The Spoils of Babylon

2014

Seasons & Episodes

  • 1
6.7| 0h30m| en| More Info
Released: 09 January 2014 Ended
Producted By: Gary Sanchez Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website: https://www.ifc.com/shows/the-spoils-of-babylon--1000021
Synopsis

Follow the saga of Cynthia and Devon, two siblings whose intense love drives everything and everyone around them to ruin.

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Director

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Gary Sanchez Productions

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Reviews

Cubussoli Very very predictable, including the post credit scene !!!
CommentsXp Best movie ever!
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
withnail-4 The first rule of satire is that satire must be more self conscious than the material being satirized. The slipshod production of Spoils is far worse than any actual 70s mini-series. What Garth Marenghi's Darkplace has that this does not is it reveals the syntax of shoddiness: what bad, lazy, pompous film looks like, revealed by nuanced, subtle, detailed observation. The average 70s miniseries is much better made than this show. If you liked the concept of this show, but hated the lazy, stupid, derivative execution, I would recommend Danger 5, and Garth Marenghi's Darkplace as similar ideas done earlier and infinitely better.
Scott_Mercer Glad to see that Eric Jonrush's "The Spoils of Babylon" has finally gotten out to the wider public. Sure, it's been available for years on the collectors' circuit, on shabby VHS dubs from shady dealers at shadier fan conventions, but now, finally, it can be seen in its original fidelity and quality.Which really isn't that much better.There's a reason why certain projects get released, and others remain on the shelf, whether that shelf be in an air-conditioned film vault in a major movie studio or in a pawn shop. SOB is a case in point. And apparently, Eric Jonrush has reached that point; desperate, pining for former glories. A sad, obese old man draped in tent-like garb, swilling mid-priced wine and flirting with waitresses one-third his age. We see this much in the recorded introductions to the episodes of this mini-series.I actually had not ever bothered to track down any of those low fidelity bootleg tape versions, usually made from a single, unauthorized broadcast on an Indonesian cable channel in 1987. But, I must admit, I was curious.Though I had not read any of Jonrush's source novels, I had seen several of his potboiler films. Those were all much better than SOB.I frankly wallowed in the cheesiness of "The Barbarian Hordes," his Roman A Clef expose of his time working in the advertising industry on Madison Avenue, in retrospect an amazing precursor to "Mad Men." TBH had the distinct advantage of being written by a direct eyewitness, but the distinct disadvantage of being written without any talent. It's a nutty conflation of The Man In The Gray Flannel Suit, Darren Stephens from Bewitched, and the worst parts of The Fountainhead, without any of Ayn Rand's subtlety. And, yes, lots of sex scenes thrown in.I stood in awe of his most widely seen film, "The Stuff That Dreams Are Made Of," the sweeping, star-studded epic about the early days of the Hollywood studio system. Most famous for its bizarre casting of then current stars playing stars of the past. (Kate Jackson as Mary Pickford! Tom Selleck as Charlie Chaplin!) I spent weeks trying to puzzle out the complicated wonders of "The Aubergine Conundrum," his police/spy/detective/murder mystery/courtroom drama: equal parts Perry Mason, The Maltese Falcon, and Rowan and Martin's Laugh-In.But those productions had notable advantages over SOB: they were produced by major studios and had decent budgets behind them. Though SOB (the novel) did show up on the bestseller lists, it wasn't the kind of runaway hit that has Hollywood beating down a writer's door. And with only three television networks at that time, the available slots filled up fast, especially for tent-pole productions like sweeping, multi-part epics.Jonrush, seething to get SOB made, could not take the rejection and put up his own money to complete the production. His caviar tastes and baloney budget forced him to cast little known actors, including his then-wife, Laureigha Samcake, and low profile soap opera hunk Dirk Snowfield. Samcake is way out of her depth, but she tries her best. She's even out-acted by the mannequin playing Lady Anne. Yes, in one case, Jonrush's limited budget meant that for one role, he could not afford to hire an actress, only a voice over artist. Only Samcake's endless fashion parade of ever-changing wigs keeps her afloat. Snowfield is not much better, with his accent that wanders more than Jack Kerouac and his Bob Dylan hairpiece. The decision to use scale models for sets rather than stock footage is a curious one, especially when it is discovered that a crew of Old World craftsmen was flown in especially from Switzerland to construct each model by hand out of thousands of matchsticks, which Jonrush paid for in Krugerands.Believe it or not, the writing is actually the least awful thing about SOB. After a while I started getting into the story and the relationships between the characters. Would Devin wrest control of Morehouse Conglomerated from Cynthia? Would that little twerp Winston get what was coming to him? So many questions, and so little wine to find the answers.Why doesn't anyone try to film romance novels anymore? Here you have the response to that query, in full color. Advisable for Jonrush completists only.
mocrash Any fan of the Abraham-Zucker-Zucker send-ups who hated pretentious '70s mini-dramas should find some amusement in "The Spoils of Babylon." There's a ridiculousness to the entire project, including its heavy promotion, that plunges deeply into absurdity. This is parody that produces chuckles rather than guffaws, and the humor is in the details. Effort was expended to make every scene excessively cheesy, although when sustained at this extreme level can dull the senses. An excellent cast can be commended for executing such ludicrous material in the straight deadpan manner required.This is a show that doesn't work for those needing their satire to be clever or witty. Instead, TSOB bludgeons the viewer with the preposterous, from the overblown melodramatic dialog to the intentionally fake props and special effects to the blatant references to previous directorial styles.To best appreciate TSOB, take it at face value and don't expect more than what it is, which is unadulterated spoof without refinement or sophistication.
BlueCollarGoddess That's all. Just stunned at the stupid. No, wait -- allow me to express my dismay, my crushed hopes and dreams, my abandoned faith. A stellar cast that must have lost a bet, or was somehow blackmailed into doing a Saturday Night Live skit that forgot it was a skit and went on. And on. And on. And on. And you are forced to sit through it because, well ... because there are incredible celebrities with amazing talent and something has to happen that is genuinely funny. Right?I will admit to a hearty chuckle at the beginning. The first couple of minutes. I am embarrassed to admit that I watched two full episodes. What is that? 40 minutes without the commercials? I will never get that time back. In fact, this is the first review I have ever written for a television show, and I'm pretty certain I am doing it to prove to myself that the 30 IQ points I lost while watching can somehow be regained by engaging in an attempt to articulate my dissatisfaction, my bewilderment and disappointment. Unless that's the point? Was that it? Are we supposed to be dumbfounded and confused by the stupid? That has to be it. That's the only logical interpretation of this I can come up with.------------------------------- UPDATE: (following day) Perhaps I was a little harsh. In retrospect, and because I can't stop thinking about it, and Will Ferrell is a genius (seriously, have you ever seen the short "The Landlord"?) -- I began to consider certain elements of the entire spectacle. I don't want to give away important details but I began laughing. Just sitting here at my desk, in between work, I was busting up. And that means this is genuine comedy that works. I don't know who is more ridiculous now. Me? It? Them? The mannequin? The compass? Tobey Maguire creating his own sound effects in a fighter plane? The tiny sets made out of epic plastic toys from -- presumably -- old train kits? Okay, Will Ferrell. You win, again. This is a wreck I have to keep watching. Darn it.

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