 'till the day I die)

Anthony Pittore III (Shattered_Wake) On an all-night watch over a robbery hostage in an abandoned warehouse of a former film studio, a group of thugs are terrorized by unknown forces. At the start, numbers randomly appear printed on the walls. Then, when the hostage makes her escape, the kidnappers begin to turn on another looking for a suspected rat. Eventually, amidst the fighting and fear, the gang discovers the terrible and sinister secret the film studio once held. . . and who the other residents of the warehouse might be. . .Enticing cover art and an interesting synopsis have too often led me astray into the land of bad cinema. Before checking a single review or finding anything else about '13 Hours in a Warehouse,' I decided to give it a shot. After all, if they took the care and time to make a cover this desirable, I'd assume they did the same for their film (ignoring, you know, The Asylum productions and everything Ulli Lommel). And, when it comes down to it, I can't say I was disappointed in the least. While the film is inconsistent, constantly altering tone and mood to the point of seeming a bit muddled, the highest and lowest of the swings are the best parts of the film. The horror elements actually are scary and the comedy elements actually are funny. The writing's not too bad, though the dialogue between the thugs tries too hard to be Tarantino-ish (including a seemingly endless rant about Robin Williams for some reason), but it's entertaining enough where it isn't a complete put-off. The story is interesting and works pretty well. Also, the direction is above average from what is usually seen at this budget level. The acting, for the most part, is acceptable, but the actors do slip up and lose their flow every once in a while. There are some nuisance problems like the annoying lapses in realism that occur throughout. For example, why would what looks like thousands of dollars in expensive film equipment be left to collect dust in an abandoned warehouse? Also, if a man commits suicide in a place, wouldn't the police perhaps investigate as to why? Maybe watch some of the tapes that are sitting around to see if there was anything shady going on? It's stuff like that that can really ruin the enjoyment of a film, but I was able to suspend my disbelief enough to look past it for the most part. . . actually, that's how the entire film turned out for me: Suspended disbelief = Enjoyment, and this was an entertaining enough film.Final verdict: 6/10. Not too shabby.-AP3-

tedthumb I have no idea where to begin because every part of the movie I watched was bad. It's rare when a movie doesn't have one good thing a viewer can say about it. I'm a fan of low budget movies that aren't from tinseltown. 13 Hours in a Warehouse only backs up peoples opinions on low budget movies that they are made by people that don''t know how to make a movie. Director Dav Kaufman's attempt to borrow a plot from Reservoir Dogs and make it a sorta horror movie did not work. Bad guys meet up in a warehouse with a kidnap victim. Said warehouse was a used to make twisted type snuff films. You can figure out what happens from there. I am 100% agreement with another reviewer that said Meisha Johnson stunk as the victim. Director Dav Kaufman for what ever reason took some kind of high ground by not following the B grade low budget horror formula. There has to be some kinda nudity. 13 Hours in a Warehouse tries to take itself to seriously. Don't waste time on this movie.

edward sanguinetti Just imagine you and your friends, a bunch of cinema fans, have time to kill, and one comes out with the idea: let's make a zero budget movie. If you are in this mood this movie is an absolute must: you will get a lot of good hints and a (short) list of things to avoid. And dream to be as good a beginner as this Kaufman is. You will need a location: if it is good you can just write the script inside it, by night. An abandoned, gloomy, brownish, creepy warehouse would be perfect; you can have it for just a few beers. The genre, of course, horror/fantasy to avoid the traps of intimate dramas, or the costs action movies. With a wise script special effects can be very simple and at the same time so pertinent to their background to be unarguable (when you see them in this movie, just reflect how they are obtained and what's the relationship with the story). The movie has apparently no pretensions, the language is simple, the end may be imagined, the use of cinematographic archetypes abundant, citations range from Charlie Chaplin (a character features this across the whole movie, and, please don't think it's naive or stupid, on the contrary, it gives a special flavor) to the standard up-to-date gore. A partial theatrical approach also helps giving some structure, but in the whole, it is the location that keeps all together. There are nice ideas here and there that put salt in the soup, some scenes that need a bit of cleaning, the suspense is always alive. A film to look with critical eye to fully enjoy it. But if you are a lazy consumer and like the genre, it is worth the price anyway.