FeistyUpper If you don't like this, we can't be friends.

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

UnderworldRocks This movie is stunningly beautiful.I have hunted down the Italian DVD and watched the complete 173 min version. Fantastic!Even though it sets the story in the modern age, it is amazingly faithful to the original novel. For example, the "blooper lady" abducting children scene is present in this version, something usually ignored in other adaptations. This movie is faithful to the original novel in terms of not only story, but also vibe.This movie has the best Dracula. "You must love me!" The Count is elegant, charismatic, cunning, and glamorous, unlike Gary Olman's portrayal from the disgustingly awful 1992 Dracula, which was entirely the opposite in addition to being unintentionally funny at times.I adore this movie. It dares to be creative with the source material without being outrageous. Unlike Coppola's godforsaken 1992 movie, there is no "Dracula and Milla falling in love" bullshit in this one.The cast is terrific and gorgeous. The score is beautiful and moody. The cinematography is breathtaking. They chose terrific locations to shoot the movie.This movie is a hidden gem. I am so glad to have had the opportunity to witness its glory. Not everybody is that lucky. It is also a testimony to the fact that critics are useless, and that this is the age of geeks. This is one of those wonderful and rare vampire movies. Only die-hard vampire movie fans can appreciate its beauty.

suspiria10 The Count Vladislav Tepes wants to leave wayward and superstitious Transylvania (and who wouldn't) and involves a wealthy soon to be married investment banker in getting him some new digs. All while sucking the local population dry of their life's blood. Woo hoo it's yet another tired adaptation of the classic Dracula mythology with their own personal slant.This umpteenth millionth adaptation of the great Bram Stoker's Dracula gives the film a more modern slant with mixed results. The TV production does stall a bit here and there with the lack of atmosphere but it's not a complete loss. 2 of 5

Jessica Carvalho I didn't liked this movie very much, because I found that it was not very well explained:Some facts about Lucy and her encounters with Dracula , and also Quincy's death are not well elaborated.One of the most beautiful things in Dracula's story, is about his romance with Mina Murray, that is not even mentioned. [ I am a big fan of the book of Dracula's story]But there is a cool fact: The idea about adapt the story, told centuries ago, to the modern days is appealing. I loved to see Jonathan driving a fancy car!My vote is six.

insightstraight Dracula is a major presence in our house (along with his relatives the Mummy, the Wolf Man, Frankenstein, zombies, ...) I cannot claim to have seen all of the many films which are descendants of Bram Stoker's original work -- the "Dracula" name has been applied to everything from sex farce to psychological allegory, and some of it is pure trash. But we have seen more than our share of not only Dracula movies but also vampire movies in general, as well as any number of play adaptations.It seems that most Dracula movies are not adaptations of the book, but rather adaptations of previous movies. Admittedly, the book is devilishly hard to stage/film, as it is structured as a series of excerpts from journals, difficult to weave into a consistent narrative flow. But one often gets the impression that the directors (or screenwriters!) of some of the films haven't bothered to read Stoker's novel, contenting themselves with merely screening some previous efforts.So it is always with some trepidation we watch a new "Dracula" film, bracing ourselves for yet another schlock assault with only passing connection to the original. (Not that we are against schlock per se -- only when it masquerades to deceive.) Frankly, the cover art and copy of "Dracula's Curse" didn't give us much hope of quality.Thus, we were pleasantly surprised to find that it is a well-appointed, thoughtful, and reasonably faithful version of Bram Stoker's book. Obviously, the production team had not only read the book but understood it, and labored to bring it to the screen as accurately as possible. In this, it stands head and shoulders above most "true to the novel" versions, including Coppola's (don't get me started on *that* one...)The film does strike several sour notes -- the flying effects are in my opinion quite overused, and in fact unnecessary -- and at several points is at odds with tradition. (Vampiric insensitivity to sunlight will jar most people.) But many of these "traditions" are actually creations of earlier films, as careful reading of the novel will show. The ending is also rather rushed, as though the production was running out of money and could not afford the chase across Europe to save Mina.The multinational cast does take a bit of getting used to, with as many accents as there are actors. But even this is true to the spirit of Stoker, who inserted an "exotic" American and the European Van Helsing into his story to lend it an international flavor. Some of the casting plays against movie convention; Dracula (Patrick Bergin) in particular is at odds with what many people expect of the bloodsucking count. He looks far more authentically Romanian than any other Dracula we have seen (like a cross between Robert Goulet, Harvey Keitel, and Lech Walesa). Unfortunately, as the "aged" Dracula he looks distractingly like Scots comic actor Billy Connolly. But he has appropriate menace as well as some regal bearing, and is closer to Stoker's description than most.The film is set in the present day, but by clever and deft scripting allows whole sections to feel as though they are set during Stoker's time. The locations and settings are sumptuous; the film makes very effective use of Budapest scenery to set the mood. Great care was obviously taken to achieve interesting camera angles.And more of Stoker's dialogue is present than in perhaps any other version of the story, including the Louis Jourdan mini-series.For someone who has only seen other "Dracula" movies, this one may seem slow and overstated. But to anyone who has read the book and enjoyed it, this movie is a refreshing attempt to bring Bram Stoker's original vision to the screen. Rather than rely on gratuitous gore and nudity, this production builds on mood and a fluid sensuality. Just as Stoker intended.