Beanbioca As Good As It Gets

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

CrawlerChunky In truth, there is barely enough story here to make a film.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

thesar-2 I thought it would be neat, for my 2,000th review, to go back to part of my beginning. And 7½ hours later...I grew up on V. No, not the awesome Vendetta film from DC decades later. And I'm not talking about the super-vamp drug from True Blood or the hard-to-get-through 2009 remake.I'm talking about the Badass Badler and Super-Hot Singer Star Wars knockoff of the early 80s. In fact, V *was* my Star Wars.Back when I was between 9-12ish, I consumed this show/concept. While it only had two miniseries (sorta movies, sorta seasons) and one official season (or, as labelled, Season 3,) it practically became my world. I watched it live and all the reruns I could plan out. And no, my family couldn't afford a VCR until a few years later, so I did my best by the TV guide and commercial previews.It wouldn't make much sense to me until this viewing that one of the biggest reasons I fell in love with V was the show's creator. He also created another favorite show of mine growing up and pre-V: The Incredible Hulk. I had the same feeling about that show as I did V and they shared the same creator: Kenneth Johnson.I digress, once the show's finale (3rd season spoiler) created peace in the world, and I began my teen years, I grew apart from the show/concept and never to return any of the Vniverse until 35-freaking-years later.When I thought of what I could celebrate my 2,000th review with, this made sense as my 1,000th celebratory review was the very first movie I'd ever remember seeing: 1975's Escape to Witch Mountain. V was a huge part of my childhood and memories, but I had no idea what kind of commitment I had to give to review this. I mean, seven and a half hours?! Fine, I had nothing else going on this weekend, so why not?I'll tell you why not and why I can't give it a huge recommendation. For today's audiences anyways. It's way too padded. It's easy to figure out why, but it's a chore nowadays when we have more options of what to watch online and wasn't relying on a non-VCR, heck, non-internet world in 1983. These two miniseries/seasons could've/should've been easily edited down to about 4 hours, ish.At the time, though, it was epic. Not just for the preteen in me, but for the ambition they had. They had top-notch FX (for TV) and world-building that they did oh so well. I truly felt this world of V (for visitors) could have existed. Yes, there are special effects we would scoff at today, mostly the flying sequences, but for the most part, it was practical effects and sets. I can totally see the 9-12 year old in me loving and believing this world was realistic.From what I'm told, the concept was supposed to be a retelling of the Nazi regime in modern (1983) times, but those in charge thought no one would buy it (fast-forward to the trump presidency of these modern times and, well...) and Star Wars was hot back then, so they switched it to an alien invasion. In any case, that worked and totally made sense and is more believable. The world is invaded by "peaceful" Visitors who come from a dying planet. Their mission is to share their resources and technology in exchange for hospitality. As most dictatorships develop, "They Come in Peace" and slowly/surely take control of society. Ahh, but Vive la résistance!The show/series/seasons began with Star Wars-types of tropes and ends with flat-out theft of the Original Trilogy. Again, as a kid, I was fine with it. At the time, anyways, the only way for a kid to see Star Wars was to go to the theatre for the first-run Return of the Jedi, for one of the many re-releases of IV and V (Episode 5 in this case) and pray one of the five channels we got ran them in prime time.I literally have not seen the V original series or singular season since around/about 1985ish and boy do I remember plenty of it, this time around. This does prove to me how much this show did mean to me.Fun Facts: I was in total love with Marc Singer during the show, though I didn't know what that meant since I didn't know what "gay" was at the time. I totally dug Diana as one of my all-time favorite villains. She was so deliciously evil and charismatic. I also loved Faye Grant as the leader and every-person and Freddy Kruger! Well, not yet, but I did like Robert Englund as Willie. Oh, and lest I forget Michael Ironside, which I was in love with internally and externally, as well. Back then, I couldn't get enough of this show. Every character meant something to me, every battle and scheme had me truly involved and on the edge of my seat and, mercifully, the plot, dialogue and adventures were easy enough for my preteen mind to wrap around. THIS was perfect for my age back then and no matter what I feel now (ah-hem, only 4/5 stars,) V will always have a special place in my heart. Only, I don't think I'll ever rewatch the show again. Once every 35 years is enough nostalgia...and honestly, I don't think I have another 35 years left. Is it V for Visitors or V for Victory?***Final thoughts: Couple of other good things I loved/love about these two miniseries: a VERY good score, only to be improved in the "3rd" season and some actual laugh out loud humor that, surprisingly, still works today. I was honestly pretty impressed with some of the dialogue and delivery.

