Todos los días son tuyos

2007
6.4| 0h30m| en| More Info
Released: 08 October 2007 Released
Producted By: Instituto Mexicano de Cinematografía
Country: Mexico
Budget: 0
Revenue: 0
Official Website:
Synopsis

While investigating the terrorist activities of a Basque nationalist group, Mexico City photographer Eliseo (Mario Oliver) becomes obsessed with his neighbor, a gorgeous young separatist named Maria (Bárbara Lennie). But when Maria is murdered, Eliseo is the prime suspect. Pursued by both the police and Maria's killer -- who has slain other Basque separatists -- Eliseo fights to stay alive and clear his name in this fast-paced thriller.

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Instituto Mexicano de Cinematografía

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Reviews

BlazeLime Strong and Moving!
SpuffyWeb Sadly Over-hyped
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
carlos-linares I had the opportunity to watch a pre-release screening of this movie during a film festival in Guanajuato and I'm pleased to say this was the most impressing movie I saw there.This is definitely one of the best contemporary Mexican films... if we consider that this is the director's first long feature, it becomes a masterpiece.With a budget of only 1 million dollars, the movie still delivers great film-making, an excellent, suspenseful plot and awesome characters.Unlike most Mexican films these days, this movie isn't about social criticism, uncalled-for violence or tortuous, fairy tale-ish love affairs... this is a thriller, and a good one at that. The purpose of the movie is keep you in suspense for 2 hours and it delivers what's promised.It'll still take you trough the corruption in the justice system, the obsession of a photographer and the political consequences of the ETA organization's activities... this movie is shades of gray all the way trough: think of the classic film-noir atmosphere from the 40s, adapted to a modern-day metropolis like Mexico City.Jose Luis Gutierrez is definitely a director worth keeping an eye on, and with this first attempt so well done and original, I can see him becoming an icon of Mexican film-making.