Josie and the Pussycats

1970

Seasons & Episodes

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6.2| 0h30m| en| More Info
Released: 12 September 1970 Ended
Producted By: Hanna-Barbera Productions
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Josie and the Pussycats is an American animated television series, based upon the Archie Comics comic book series of the same name created by Dan DeCarlo. Produced for Saturday morning television by Hanna-Barbera Productions, sixteen episodes of Josie and the Pussycats aired on CBS during the 1970-71 television season, and were rerun during the 1971-72 season. In 1972, the show was re-conceptualized as Josie and the Pussycats in Outer Space, sixteen episodes of which aired on CBS during the 1972-73 season and were rerun the following season. Reruns of the original series alternated between CBS, ABC, and NBC from 1974 through 1976. This brought its national Saturday morning TV run on three networks to six years. Josie and the Pussycats featured an all-girl pop music band that toured the world with their entourage, getting mixed up in strange adventures, spy capers, and mysteries. On the small-screen, the group consisted of level-headed lead singer and guitarist Josie, intelligent tambourinist Valerie, and air-headed blonde drummer Melody. Other characters included their cowardly manager Alexander Cabot III, his conniving sister Alexandra, her cat Sebastian, and muscular roadie Alan.

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Reviews

Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
r-c-s While I understandably loved this cartoon as a child decades ago, I find it still enjoyable today, unlike a few other H&B cartoons. It is indeed a re-cooked Scooby Doo thing, and both series have lots in common but I love this one much more. Unlike the "superfriends megapowers show", where non-white characters look more like "tokens" to appease politically correct minds, and in some instances like idiots, this (much earlier) show makes Valerie as one of the best actors with her A-team ability to assemble & disassemble anything electronic. Made in 1970, the songs are not that bad even today, considering this was a low-profile cartoon and not some billionaire operation. Plots are paper thin but hey, it was a show designed for children, as it delivers quality as such.
richard.fuller1 It would be nearly three decades when I would see this cartoon again, having totally suppressed all my memories. As I watched a six episode marathon on Cartoon Network, when the song "Lie, Lie, Lie" began in "The Secret Six Secret", I was transformed to my childhood again. Since then I have collected comic books, recorded all the cartoons as well as various storybooks.Josie began as a female Archie. Her creator, Dan DeCarlo, named her after his own wife. Alexander and Melody were there from the start, and yes, Alexander Cabot III was indeed very similar to Reggie Mantle in Archie. Basically, Josie and Alexander were gender-reversed Archie and Veronica, to an extent.When Alexandra appeared in the comic book, she was more of a soundboard for Alexander and would even befriend Josie.Just before the Hanna Barbera cartoon would be launched six years later, Alan M. would be introduced as a folk-singer and an object of affection for Josie and Alexandra, bringing on what is one of the grandest rivalries this side of Betty & Veronica, totally devoid of any friendly terms.Believe it or not, Sebastian would be introduced in the comic book as the reincarnation of an ancestor of Alexander and Alexandra. Rarely, if ever, would the comic book cat have the life of the cartoon version. With the sudden creation of Valerie, the assortment would be complete for the cartoon, which was seeking to cash in on the success of the animated Archie and Scooby Doo.Tho it would be on for only one year, it would end up a remarkable cartoon. All the other cartoons, Scooby Doo included, would have a group that would leave you wondering why they were there. Were Shaggy and Velma boyfriend and girlfriend, too? Did the Neptune band members in Jabber Jaw date as well, then in what order, since Clamhead and Shelly would run off together.None of them would be as intertwined as the Josie group was, especially the interfering rivalry of Alexandra. She wanted to be leader of the Pussycats and she wanted Alan, both of which Josie possessed. Josie may have been totally devoid of character, but you had to have pity for the girl with Alexandra after her from both sides like that.Sebastian's reincarnation would be totally dropped, much for the better. As an upright, anthropomorphic cat, Sebastian seemed more feline than he even might have as an ancestral Cabot