Michael Dowswell V: The Final Battle is in three parts.Part one is about the mission to pull the face off the Visitor leader and the girl facing the fact that her babies father is a lizard. I really like this part one a lot...the build up on the mission to expose the Visitor leader on live television is really well paced and the structure is really very good...in fact, it is excellent. The girl having to go to the hospital is also really suspenseful. I think they did a very, very good job of this part one.Now, when you get onto part two...I feel that it is unfortunately really baggy in places...the momentum at times is really lost...the torturing for example is quite lengthy and not all that gripping. It's like extra padding to make sure you increase the runtime...bulking it up. Don't get me wrong I love bits of it a lot...I love the giant water pipe sequence where they arrive to take a look at it.The skydiving scene near the start of part three is a lot of fun...and the two babies story (to a point) I really like too...but I don't think I like what they eventually did with the girl sparkling / glittering at the end. I don't think that was necessary. The gun battles onboard the mothership are terrific and really well made / edited.Ultimately, this is a extremely problematic mini series...but it's one that gets off to a great start (I highly recommend part one)...once you get into part two and three this is where I have some major problems but still feel it has great bits sprinkled into it throughout.

Andy (film-critic) In "V: The Miniseries" we see a band of unlikely brothers forge together to stop an indestructible group of aliens determined to rid the world of water and subsequently transform the human race into a combo meal at McDonald's. The aliens eat fuzzy creatures, they like to copulate with humans, and their voices cannot be trusted, yet this group of rebels continues forward. Half homage to past science fiction films, and half an allegory of the events surrounding WWII, "V: The Miniseries" wasn't perfect, but it provided hours of nostalgic entertainment. Now, with "V: The Final Battle", the gloves are thrown off, the symbolic references are destroyed, and the game is transformed into merely a battle between human and alien. It is about resistance, standing up for beliefs, and plenty of fictitious science all rolled into three hours. Our band of outsiders is down, but not finished. They deliver several swift blows to the alien objective and finally one "final battle" that leaves doors unopened and plot holes uncovered. "V: The Final Battle" was a swift ending, but where it built onto action, it lacked that panache that the original episodes did. "The Final Battle" assumed that characters were already developed, and instead of taking a humanistic direction, director Richard Heffron placed his bets on the special effects. This was a completely different ending to a decently sharp beginning.Heffron isn't Kenneth Johnson, and it is obvious that this is a second part to an idea, not a continuation. Not only have the overall themes changed, but the influx of special effects has lead us down the path of horrid dialogue, randomly placed action scenes (i.e. the fistfight over the powder), and the lack of developed story lines. Johnson may have taken longer to get to the point, but at least there was a point. Heffron went in a completely, some may say bold, direction – but it didn't work. Investing over five hours, one could easily demand a conclusion, but none could be found here. The introduction of Elizabeth (the child of an alien and human) was exciting, but nothing happened. The idea of quick growth was introduced, but then easily forgotten – same as Mike's son being changed as a spy. Again, another strong and vexing idea that was mentioned, and then forgotten. It was these smaller nuances that seemed to be clearer in "The Final Battle" than in the original.In addition to the lackluster plot, the acting seemed to be progressively getting worse. Our original characters were not the same as in this final set – the excitement seemed to have dissipated and with too many small story arch's never being fully developed, it was no wonder our characters seemed to be lacking that pioneering gumption. Marc Singer's Mike was more a meathead than a leader, the annoying child who gave birth to the spawn seemed more annoying than helpful – and Ham seemed to be unreasonably angrier. This wasn't the same set we stopped with on the miniseries. The resistance was going to win; it was inevitable, so why did it have to be so mismatched to get there.What was kept? What worked? It was somewhat like that feeling of seeing "Star Wars" for the first time. When the villains finally get it, one cannot help but feel that moment of excitement swell in the throat, but there needed to be more. The alien baby is worth the price of the DVD alone, a cross between originality and a "Ghoulie", it provided at least an hour of laughter. The fist fight between Ham and Mike seemed reminiscent of the film "They Live", so it received some points for that, but overall it just felt cheap. The sets were bigger, the acting was weaker, and the money was tighter. While you should watch this after "The Miniseries", don't expect the same quality.Grade: ** ½ out of *****

The_Dead_See As a child I was both mesmerised and terrified by the fascist alien threat of 'V'. I was eight years old, in awe of Donovan, in sympathy with Willy, and in love with Julie. I would draw pictures of the characters in my sketchbooks. I would pretend that I was glowing and saving the world from the thermonuclear mothership. 'V' affected me more than Star Trek or Dr Who or any other TV series that I can remember watching in my childhood.Now it's nearly twenty years on and here I am married and living in another country altogether. My wife and I rented the full V series and watched it all in one day (phew!). All I can say is this - although it was still entertaining - the magic just isn't there anymore. Now I mostly cringed at the hammy dialogue and wished that someone would rewrite the horrendous 80's soundtrack. Not to mention the fact that the wonder-child ending makes no logical sense whatsoever and remains unexplained. Oh well, not all good things can last eh?'V' is still worth a watch if you haven't seen it before. And it's still a damn sight better than ID4. But it's not like it was. Sadly...