Lucybespro It is a performances centric movie

Acensbart Excellent but underrated film

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

John T. Ryan FOLLOWING THE PREVIOUS animated television THE NEW ADVENTURES OF SUPERMAN by about 22 tears, this 1988 presentation was obviously influenced by the topical changes that are inevitable in any on-going character's feature with the passing of time. All things considered, the production team did a fine job in maintaining the spirit and true characterization of the SUPERMAN feature.AS WE COUNT them, this is the 3rd cartoon series to be produced under license from the publisher/copyright owner; being known variously as Detective Comics, Inc., National Comics/National Periodical Publications and (finally) DC Comics. That would include the two television productions and the outstanding 1940's theatrically released SUPERMAN Series from Max Fleischer/Famous Studios & Paramount Pictures Corporation.ALTHOUGH THIS SERIES was produced by the American company, Ruby-Spears Productions, the animation was farmed-out to one Toei Animation Services, LTD, a Japanese contracting full service studio. And a finer job they did with the series, indeed. Although the animation done was certainly not up to the level of a FANTASIA or to the outstanding work of the Fleisher Brothers (being Max & brother Dave), it was certainly in the very upper echelon of TV cartoon work and appears to have been a major force in raising the bar, pushing the envelope, improving the product, cookin' the soup, (enter your favourite cliché right here).THE REALLY FINE and truly comic book look of the artwork was no mere accident. We see that the production design was in the capable hands of veteran comics illustrator, Gil Kane. Virtuoso Kane was a longtime regular at DC Comics and was the original artist on the Silver Age (Hal Jordan) GREEN LANTERN. Although we cannot recall his ever working on the SUPERMAN Feature, he was more than vaguely familiar with it and how it should be rendered for the animation screen. His was surely the influence in giving Lois Lane a very appealing look, even more so than usual.IN ADDITION TO the physical appearance, this Ruby-Spears SUPERMAN had input from the Superman creative team of Jerry Siegel (writer) & Ioe Shuster (artist), who are credited with several of the episodes. Another writer we see credited is one Marvin Wolfman; who was a longtime comics fan and cut his teeth on the "joke-books" as a member of the "Boomer" generation in the 1950's & '60's. (We recall seeing his name on letters sent to the various publications during that period. Congrats on following a dream and getting in to the business, Marv! AS SORT OF a change of pace back-up and measure of comic relief, a SUPERMAN FAMILY TREE feature took up the final third of this Ruby-Spears production. It involved the unusual and mainly light-hearted situations that the Kents encountered in raising the Super-baby.FOR WHATEVER REASON, the series lasted only one season, which is such a pity, for it had so much of the SUPERMAN Saga to impart on the young kids; even to using the by then familiar theme from SUPERMAN THE MOVIE (1978)!

travybaby In my mind, this remains one of the very best depictions of Superman on TV, as well as one of the most faithful to a particular comics period.This series paid homage to both the Superman films of the '70s/'80s and the Superman comics series "reboot" of 1986-onward ("Man of Steel," "Superman Vol 2," "Action Comics," "Adventures of Superman," etc). The opening score and titles were stirring, based on the John Williams score from the films, updated for a Saturday morning action series. Marv Wolfman, one of the main contributors to the comics reboot (writer of "Adventures of Superman") was a perfect choice to be involved in this animated series. Overall, the series had a more mature feel while continuing to be very kid-friendly.Superman was presented as believable, strong, and iconic. His recurring nemesis was Lex Luthor in his megalomaniac/CEO incarnation. The Daily Planet characters Lois, Jimmy, and Perry were portrayed well. One of my favorite appearances was by Wonder Woman, and the story revolved around her home island of Themyscira ("Paradise Island"). Both her design and that of her mother Hippolyte were in keeping with the similarly rebooted Wonder Woman comic book series of the era, and it seemed like an equally well-done animated series could have been developed for her if handled the same.The one thing that is hard to believe is that this has not been released on DVD/Blu-ray! It deserves to be.

voicemaster71 After the SuperFriends and Scooby Doo left the Saturday morning airwaves in the fall of 1986, I pretty much stopped watching Saturday morning cartoons at that point since those were the only two that kept me tuning in. And since neither the Real Ghostbusters nor the Flintstone Kids seemed very promising to me, I "retired" and started sleeping in on Saturday mornings. I only returned to Saturday morning TV in 1988 for that one year only for one and only one animated show. A new animated show of Superman was something I was not going to pass up. I was 17 and in high school at the time, but so what! I loved this show. From what I can recall, this series was a gift to fans I suppose in celebration of Superman's 50th birthday that particular year. It had the theme music and the music style reminiscent of John Williams movie score from the Richard Donner/Christopher Reeve Superman movies. I honestly felt that the animation style Ruby Spears did was reminiscent of the Super Powers Team: Galactic Guardians series by Hanna Barbera a few years before. Sadly, Danny Dark was not back as Superman, but I felt Beau Weaver did a very impressive job as the voice of Superman and his Clark Kent was nerdy like the Chris Reeve version. After hearing him as Reed Richards/Mr. Fantastic on the 90's Fantastic Four, I could still see this version of Superman in my mind. Ginny McSwain as Lois Lane. LOL! What a rhyme. She was a voice director for Hanna Barbera and Ruby Spears and I guess she took it upon herself to do Lois. Memories of the SuperFriends lingered in this series when it came to the voice over cast. Jimmy Olsen is Mark Taylor, who on the SuperFriends was formerly Firestorm. Perry White is none other than former Batman TV writer Stanley Ralph Ross, who on SuperFriends was Gorilla Grodd and Brainiac in the Super Powers shows. And Lex Luthor, now a wise cracking billionaire tycoon is none other than SuperFriends voice alum, Michael Bell, whom I know best as Zan and the Riddler as well as many other characters on many other series. I felt this series was a combination of the movie Superman along with the post crisis John Byrne re envision of Superman, with Lex Luthor as a billionaire tycoon, Jonathan and Martha Kent being alive to see Clark as Superman. The Bruce Timm series and Lois and Clark would also do this. Unfortunately, we never saw Brainiac, Bizarro, Toyman, Metallo, or Darkseid. Other than Luthor, we saw only the Prankster and we did see General Zod. I especially enjoyed that one episode with Wonder Woman, who was voiced over by BJ Ward who played her on the Super Powers Team as well. The episodes were smashing and I also enjoyed Clark's growing and development stories from infancy to childhood to adolescence to an adult moving to Metropolis in the short little segment, Superman's Family Album. The only two things I didn't like. It only lasted one season. And after Wonder Woman's guest spot, I was hoping Batman would turn up voiced over by Adam West (Still thinking about the Super Powers Team episodes I guess). I also hoped for it because on the Prankster episode, the Metropolis baseball team was pitted against the Gotham Goliaths. Every popular Super Hero has one cartoon series that is ultra rare. For SpiderMan, I feel it's the 1981 solo series that aired the same time as Amazing Friends. For the Incredible Hulk, it's the 1982 cartoon. For the Fantastic Four, it's the 1978 series with HERBIE the Robot. For Batman, it's the New Adventures of Batman 1977 by Filmation featuring BatMite. But for Superman, the rarest series is this one. Superman books and documentaries never cover or mention it. This is another series that WB should consider for DVD release. All in all, this 1988 version of Superman is well....Super!!

Buzz-82 Nobody really remembers this animated Superman series because it only lasted for about 2 months. It was a twenty minute episode followed by a five minute "Smallville Journal" that told something about Superman's youth. This was the only time any series has even remotely attempted to remain close to the comic book.