Actuakers One of my all time favorites.

Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

MartinHafer I have recently discovered that Werner Herzog's greatest strength as a director isn't his fictionalized films (such as "Fitzcarraldo", "Aguire: The Wrath of God" and his remake of "Nosferatu") but his documentaries. Early in his career and later after he became a well respected filmmaker he mostly made documentaries--and all of them have been very good. In fact, several I have seen blew me away because of the lengths to which he's gone to make these documentaries--every bit as logistically difficult as his fictional films set in South America (which are legendary for their awfulness due to them being made in the middle of no where--such as well within the Amazon rain forest). So far, I've seen Herzog make films in Antarctica, inside French caves, death row and Siberia! He certainly is willing to go just about anywhere or do anything to make these films! In the case of "The White Diamond", Herzog and his crew trek to the middle of nowhere in Guyana, South America. They are going to one of the largest and most difficult to reach waterfalls in the world. And, what makes this unique is that one of the folks will be using an extremely tiny dirigible to go up to the very edge of the falls and film it in a way no one else could.Now you'd think that this would be THE focus of the movie, but at times the film took huge deviations and spent a lot of time talking about the deaths of film makers in some very dangerous situations--such as the one killed by a gorilla in Central Africa. These stories were very interesting but would have been best to put in their own film. Instead, very little actual footage of the falls and the jungle are in the film compared to what could have been there. Also, there were LOTS of shots that I am sure Herzog loved (such as closeups of lizards, bugs, people philosophizing, etc.) but combined with the discordant music, it just lost me--as did the guy break dancing near the edge of the falls. As I said, I've really enjoyed other documentaries he's made but this one was difficult to enjoy or complete. I respect what he was trying to do--it's just not among his best work. The best thing about this were the shots of the falls--but there wasn't nearly enough of this nor were there shots FROM the dirigible.

Cosmoeticadotcom This film starts with an overview of the history of flight, especially the non-mechanical sort, and, of course, ends with scenes of the Hindenburg disaster in Lakehurst, New Jersey, in 1937, which kyboshed the dream of lighter than air vehicles as practical instruments of travel. Then, the film follows the obsessive modern flotative folly of aeronautical engineer, Dr. Graham Dorrington, of St. Mary's College in London, England, and his attempt to use a miniature blimp (which is diamond shaped and white) to circumnavigate the forest canopy in Guyana, in order to a) vindicate the death of a friend of his, documentary cinematographer Dieter Plage a decade before when an earlier blimp got tangled in Sumatran trees, and the man fell to his death trying to free himself from it during a storm, as well as b) ostensibly find out much about the canopy's resources for commercial development. Dorrington is a bit of a nutty guy, albeit rather tame by Herzogian standards. He lost two fingers on his left hand when, as a teen, he forgot to let go of a small rocket he was testing. Like most Herzog 'documentaries,' though, the term must be loosely applied, for Herzog is not merely recording Dorrington's obsession, but financing the expedition. This is made clear when, on the mini-blimp's maiden flight, Herzog insists that he take his camera along for the ride, in case it is the only flight the vehicle makes, and chides Dorrington's desire to test it alone, first, as stupid, and the worst sort of stupid. His rationale: 'I cannot ask a cinematographer to get in an airship before I test it myself.' It has been reported that much of that scene was scripted, but so what? Herzog has never been a literalist, no more than his pal Kinski was.The White Diamond is a minor film in Herzog's oeuvre, and much too digressive, even if a far better film than any other filmmaker could do with the materials at hand, but one wishes the DVD company, Wellspring, would have included some extra features, like a commentary by Herzog. All we get are a Herzog filmography, and some trailers- labeled as both Trailers and Coming Attractions. We don't even get this film's trailer in the bargain. But, why be grounded when this film is dedicated to the very antipodes?

frankenbenz Werner Herzog's The White Diamond is further evidence the German director possesses a one-of-a-kind wonderment and curiosity with the world around him. No other filmmaker possesses Herzog's child-like innocence and this is precisely why no other filmmaker can capture the bizarre and touching, magic-realism common in many Herzog films.WD is familiar Herzog ground, this time his fixation with obsessed eccentrics leads his lens to Dr. Graham Dorrington, a man determined to build a zeppelin-like flying machine to explore the seldom seen canopy of the South American rain forest. Complicating matters, Dorrington's impossible dream is haunted by a tragic accident that cost his colleague (biologist) Dieter Plage his life. There's no question Herzog himself is an obsessed eccentric and we're witness to this when he shares screen time with Dorrington, each of them battling to make their vision a reality. In one telling scene we watch as Herzog's undaunted will and laughably adolescent logic trumps Dorrington's overwhelming sense of guilt and responsibility. As this scene plays out and things do go wrong, you realize Herzog has no problem sacrificing everything - including his life- to make his film. You can't help but think of Fitzcarraldo and how powerful (and possibly insane) the will of this man truly is. As he's strapped into the zeppelin before its maiden flight, Herzog grips his camera and defines his unwavering faith by declaring: "In cinema we trust."WD isn't without its flaws, one of which is Herzog's overzealous lust to portray the Guyanese guide Marc Anthony as a mythical sage. Marc is a peaceful and serene man, but Herzog's camera lingers on him to a point where an act is coaxed out of Marc, one not nearly as profound as Herzog wishes it to be. But there are so many other moments of sheer magic that you can't help but excuse Herzog for the same naïveté that more often than not, elevates his films to a special place. Perhaps the most poetic moment in the film is when another of the local guides dances atop a rock formation adjacent to the mystical and daunting Kaieteur Falls in the heart of Guyana. These same falls boast a legend that no man has ever explored behind the falls and when Herzog manages to film images of this no- man's land, he opts to not show the images out of respect for the local mythology. Few filmmakers would ever show such reverence for preserving myth than someone so deft at creating them himself.http://eattheblinds.blogspot.com/

dilbertsuperman With some proper editing Herzog would have been left with about 27 minutes of film. However, that 27 minutes is breathtakingly beautiful and you aren't likely to see it otherwise. As such- check this out, be prepared to be bored. My tip- as soon as you hear our protagonist's spiel about the air balloon and you understand what he is trying to achieve and why- simply fast forward through his boring butt every time you see him, unless he has balloons in his hand- and get on to the good stuff- the rainforest. He has very little to say that is interesting- his subject is the interesting part of this film- the rainforest jungle.Watching the rainforest scenes is a reminder to me as how instrinisically incorrect our current society is and how much better off we would be if the jungle could simply engulf us all once again and wipe out what we have "built". Once upon a time we worried about being eaten by a tiger, now we worry about getting shot by a crackhead- the same chances of death, the only difference is that now the water is bad and the air is foul and there are no more fish in the rivers, so we can't go back to the old ways since they only work when you Don't destroy your surroundings. Herzog found a place where all that has not happened as badly as it has here and there are still some beautiful things left to behold.So check it out on film while you still can because we are a culture that is hell bent on destroying all of this beauty with no regard to the inevitable cost of our own lives and grandchildren's lives which is very obviously the ultimate cost of destroying this once beautiful ghost of a planet. In a world where we think wiping out natural beauty is an acceptable part of progress this is a diamond in the rough. Could have used some better editing though and a bit more footage of some jungle stuff.