The Thin Blue Line

1995

Seasons & Episodes

  • 2
  • 1
  • 0
7.5| 0h30m| en| More Info
Released: 13 November 1995 Ended
Producted By: Tiger Aspect
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.bbc.co.uk/comedy/thethinblueline/
Synopsis

The Thin Blue Line is a British sitcom starring Rowan Atkinson set in a police station that ran for two series on the BBC from 1995 to 1996. It was written by Ben Elton.

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Reviews

GamerTab That was an excellent one.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
lordmelbury It's incredibly odd how Ben Elton's writing went so seriously downhill with this series. It's not written with Richard Curtis as Black Adder was and this must be one of the reasons it's so clunky & old fashioned. Rowan Atkinson was brilliant throughout all of the Blackadder series' and his performance here is still quite impressive but the overall effect leaves one feeling immensely underwhelmed. The end-of-the-pier humour sounds like it was taken from an episode of Terry & June circa 1979 - probably funny to some people but in an era with shows like Seinfeld for competition it's just not good enough. I'm quite surprised how many people think it's funny. If you are a fan of more modern shows like Partridge / Nighty Night / Curb etc then you're really not going to be at all impressed.
mcw2112 As an American I have no problem with saying that British sit-coms are light years ahead of the crap that plays well here in the U.S. After being a huge fan of "BlackAdder", I was reluctant to buy "Thin Blue Line" for fear of being let down because "Blackadder" was so incredibly good, especially "Blackadder Goes Fourth", but I was immediately taken with these characters and the crisp, witty writing. With America's lame sex-coms, uh... I mean sit-coms being so sophomoric and so completely predictable, it's always a breath of fresh air to watch a Brit-com. I'd rather watch "Red Dwarf" or "Thin Blue Line" repeatedly than most of the tripe offered on the major U.S. networks these days. Brit-coms are funnier, smarter and always more colorful. If you love brit-coms don't miss this little jewel!!
TheNegotiator Sorry to be contrary, but this one is a stinker, Atkinson.It's one of those frustrating things. You know when a supermodel picks you up in a bar and drags you back to her lush 10 million pound apartment, mixes you the best rum and coke you can imagine and then, as she kicks her shoes off, you note that she has 8inch long toenails and hairy feet like a hobbit..? Yeah? This should have been SOOOOOO good. Atkinson is a comedy genius. Though I do not like Bean, I recognise it is very well done. I love Blackadder and he makes that. The supporting cast are also exemplary. David Haid as Grim is as excellent as the script allows him to be.Mina Anwar and James Dreyfus were newcomers at the time and you could see that they were going to make it. Dreyfus has to a degree with Gimme, Gimme, Gimme. It mystifies me why Anwar hasn't yet hit big, probably not getting the roles that would allow her to.Maybe it's me. I just don't like mild comedies like this and Last of the Summer Wine.
budikavlan This series was a bit of a step back for Elton and Atkinson after the audaciously original Blackadder and Mr. Bean series. The Thin Blue Line is an old-fashioned farce set in a city police station. That's not to say it's bad--it's actually very funny, just not anything groundbreaking. A lot of the humor derives from playing stereotypes against themselves: our heroes are bumbling cops who manage to make fools of themselves while eventually solving the crimes and making fools of the bad guys (not to mention the detective division) in the end. Goody, who could be described as a flaming heterosexual, manages to combine a full repertoire of "nelly" mannerisms with a hopeless crush on Habib. Habib herself is both a stereotype (attractive young female character constantly pursued by almost every male character) and a skewerer of stereotypes. This show has its cake and eats it too, but the viewer is too busy laughing to question any of it. And in the tradition of the best British farces, it goes to unbelievable lengths to track down and hammer home every conceivable double entendre and smutty one-liner. When one finishes groaning and/or laughing, one can't help but admire such perseverance in the pursuit of craft.

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