Alicia I love this movie so much

SunnyHello Nice effects though.

Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

andylewis10 I really wanted to like this show - Bob De Niro and the NYPD - what could go wrong (yeah, OK, I'm not counting Righteous Kill here). Also a good 'patrol-cop' show has been needed since the departure of Third Watch (which went off-street to a degree in later shows) with only Southland (which is part detective driven) filling the void.The first 10 minutes or so of the pilot are very good. Camera work is nothing special but they catch the first day of work nerves well, along with the edgy aggression which greets newcomers in para-military environments.After that things go downhill.terry-351-45582's review sums up the faults of plot logic and realism (even by TV standards) better than I could - but in summary the whole thing feels over-dramatized and exaggerated - particularly with regard to character back-story. For example, I get the feeling that Toney was originally written as a failed high-school athlete, which at some point warped into him being a former NBA star who somehow needs a city wage(say what?).Some are comparing this unfavorably to Rookie Blue, which it certainly resembles in many ways. However it really starts to suffer when compared to Southland, which is arguably the same genre but which has managed to avoid too many clichés (and had some interesting camera work). I'll stick with it, but I'm not hopeful. Fingers crossed.

starrywisdom Puerile nicknames, soapy plots, jargony dialogue, unrealistic situations...I tried to give this one a shot, because I like shows with genuine NYC backgrounds and this one delivers on that score.But not on any other. Too many people doing incomprehensible, unrealistic things. Background music is awful, as others have noted. And, well, Adam Goldberg's chipmunk cheeks distract me. So now his character, besides being a failed journalist, is a closet drunk, apparently? Lord, Lord, are we to be spared no cliché of the cop genre? We've had the overbearing dad pushing his kid into the force, the spunky women with chips on their shoulders trying to prove themselves, the ethnic girlfriend with something shady going on, and many more I can't even recall because my eyes are burning with the awfulness of it all. Plus between this and "Blue Bloods", I'm just sick of copycat cops. Won't be watching any further eps. Though it is nice to see Leelee Sobieski.

maverick494 I heard many say this is a rip-off from Rookie Blue. While I love that show, I am not as territorial as others and wanted to give this a fair chance. The premise is the same, a bunch of fresh rookies finally get confronted with with the real world, and we see them struggle in their new role. It's a tried and true formula, which has been used in different ways and can result in compelling television. The Pilot is supposed to engage us, get us interested in the characters and kick off to a healthy start that sets the tone for the season. Did it do so successfully? To be honest with you: no. There are some nice things. The shots of New York aren't the flashy overused ones you see in most films and TV series. Here you get to see the city without its makeup and it reflects on everything. The police station is worn and stuffy, colleagues are gruff and etiquette is non existent. It's not a welcoming environment and it builds tension, because all the rookies stick out like a sore thumb. They are out of their comfort zone, even if they grew up in this city. Then, their journey begins. And this is where the show loses it's stride, in my opinion. The acting, for one, is a problem. LeeLee Sobieski for example, has terrible line delivery. There's a scene...------------------ *SPOILER SPOILER SPOILER* ...where a boy on the street calls her a 'fine looking bitch' and she returns, twists his hands and threatens to make his life hell if he doesn't respect her. The scene is obviously set up to show she's tough even though she's a thin blonde girl. The idea itself is pretty weak, but a strong actress could have pulled it off. LeeLee didn't. For one, the way she twists his hand is so amateur looking, you don't even have to be a martial artist to spot the difference. Secondly, the way she says it is cringe worthy and immediately put me off. I'm all for strong female characters, but not in this way. *END SPOILER* --------------------I know this seems like a small detail to fuss over, but things like this take me out of the experience, like spotting a microphone hanging in the air does. There are more instances like this, where mediocre writing becomes actrocious because an actor simply can't sell it. Judy Marte (Tonya Sanchez) sometimes comes across as too cold, with an expressionless face that wouldn't do bad on a mannequin in a clothing store. Then of course, there are the clichés. The black guy boasting he'd "hit it before the end of the day", the Afghan guy getting pestered with Kite Runner references, etc. It's annoying because it's stereotypical (and no I'm not going to use the racist card, as it's overused already). If they wanted to create friction in the group or set a tone, there are more subtle and more effective ways of doing it. The characters seem still too much of a cardboard to be real, and this feeling keeps nagging in the second episode. They don't seem like real people. That said, there are some good performances there, though most don't come from the main cast. Maybe this is the kind of show that needs to find it's footing first before it hits its stride, but for now it's lackluster. It seriously needs to up its game if it wants to make it beyond season 1.

dajuka At first watch, NYC 22 is knockoff of ABC's Rookie Blue. Perhaps Blue set the bar too high for this type of crime/drama/police show. Instead of finding 22 complementary to Rookie Blue, I found it inferior and difficult to watch without making comparisons.Both cop shows with rookie officers, the plot line of the first NYC 22 episode was interesting, but again, I kept seeing where they'd spun off of or would do something very similar in Rookie Blue. Maybe because the shows are on a different network, but it's going to be difficult to make these two shows work in tandem like the CSI's. Unless you just really love rookie cop shows, go with Rookie Blue and don't waste your time with NYC 22. While 22's cast is more established ((total aside, watching Lazarus (Adam Goldburg, sp?), I kept thinking, that's Joey's weird roommate!)) overall, Rookie Blue has a less well known but more cohesive and enjoyable cast.