Acensbart Excellent but underrated film

Contentar Best movie of this year hands down!

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

pfarnell Its difficult to dispute some or most of the obvious criticisms of this film, that it was made hastily ( for a reason, both 1976 films on the subject were) that it has 2-bit sets, as it would tend to, another thing I find which gives it an odd feel is the lack of score/soundtrack, it has a stage play look....what I find puzzling is that it is found to be far inferior to its rival in any way, which has most of the same faults -and more besides..."Raid has the charisma and presence of action-man Charles Bronson , c'mon, YOU have the late Chuckster in charge of rescuing you from Arabs, Germans and crazy Ugandan dictators if you are ever in that position, you know you want him to-(if the real Israeli government had had Bronson they could have dispensed with the Golani brigade and Paras, C130s and recoilless gun-jeeps and just sent in Chuck with his pump-gun and melon truck to house-fight the terrorists out of existence) But this film despite its TV look is a far better, more exciting, more involving, more colourful script than "Raid..Richard Dreyfuss is pretty matter-of-fact Jewish charismatic and some sort of substitute for Bronson and Woods.I think the criticism of the actor playing Amin is pretty unfair, that his antics were over the top, of course the real Amin was in no way over the top, was he? It may be played a little even-voiced, precise and shrewd sounding by Julius, but I would call it a professional job still, bear in mind in 1976 the outside world had not seen as much of the real Amin as it had later.I can tell you that there was total silence in the cinema as Julius/Amin spoke back in 1977. A good sign.The assault on the airport terminal is VERY exciting and realistic in its muzzle-flashing ruthless flesh-spattering gore,the shock sudden loss of Yoni to a Ugandan sniper's bullet, after the commandos have taken control , is shock and matter-of-fact heroic ...the role of the black Mercedes limo is explained and its ominous silent tarantula-like approach to the terminal is tense, as the commandos leap out blazing at the first of the terrorists lounging outside(yes, they did a number on that blonde Nazi bitch).People really seem to have it in for Linda Blair and her chocolates-it seems nitpicking and perhaps the chocolates reflect something that really occurred on the flight.Jeez, they were Kosha chocolates after all, as she said, but everyone wants to exorcise poor Linda and her sweets. There is the inevitable humanitarian armchair-expert attack on the 'bloodthirsty" Israeli soldiers who cut down 1 or 2 of their own people , after warnings to stay down-hilarious that this time, Israeli soldiers are dubbed monsters for killing their own people instead of the usual innocent Muslim terrorists these days. The humanization of one of the German captors is criticised-but this features even more in the films rival with Horst Bucholz.Perhaps this person actually was a little like this, or just seemed more decent compared to the German woman.If all the terrorists were shown brutal hateful & dehumanised, then the critics would rag on that.This film is the better more entertaining better-written more involving of the first two. Apparently the later Operation Thunderbolt eclipses both.Good for it.

bkoganbing Two films came out in the wake of the successful Israeli rescue of a lot of Jewish passengers on an Air France flight that was hijacked to the Ugandan capital of Entebbe that year. This one, Victory at Entebbe, had a lot more star power to it if you look at the cast list.The Seventies began the years of terrorism starting with the massacre of Israeli athletes at the 1972 Munich Olympics. For reasons I can't explain, the left took up the cause of the Arabs and of Islam, societies which wouldn't let them operate, no way, no how. Maybe it's psychological or pathological, it sure ain't rational.The group that took the Air France passengers hostage were Germans, members of the Bader-Meinhoff gang which was a militant German leftist crowd. The idea these folks had was to trade their lives for the lives of Arab terrorists in Israeli and other western power's jails. To do they had the tacit cooperation of another loon who ran a country for a while, Idi Amin Dada of Uganda.All you need to know about that one you can see in Forest Whitaker's portrayal in The Last King of Scotland. Here though is the Idi Amin played by Julius Harris whose antics nauseated the civilized world. It's the Idi Amin I remember from the news.Anthony Hopkins plays Israeli Prime Minister Yitzhak Rabin who ironically would fall victim to extreme Judaism some 20 years later. This was his first time as Prime Minister and he's ably assisted by Burt Lancaster as Shimon Peres as Defense Minister. These two guys must have been flattered all to heck because they sure don't look like Hopkins and Lancaster.Working on a five day deadline the terrorists imposed, the Israeli military crafted a rescue that stunned and delighted the civilized world. 103 innocent Jewish lives were rescued from barbarism and death, there was no meek resignation in that generation of Jews. This film technically speaking was the fourth Burt Lancaster and Kirk Douglas joint project. They have no scenes together. Douglas and his wife played by Elizabeth Taylor play the parents of Linda Blair who is one of the passengers on the plane and who are part of a small group representing the families of the hostages meeting with Hopkins.One of the stories that got world attention was the murder of Dora Bloch played by Helen Hayes here. She was taken ill and removed to a Ugandan hospital and she was killed by the Ugandans in retaliation for the Israeli rescuers killing Ugandan troops who were protecting the terrorists.The best one I thought in the cast was Bibi Besch who played the only female among the terrorists. She looked every inch the part of a German whose antecedents were no doubt proud Hitler youth members. She practically is salivating when the Jews are separated out from the rest of the passengers for what she knows will be annihilation.Victory At Entebbe should be required viewing for anyone who has romantic notions about the nature of terror and the need for a state of Israel.

iloveperth After viewing both versions of the Entebbe rescue (the Encore Drama channel is showing both of them this month), I have to definitely say that this is the weaker of the two. While the true story is exciting and excellent, the bargain basement sets (most of this movie looks as though it were being filmed in an abandoned high school!), melodramatic overacting (Linda Blair and Liz Taylor I'm looking at you) and terrible Nazi caricatures really take away from the wonderful rescue story at hand. This is basically a soap opera, Hollywood version of a true story.I'm sorry, but when Linda Blair walked around with that damn box of chocolates, I was ready to beat her up myself. If you want a great account of the Entebbe rescue, I'd highly recommend 'Raid on Entebbe' instead.

Piper12 The bargain-basement production values that mark this quickie shoot-em-up, filmed and released literally months after the dramatic Israeli commando raid, would be enough to consign this turkey to the dustbin of TV history. But it gets worse. The audience can play spot-the-star as Hollywood legends Liz Taylor, Kirk Douglas, Burt Lancaster, Helen Hayes etc., turn in embarrassing cameos. Unintentional hilarity is the only possible response to the scene in which Linda Blair offers a box of chocolates to the flight crew and the terrorists holding them at gunpoint. Mirth gives way to anger, however, when the film depicts unruly hostages being deliberately shot down by Israeli soldiers during the rescue scene! With rescuers like these, who needs hijackers? "Raid on Entebbe," which came out a year later with Charles Bronson, is much the superior account of this operation.