BoardChiri Bad Acting and worse Bad Screenplay

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Hot 888 Mama . . . more of an inspiration to Hitler's depraved Fascist Third Reich Quack "Medical Experimentation" Fiendish Human-Victim Torture Program than any other animated short, foreign OR domestic. Consider these historical facts: Walt Disney wore a Hitler Mustache his entire adult life; was prone to hysterical Scape-Goating Rants when things did not go his way; this latter propensity resulted in "Adolf" being one of the most frequent epithets muttered in the Disney Studios when Der Boss seemed out of earshot. Though it has not yet been definitely proved whether or not Walt hung any tardy office boys with piano wire, what IS known is that paying-through-the-nose "guests" were required to buy and munch bacon strips to gain entrance during the first decade "Disneyland" was open in order to keep "the wrong element" from offending Walt's eyes. During THREE LITTLE WOLVES, the insidious Disney Fifth Columnists depict these lupine miscreants as fake citizens of Der Farterland, emitting pidgin German from their Anti-Semitic caricatured snouts. Adding insult to injury, Disney portrays these "Chosen" Predators as great big hypocrites, Hell-Bent upon eating Pork!! The wolves symbolically circumcise the Fife and Fiddler pigs after luring them into their lair. The "Practical Pig," in turn, "experiments" upon the long-nosed "Big Bad Wolf" in a manner that would do Dr. Josef Mengele proud!

Horst in Translation (filmreviews@web.de) "Three Little Wolves" is a Walt Disney cartoon from almost 80 years ago and the third installment in the original pigs vs wolf franchise. The first one was good and won an Oscar, the second was only pretty mediocre, but this one here is improved again, but that is not exactly thanks to the three little wolves, who could have been more interesting in my opinion. The jokes are simply funnier, smart wig as a tomato vendor with mustache is hilarious, the wolf pacifier is nice as well. And the music is good in this one too. It's also more interesting as Disney already became political in this one with the evil wolf singing in German as a metaphor of the great danger that comes from the Central European country and they were right. And even if the wolf obviously fails in the end, he came really close with 2 of the pigs already having apples in their mouths. Good little cartoon. Thumbs up and I recommend it.

Shawn Watson Big "Bad" Wolf, now speaking with a German accent for some reason, takes his kids out to hunt, opting to finally finish off the three little pigs while they still frolic campily. The sensible pig is even building an elaborate torture device to protect them from Wolfie. His brothers have been crying wolf as a joke and doesn't take them seriously when he turns up in actual sheep's clothing.Again, as much as I'd like to see those little pigs get shoved in the oven and Wolfie and kids finally be fed it doesn't happen. The sensible wolf brings his torture device and gives 1930s cartoon-going kids the pleasure of seeing an animal go through excruciating pain just for being what he is.A disturbing metaphor if there ever was one.

Ron Oliver A Walt Disney SILLY SYMPHONY Cartoon Short.The Big Bad Wolf returns to the forest, this time with his sons, the THREE LITTLE WOLVES. Fortunately for them, Fifer & Fiddler Pigs are as gullible & silly as ever...A follow-up to THE BIG BAD WOLF (1934) and THE THREE LITTLE PIGS' second sequel, this is a very pleasant cartoon with lots of good imagination at work. The 'Wolf Pacifier' is fascinating & must have warmed the heart of Rube Goldberg himself. Followed by the non-Symphony THE PRACTICAL PIG (1939).The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.