CheerupSilver Very Cool!!!

Micitype Pretty Good

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

CrawlerChunky In truth, there is barely enough story here to make a film.

bkoganbing Although The Unseen received an Oscar nomination for Best Sound it is a major disappointment as it was sold by Paramount as a followup to their hit from the year before, The Uninvited. Even the presence of Gail Russell who got her breakthrough role in the previous film, in The Unseen that guaranteed nothing.I also have to say that my copy of this film in fact had bad sound in it and I attribute that to the manufacturer of this bootleg. It was shocking to read here that The Unseen got an Oscar nomination in of all categories, sound.Joel McCrea has moved back to the family estate with his two children, both of whom have some issues. Especially son Richard Lyon who seems to have a lot more money than his allowance would warrant. The house next door is boarded up since a murder took place a decade earlier. Gail is hired by a strangely brooding McCrea who is going into territory inhabited by Orson Welles as Mr. Rochester or Laurence Olivier as Maxim DeWinter. It's unlike anything McCrea ever did before or since. Gail is to be governess to the kids. But she's drawn into all the mystery, especially after a couple of other murders occur in and around that boarded up house.Such players as Herbert Marshall, Tom Tully, Isobel Elsom, and Elizabeth Risdon add to the creepiness of the film.But I can't speak for all who will see it, but I was terribly let down in the ending. No other worldly beings doing deviltry to humans, just some very ordinary humans for very ordinary human motives are responsible for all the dirty work.Joel McCrea decided to concentrate on westerns after this and he did the rest of his career with one exception. It probably was a wise decision.

kidboots Gail Russell was beautiful and sensitive and may have had a long, happy life if she had not become a movie star. She was contentedly working toward a career as a commercial artist when she was discovered at high school and given a Paramount contract. By the time of "The Unseen" she was already developing a drinking habit which was the only thing that could steady her nerves before the cameras. "The Unseen" was obviously designed to be a follow up to her big hit of the year before, "The Uninvited".The sad, soulful eyes of Gail Russell are put to good use as she plays Elizabeth Howard, who finds a job as a governess in the Fielding household. The blurb on the back of my DVD seems to be the plot for a completely different movie as there is no mention (in the movie) that husband Dave Fielding (Joel McCrea) is suspected of causing his wife's death. Also the oft repeated comment that this movie was a poor relation of "The Uninvited" is simply not true. Based on a story by the popular Ethel Lina White (her "The Wheel Spins" became "The Lady Vanishes" and "Some Must Watch" became "The Spiral Staircase") and with the help of Raymond Chandler on the screenplay, it meshed "The Turn of the Screw" with "Gaslight" to produce an eerie mystery. It didn't have "The Uninvited"'s production values and it didn't have the haunting theme of "Stella By Starlight" but it was still a very creepy thriller.Elizabeth finds the children distant - Ellen has a scrapbook containing accounts of the Salem Alley murder, a recent sensational crime that has gripped the neighbourhood and Barney (Richard Lyon, adopted son of Ben Lyon and Bebe Daniels, gives an excellent performance) has strange phone conversations with "unseen" people. Both children need an understanding friend. Shadows of "The Turn of the Screw" as Elizabeth fights the influence of a governess who was dismissed for being a bad influence on the children. Barney not only collects money off persons unknown, he also communicates with a mysterious stranger who comes and goes from the house at will - thanks to an open door courtesy of Barney. It turns out to be Maxine (Phyllis Brooks) the old governess and boy, is she a toughie!!! It doesn't take Barney long to realise he has been loyal to the wrong person. Another interwoven plot (ala "Gaslight") concerns the boarded up house next door that was the scene of a murder 12 years before and now seems to have night wanderers!!As another reviewer remarked, it is pretty clear who the murderer is - it was never going to be Joel McCrea!! There are several characters who pop up - kindly doctor (Herbert Marshall), Isobel Elsom as the woman who owns the house next door, her husband had been the murder victim Elizabeth Risdon as the sour housekeeper and Tom Tully as a red herring. The movie ends abruptly - within 60 seconds of a showdown in the library, the murderer is caught and there is still time for a clinch and jokes on the stairs. It's like the director is saying "We have 60 seconds to finish this movie guys so sharp's the word"!!!Recommended.

MARIO GAUCI Despite having a bunch of notable credits (novelist Ethel Lina White, screenwriters Raymond Chandler and Hagar Wilde, associate producer John Houseman, actors Joel McCrea, Herbert Marshall, Norman Lloyd and Tom Tully) and an excellent prototype in one of Hollywood's finest ghost stories, THE UNINVITED (1944) – not to mention reuniting director Lewis Allen and tragic star Gail Russell from that same film – it is no surprise to me now that THE UNSEEN has remained unseen {sic} for so long. In fact, I only managed to score a hazy-looking, VHS-sourced copy of it which does the film's only true trump card – the atmospheric lighting – no favors at all. At any rate, despite being hurriedly put into production following the success of that earlier Ray Milland classic, there are no ghosts to be seen or heard anywhere this time around; instead we have a surprisingly unsatisfying combination of "The Turn Of The Screw" (typified by the obnoxious antics of McCrea's elder son to scare newly-installed governess Russell away) and GASLIGHT (1944; by way of the mysterious comings-and-goings in the supposedly abandoned house next door). Marshall is the outwardly benign family doctor who openly despises prospective property purchaser Lloyd, Phyliis Brooks is the dishy former governess who still exercises a strange hold over McCrea's boy and, as a mere red herring, Isobel Elsom is the inquisitive sister of the suspiciously-deceased inhabitant of the house next door!! Apart from the fact that, for the most part, there are no scares or even thrills to be had here, the film also commits the cardinal sin of making its male lead (a hot-tempered Joel McCrea!) unsympathetic for the duration but, then, have him predictably fall for the doe-eyed governess at the very end.

moonspinner55 In an older London neighborhood beset with strange deaths and a spooky, abandoned house with boarded-up windows, Gail Russell arrives via Boston to accept job as governess to widower Joel McCrea's two precocious kids; quickly, she begins to realize McCrea's little boy is in-cahoots with the previous nanny and may be covering up a dangerous plot which ties in with the old house--and also with McCrea, whose mysterious comings and goings spell trouble. Over-plotted and yet ultimately slim-seeming co-feature from Paramount, stiffly directed and not very exciting. Heavy-lidded Russell, fresh off her triumph in "The Univited", was never an exceptional actress, but here she gives hint she may have become a very good one, and her terse exchanges with McCrea show a much more confident performer than in "The Univited". The screenplay, adapted from Ethel Lina White's novel "Her Heart in Her Throat", falls rather early into a disparaging rut, what with Russell continually reporting peculiar happenings to people who don't believe or listen to her, and that final clinch nearly comes out of nowhere. However, for fans of 1940s potboilers like the not-dissimilar "Gaslight", this provides minor enjoyment. ** from ****