What Women Want

2000 "He has the power to hear everything women are thinking. Finally... a man is listening."
6.4| 2h7m| PG-13| en| More Info
Released: 15 December 2000 Released
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Advertising executive Nick Marshall is as cocky as they come, but what happens to a chauvinistic guy when he can suddenly hear what women are thinking? Nick gets passed over for a promotion, but after an accident enables him to hear women's thoughts, he puts his newfound talent to work against Darcy, his new boss, who seems to be infatuated with him.

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Reviews

Raetsonwe Redundant and unnecessary.
BoardChiri Bad Acting and worse Bad Screenplay
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
slightlymad22 What Women Want (2000)For the first time in a career Gibson released 4 movies in a single year, but there was no danger of audiences getting sick of him as What Women Want went on to be his biggest domestic hit to date. Plot In A Paragraph: After an accident, a chauvinistic ad executive (Gibson) gains the ability to hear what women are thinking.It's interesting to hear a Gibson called "The least politically correct guy in the universe" and personally, I think Gibson was a little bit too old for the role, but his charisma carries it along nicely. And the movie has a great soundtrack. As for the rest of the cast, Helen Hunt has never looked better, Alan Alda is always fun to watch, as is Marisa Tomei, and it's always nice to see Valerie Perrine in a movie. One can only wonder what would have happened with Gibson's career, if he paid attention to what was said in this movie What Women Want ended 2000 the 5th highest grossing movie of the year, with a domestic haul of $182 million. Which was a record high gross for Gibson, although not a personal best in terms of ranking, as Lethal Weapon 2 finished 3rd in 1989. But it was a sure sign Gibson hadn't lost none of his appeal with women audiences.
Joshua Cimarric-Penczek Mel Gibson finds himself able to read the minds of women after a freak accident. Meanwhile, audiences find themselves able to read plot holes and poor screen writing after being enlightened by this film.Mel Gibson does a decent job in the role, although maybe that's because he's good at being a misogynistic douchebag in real life. In the film, he steps into a stew of women products conducted from his bathtub and gains the ability to read women's thoughts. And what do women think of? Complex thoughts involving life, their emotions and feelings, and/or their roles in society? Nope! Instead, women only think about dieting, being skinny, looking pretty, and smelling pretty. The women are also portrayed as schizophrenic, though this is entirely, 100% the fault of an awful director. It shows that women don't want to be loved, as Mel get's accused of being gay for "being perfectly in tune" with the woman he's dating. Yah, I totally believe woman would hate being cared for. Whenever a woman has a thought tantrum, her thoughts match that of her body movements. If she's screaming in her head, she's screaming with her body too. In one scene, Hellen Hunt accidentally stares at Mel's penis, resulting in her making these over-the-top body language movements. We as the audience can hear her thoughts, but in reality, it would be dead silent while she jumps back and fourth spinning around. This happens at least ten times in this movie.The film is abysmal, as proved by its ending, where Hunt fires Gibson but still wants to have coitus with him...and the movie just stops. Awful, awful experience in some of the laziest filmmaking in history. The film was written and directed by a woman, so I'm not sure what went wrong.
Adam Peters (54%) A throwback of sorts to the frothy romantic comedies of the 50's and 60's, only here it stars Mel Gibson and Helen Hunt rather than Cary Grant, Gregory Peck, Audrey Hepburn, or maybe even Marilyn Monroe. And it's not just the inclusion of swing music in the soundtrack, but also the general look and feel in which this is assembled together; also the mostly light- hearted nature and bubbly concept has a trace of a past period's charm. Gibson is on very good form here in the leading role in which he clearly put a lot of effort into, and the premise is used fairly well with enough humour and bite to the writing for the movie to never really bog down or become overly silly. At around 2 hours long it does stretch itself too far, and the parts dealing with a depressed co-worker drags the movie out and poorly fits in with everything else this has in terms of tone. For what it is, and how awful it could have been, this is a perfectly good entry into Gibson's filmography.
fariduddin-k I personally like romantic comedies and i have watched a whole lot of them, i watched this movie with out any expectations and was pleasantly surprised, even though the story was like been there seen that kind.Five minutes in to the movie there was a smile on my face, there were some comedy scenes which made you laugh-out loudly and acting by Mel Gibson was carefree and charming, while Helen Hunt had not much to do. I wish the father-daughter relationship angle was explored more but overall i would give it a six.Nice movie if you want to relax & forget your worries for a while. Escapist Cinema. My recommendation is watch it. This movie has been added to my collection.