wizard.Alexander was clearly altered into Shaggy II, yes, to cash in on Casey Kasem's vocal talents. The only time this was damaging was in the Scooby Doo movie when Josie met the Scooby Doo gang and Shaggy and Alexander spoke at the same time. Alexander's voice changed.Hands down, Alexander, Alexandra and Melody kept the cartoon moving. When the gang would split into groups (varying in order, unlike Scooby Doo, which nearly always sent Fred, Velma and Daphne out of the picture), for Alexander to go with Valerie and Melody and Alexandra with JOsie and Alan would be a delight, with character conflict on both ends. When Josie, Alan and Valerie were off together, the show would be uneven.Alan would attempt a character with a "man of a thousand faces" bit in one episode, but that really bordered on insulting, with native American and oriental depictions. And the face change with pies to the kisser wasn't very entertaining either.Song-wise, the show was smoother than Archie or Scooby Doo. Lie, Lie, Lie is undoubtably my favorite, but Road Runner, Voodoo, Beat of My Heart, Clock on the Wall are powerhouses unlike the songs in any other cartoon. The song in Midas Mix Up, played while the gang is fleeing down a snowy mountain on skis is truly wonderful.The Josie gang would attempt to carry on as did Scooby Doo, but they would do the outrageous thing like going into outer space, which isn't regarded as anything near as good as the original show. They even got their own Scrappy Doo in the form of Bleep, a space cotton ball seal thing.The Pussycats were a groundbreaker as an all-girl band, they were also original in that the female ratio outnumbered the male, unlike Scooby Doo or Archie, yet again, we could perceive why everyone was there.And the band sequences were animation over real persons, much like Disney had done with Snow White thirty years earlier, another factor that makes the cartoon so endearing.It would be nice to think that Josie and her gang got their big break some day, but the struggle was also a winner for the show.The movie blew it by deciding Alan, Alexandra and Alexander were minor and trying to focus on the girl trio. The non-Pussycats would at least be prominently featured, but I would have just loved to see a black and white cat shown just once.Was that too much to ask for?Still, observing the transition from comic book to cartoon to movie is a fantastic journey.
Brian Washington When I was a kid, I used to enjoy looking at this show. However a few years after the show went off the air, I read the cartoon series, which is radically different from the television version. For instance, the comic book plays as more of a collegiate version of Archie (coincidentally, the Josie and the Pussycats comic book is published by the same company as the Archie comics) in which they are just your average girls with a rock band and they do not go all over the world fighting the wild villains as they do in the animated version of the series. However, the characters personalities are more or less the same, except for Alex. In the cartoon he is a lily livered coward, while in the comic book he is an ego-maniacal weasel much like Reggie Mantel is in the Archie series. I think I would have preferred to see that version of the show rather than this show, which plays like a combination of Scooby Doo and a juvenile version of The Avengers.
RealLiveClaude I rediscovered the cartoon when the 2001 movie starring Rachael Leigh Cook and Tara Reid was almost released. The show was broadcasted in a Canadian Cable Network (YTV).I have watched it in 1972-73 and re-watching it was going into the same fun I had when I was a kid. Stories that were funny, written the "Hanna Barbera" way and with such a sense of humor. I can say here the show distanced a bit from the Archie comic book itself. For example, Alex left his arrogant ego in the comic book and becomes a coward in this one (and that voice from Casey Kasem, I burst out, this is funny ). For the rest, Alexandra with her envys of stealing Alan from Josie and give the Pussycats a "music lesson" and Melody with her everlasting ditziness makes the show...Noticeable thing here: since the original series started when "Scooby Doo" took a break, I found that Josie and the Pussycats were patterned the same way, with same music and expressions like "meddling kids". Otherwise, the rest is fun to watch and was also a great geography course because in each show, they were in a different country. And even one of the shows did feature a chase around the world (one of the best episodes called "The Great Pussycat Chase"...).A fun classic to be enjoyed over and over again...

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