Evengyny Thanks for the memories!

ChicRawIdol A brilliant film that helped define a genre

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

jonathan_lippman Nobody mentioned in their reviews that the wonderful Lilli Palmer played Natalia, the mother of Peter the Great, which gave her a golden globe nomination for best support, though she died before the TV miniseries aired on TV... Yes this was her last performance after a Forty year career in films TV and theater around the world.. She is terrific and her last scene, her death scene, is particularly poignant.. There has been criticism that the miniseries is not historically correct. OK but its a miniseries, not a serious documentary and so poetic justice is expected and acceptable. They did get the idea of who Peter was and what he did for Russia and that is what is most important. A wonderful cast in this lavish production and a marvelous chance to see the still beautiful Miss Palmer in her last role, even though she was already apparently dying of cancer and quite ill during the shoot. IT is a shame she did not live to see her nomination, which she lost.

Louisville88 Vanessa Redgrave plays a brilliantly wicked Sophia in this mini epic. I just purchased this film and watched all 6 1/2 hours in one setting and believe me, it didn't feel that long. The acting was good, and the story kept my interest. I'm surprised Maximilian Schell wasn't nominated for an emmy. Redgrave, as I stated, was just wicked and her facial movements were classic and evil as she watched Peter move up. I would greatly recommend this film for anyone. I've never been interested in Peter the Great, so this was a very interesting film that, as I've read, was full of falsehoods, which most bio pics are. I will admit that I purchased this because of Redgrave and so didn't know what to expect. It was, once again, a great film. Also, whoever did the make-up deserved that win, if i remember correctly, because when they aged Redgrave she looks exactly the way she does now. A must see for anyone with a free day.

Steve-602 The Polish commentator (see above) has it right. Some of the facts may be inaccurate but this is a superb film, visually and dramatically.Most important, the basic theme of a brilliant but eccentric and sometimes viciously cruel ruler who despite all of his shortcomings is determined to drag his country into a modern world is undoubtedly correct.Roosevelt and Churchill would have loved him. The Massie novel has been described as one of the most illuminating portraits ever of Russia as it really is.Too bad old Karl XII (actually it was a Swedish General namedLoewenhaupt) lost the battle of Poltava, but he did. And when Karlhimself fell victim to a stray battlefield bullet a few years later,one of his senior officers commented, "Gentlemen, the comedy is over."

DrMMGilchrist (Some historical spoilers, lest the unwary are taken in by this serial!) I first saw this on BBC1 in 1987, shortly before beginning my doctoral research on the historical iconography of the Petrine era, and it stood me in good stead as an unintentionally comic point of reference. Nikolai I, with his cult of Official Nationality and near-deification of Peter, would have *loved* this series; this viewer, however...Chronology, geography and characters are wilfully distorted, sometimes to comic effect. General Gordon, who strangely appears *without* an Aberdeenshire accent, gets to bed a Swedish belle - loosely based on Aurora von Königsmarck - and fight at Narva several years *after* his death. Peter picks up his future second wife at Azov, instead of in Peterburg after the Baltic campaigns. Tsarevich Aleksei, actually an 8 year old, is shown as a grown man at the time of the execution of the Strel'tsy and the banishment of his mother! But more often than not, the distortions are to show Peter in the best light possible. The reforming Regent Sof'ya and her highly Westernised, intellectual adviser Golitsyn are shown as conspiratorial opponents of change. (The casting of Vanessa Redgrave as Sof'ya is amusing if you know the portraits of the real Sof'ya, a decidedly plump young woman.) Evdokiya, Peter's harmless first wife, is depicted as a treacherous, frigid shrew. Tsarevich Aleksei - scholarly, consumptive, abused Aleksei - is played by Boris Plotnikov (who was superb as the Christ-like partisan hero of 'The Ascent' - did he need hard currency so badly to appear in this?) as a geeky, reactionary schemer with a terrible haircut. (Aleksei was actually strikingly handsome, with huge brown eyes and long dark curls.) Meanwhile, the corrupt, power-hungry Menshikov and duplicitous, torturing Tolstoi are depicted as lovable rogues, and Marta/Ekaterina as decidedly wholesome... The tough (and prematurely balding) young Swedish soldier-king Carl XII, who resembled a shorter Max von Sydow, is depicted as a vaguely camp cherub with golden curls. All stuff which would have gone down well with Nikolai I-era or Soviet historiography, but not with modern scholars in Western Europe or Russia.The series leaves a nasty taste with its automatic demonisation of anyone who tried to resist Peter: "blaming the victim" writ large. It even tries to enlist viewers' sympathy for him while he's watching his own son being tortured! The script is also clichéd and awkward ("I'll drag you kicking and screaming into the modern world!" says Peter on one occasion). Characters are depicted wandering around in traditional dress long after the Court had been dragooned into Western clothes, and there is no depiction of 'Sankt-Peterburg' itself, although it is talked about.If you have a warped and twisted sense of humour, this series is actually very funny, like 'Blackadder' played by a cast who don't realise it's a comedy. That's why I'm giving it 3/10, instead of just 1 - for black humour value. I had to laugh at it, or I'd have thrown a brick through the TV. The BBC's own, much lower-budget production, 'Peter in Paradise' (2003), is superior, as is the 1996 Russian film 'Tsarevich Aleksei', based on Merezhkovskii's novel.