ThiefHott Too much of everything

LouHomey From my favorite movies..

CommentsXp Best movie ever!

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Michael_Elliott What Price Glory (1926) *** (out of 4) Raoul Walsh's version of the popular Maxwell Anderson play about U.S. Marines Flagg (Victor McLaglen) and Quirt (Edmund Lowe), two rivals who soon find themselves in France during WWI but their personal battle is over a beautiful woman (Dolores del Rio) they've both fallen for. There's no question that this here is much better than the John Ford remake with James Cagney but in regards to the war pictures of the silent era, I'd rank this one here a little towards the bottom as it certainly doesn't measure up to stuff like THE BIG PARADE and WINGS. With that said, I think there's enough good things here to make it worth viewing. One of the highlights is certainly the battle sequences that take place towards the end of the movie. I think these are directed with a lot of skill as there's no question that Walsh knew had to build up these scenes and make them tense. Another thing the film has going for it are the performances by the three leads. McLaglen clearly steals the picture since he's got the more memorable character but he has no problem playing the giant brute with a heart. Lowe plays that good-looking fun guy, something he'd do throughout his career. Dolores del Rio wasn't all that believable being a French woman but she too still did a nice job with the part. My biggest problem with this film is that I just never really cared about the love story. This here turned out to be a rather big problem because this really eats up the majority of the running time and I think the anti-war message and war scenes would have been much stronger had the love stuff not brought everything down. I'd also say that the stereotypes were rather boring and it made everything way too easy to figure out. From who gets the girl to which characters will eventually die. Still, WHAT PRICE GLORY is worth watching for the battle scenes and performances.

wes-connors Marine buddies Edmund Lowe (as Sergeant Quirt) and Victor McLaglen (as Captain Flagg) carouse through World War I, and eventually become rivals for the affections of sexy Dolores del Rio (as Charmaine de la Cognac). This successful stage comedy-drama became one of the biggest late-term "silent" hits, also making it to several top five lists and winning a "Best Picture" honor from Quigley Publications. The comedy hits a high note when Mr. McLaglen tells new recruits three things not tolerated are, "Running wild with these French dames, getting drunk, and fighting among yourselves." McLaglen's adept at all three, of course...Moments later, he dramatically notes, "There's something rotten about a world that's got to be wet down every thirty years with the blood of boys like those..." Director Raoul Walsh throws the film slightly off pace by increasing the comedy quotient, though he certainly must be admired for his celebration of the female "derriere" and the ability to get animals in camera range. The wild motor-scooter ride seems too slapstick. Like their characters in the original play, the co-stars used some mild vulgarities; at the time, lip readers were shocked. Of the principles, McLaglen received the best notices. Among the supporting actors, "mother's boy" Barry Norton (as Kenneth Lewisohn) was most singled out for praise; you should have no trouble determining why. Production values are excellent.******* What Price Glory (11/23/26) Raoul Walsh ~ Victor McLaglen, Edmund Lowe, Dolores del Rio, Barry Norton

bkoganbing What Price Glory was one of the great plays of the Roaring Twenties, a shuddering look back at the greatest war in history and people's determination not to go through that again. People actually took time away from their partying to go look at this one. It was one of the biggest hits that the Shubert organization ever produced, running 435 performances in the 1924-25 season on Broadway. And it was a popular choice for little theater companies to stage for the next 30 years or so. If you remember in the film It's A Wonderful World, James Stewart and Claudette Colbert find themselves in such a revival production at a company in the Hudson Valley.What Laurence Stallings and Maxwell Anderson wrote got to the silent big screen for Fox Films in 1926 and it was deservedly a box office hit. Unlike The Big Parade it's Broadway success brought a built in audience to the movie theaters. The male buddy film may well have originated with this film as Victor McLaglen and Edmund Lowe as Captain Flagg and Sergeant Quirt gave such powerful performances. Later on Warner Brothers by teaming James Cagney and Pat O'Brien teamed them in a variety of films and situations whereas McLaglen and Lowe only played variations of Flagg and Quirt when they weren't using those names. You can make a case for either McLaglen/Lowe or Cagney/O'Brien for inventing the genre.One thing that is important is that like The Virginian which novel and play set the standard for western characters, What Price Glory did so for the male buddy film. These were not stock characters then, this is the original.I'd be hard pressed to pick out whether The Big Parade or What Price Glory did the battle scenes best, capturing the horror of total war that the First World War was. In terms of plot I'd say What Price Glory has it over The Big Parade as a story. The two Marines McLaglen and Lowe are friendly rivals over women or liquor, but fierce fighting companions in combat. The object of their affection is Charmaine played by Dolores Del Rio, the comely innkeeper's daughter. Charmaine has her own song, one of the earliest written for a film of the same name that was a big seller in The Roaring Twenties. That also contributed mightily to the box office for What Price Glory.The First Marine Division was the first American troops to actually see combat in France. These two and their fellow Marines might well be part of the Belleau Wood operations where Marines were rushed into bolster French and British troops when the German offensive threatened to break through.What Price Glory holds up magnificently from the silent era, still as a reminder of the futility of war and the plucky comradeship that can develop from that shared experience.

marcslope Fox's answer to MGM's "The Big Parade," and I think it's a markedly superior movie, thanks to better pacing and the rousing direction of Raoul Walsh. He's in his element here: a big war movie with loads of comedy and romance, and three strong personalities at its center. McLaglen was born for this sort of stuff; Lowe wasn't, but he's a very convincing roistering-randy soldier. And Del Rio is so beautiful you don't much care what she does. The horrors of war are amply displayed, and the Hollywood hills doubling for the French countryside work just fine. But what made it such a hit, I guess, was the utterly winning frenemy relationship of Quirt and Flagg. They fight for dames, they hurl insults back and forth, they curse each other with all-too-lip-readable epithets, but you never doubt their loyalty and respect for each other. Maybe there's one skirmish too many--it gets a little repetitive-- but it's much faster-moving than "The Big Parade," and the soldier stereotypes commented on elsewhere don't hurt so much. Also, Leslie Fenton is excellent.