Unhook the Stars

1996 "When prim & proper meets wild & crazy get ready to..."
6.5| 1h43m| R| en| More Info
Released: 31 October 1996 Released
Producted By: Miramax
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Widowed mother Mildred must suddenly redefine herself and find an outlet for her nurturing side when her adult daughter moves out of the family home. Though Mildred thinks she's found her purpose when her neighbor, overworked single mother Monica, asks her to look after her little boy, she has great difficulty learning to strike a healthy balance between giving selflessly to others and remembering to take care of herself.

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Reviews

KnotMissPriceless Why so much hype?
BroadcastChic Excellent, a Must See
Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
Aspen Orson There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.
Blueghost The story of an older woman who realizes that she has a life to live. I rented this from Blockbuster ages ago not knowing what to expect, and to be honest it's about what I expected. Lots of interpersonal clichés regarding how to live your own life and not be someone else's slave. It was in the comedy section, or so I recall, so I took a chance on it.It's mildly amusing, and actually somewhat revealing about parents' attitudes towards their offspring, and also some hard truths about humanity and how we codify our basic desires to try and put some stability on ourselves, but then wind up causing more problems in the long run.I can't remember too much more. Not a film I'd recommend for males nor even the family. Still, it was interesting for what it is.
jamariana "Unhook the Stars" is a decent attempt at a drama film. It features the supremely talented Gena Rowlands as an elderly woman who has spent her entire life looking after other people. At the departure of her daughter, she soon realises that she has no one left to look after and is lonely. She could turn her attention towards herself and do something just for her for once, but she soon stumbles into a friendship with a young woman (Marisa Tomei) with a child of her own. One is saintly, the other wild. The result is a worthwhile comedy film. I watched this movie for Marisa Tomei and found that I actually liked the plot of the film too. So much so that I might re-watch it one of these days - perhaps once I've gotten through all of Tomei's films. She's fabulous in this film, albeit not as great as Rowlands.
edwagreen The film starts out very well with Mildred's daughter, a rebellious teenager, leaving her widowed mother's home. Mildred forms a bond with next door neighbor, played in a wonderful performance by Marisa Tomei, a crude low-life with an even lower-life husband. He walks out on her and Mildred agrees to watch their young child while Tomei works.This all sounds good. Mildred finds romance with Gerard Depardieu at a bar while with the Tomei character. Mildred's son and daughter-in-law want her to join them in San Francisco. Fine.Suddenly the writing goes awry. Tomei reconciles with her husband who comes back as a changed man. Mildred suddenly sells her house and by the picture's end, we don't know where she is going to. Also, since the Tomei and Mildred's daughter had so much in common, it would have been nice to see them in the same scenes together.
jotix100 "Unhook the stars" marked the directorial film debut of Nick Casavettes, the son of the immensely talented John Casavettes and Gena Rowlands. This is clearly the director's homage to his beautiful mother, which probably was the reason this film was made. The screen play by the director and Helen Caldwell, doesn't translate to a good film, as we watch the finished product. Mr. Casavettes' heart is in the right place, but the movie, as written, doesn't make much sense.First of all, one wonders where Mildred went wrong. Her daughter Annie is a mess. Her son, the yuppie, lives in his own material world. We would like to think Mildred and her late husband created a nice environment for these two children. They both turned out to be losers in their own right.Mildred's neighbors don't belong in her neighborhood. One wonders how the probably low wage earner, Monica, can live across the street from Mildred's better than average home. A lady like Mildred would probably have told Monica off from the beginning. The way Monica curses in every sentence would have been a turn off factor for Mildred. Of course, we know she goes along because suddenly she has found the sweet little J.J. that Monica dumps on her.Monica and Mildred live in two different worlds and it's hard for us to accept their situation because Monica shows no redeeming qualities, except the love for her son. Mildred, on the other hand, doesn't have a clue about how to reach out for her daughter. The only positive thing Mildred does is to sell the house and go into a new life. Miami in her future? The other thing that doesn't make sense is to watch the elegant Mildred going to the dive where Monica takes her to drink. Big Tommy's interest in her, while it might be sexual, is not fully realized either because they stick out like oil and vinegar. There is no chemistry between Mildred and this big French Canadian guy.Gena Rowlands does an excellent job as Mildred. She is always serene and composed. That's why Marisa Tomei over acting, the way she does, looks completely out of place, next to Mildred. Jake Lloyd is sweet and not bratty as J.J., the boy who loves Mildred until his father comes back home. Moira Kelly's Annie is an enigma. David Sherrill and Bridgette Wilson play Mildred's son and daughter-in-law. Poor Gerard Depardieu, a great star in his native France, doesn't have a thing to show for himself. M. Depardieu should choose more carefully his future films in America!With the exception of "She's so Lovely", which reminded us more of his father's influence, and "John Q", Nick Casavettes hasn't made a name for himself as of yet. It would be a great help for Mr. Casavettes to study his father's films, then, perhaps, he would find an inspiration for directing more movies that will showcase his talent. This one, or "The Notebook", alas, don't help him at all.