The Rolling Stones: Live at the Max

1991
7.5| 1h29m| en| More Info
Released: 20 June 1991 Released
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Synopsis

A filming of the 1990 Rolling Stones "Steel Wheels" concert that traveled Europe. This was filmed in the IMAX process, which allows the film to be projected in a size ten times the size of a regular 35mm projected image.

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Reviews

Clevercell Very disappointing...
Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.
Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Tim Kidner Those that've seen 'em, say they're the best live band in the world. Legendary in fact, with Jagger at whatever age he is now, bounding about a 20 year old.The Rolling Stones aren't my favourite band - dare I say it, their sheer rawness doesn't seem to translate down to CD all that well, at least for me (and they were before my musical 'time'). Maybe Live, where all that noise and energy can be focused, I'll appreciate them a lot more. So, my quest to own one decent Stones Live DVD led me here, not too old for technical (viewing) technology to be an issue and not be too new to be costly or without reviews and recommendations from other online customers.It certainly sounds very good and with good visuals. It seems to have most of the great tracks, done Live and with Jagger playing up to both the audience and music itself in his customary manner.What more could I want? Not a lot really, which is why it's a definite 8/10 - if I was really into the band, then that could be even higher - but either way, comes recommended!
Michael_Elliott Rolling Stones: At the Max (1991) *** (out of 4) Filmed during the European leg of the Stones' 1990 Steel Wheels tour, this production was shot for the IMAX screens so obviously seeing it there compared to your television is going to make a lot of different but I've always felt that no matter how you see it you need a strong performance, which you get here, although at the same time I'd say this concert isn't nearly the best that the group has released and certainly doesn't come close to what Martin Scorsese would pull off with SHINE A LIGHT.Start Me Up/ Sad Sad Sad/ Tumbling Dice/ Ruby Tuesday/ Rock and a Hard Place/ Honky Tonk Women/ You Can't Always Get What You Want/ Happy/ Paint it Black/ 2000 Light Years from Home/ Sympathy for the Devil/ Street Fighting Man/ It's Only Rock 'n Roll/ Brown Sugar/ SatisfactionNeedless to say, there aren't any limits on the classics as the group comes out with a thunderous Start Me Up and it only gets better from here. The highlights include hearing some of this terrific tracks in a way that they hadn't been played on previous tours and this includes a terrific Ruby Tuesday and a more low-key but still rocking Tumbling Dice. I don't think Satisfaction has ever sounded bad and the terrific guitar opening from Richard on Paint it Black is certainly very memorable. For the most part the group is in top form but I'd still say this concert film falls well short of previous releases and a couple they did after this one. I think this is still a good show overall but if you want to show the Stones at their greatest then SHINE A LIGHT and LADIES AND GENTLEMEN THE ROLLING STONES are your best bets and not to mention GIMME SHELTER.
ccthemovieman-1 This veteran rock group is consistent: it almost always gives a dynamic show and it almost plays the same songs over and over. However, one doesn't seem to mind as the Stones always make their shows visually and audibly interesting no matter how many times you see and hear them. The main difference in the shows over the years are the props (in this case, huge inflatable dolls) or a more youthful appearance when you see them in something 10, 20 and 30 years ago. When I acquired the "Four Flicks" DVD in 2003 I thought I had seen them do about all their songs but not so. For instance, in this concert is a great version of "Sad, Sad, Sad," which isn't on that multi-disc 2003 compilation. After seeing the recent shows, you look at this and the "boys" look a heckuva lot younger. These guys are always entertaining and I'm lucky to have found this tape in January of 2005. At the time, and still now the VHS and DVD were both unavailable for regular purchase. You have to find sellers on websites (Amazon, e-bay) to get them. I never saw this on IMAX so I can't comment about that experience.
drosse67 I had high hopes for this IMAX film. To say I was disappointed would be an understatement. What should have been a revolutionary concert film turns out to be 85 minutes of the Mick Jagger show. Now, that's really not a big surprise as he is, after all, a legendary frontman for a legendary rock band. But seeing him (and to a lesser degree Keith Richards and Ron Wood) in IMAX proportions, posturing around the stage and "playing" with the huge blow-up dolls is more than anyone can handle. The emphasis here was NOT on the music, but on their obvious reactions to being filmed by a huge IMAX camera. I have only seen the Rolling Stones in concert once (for their 1999 tour), but I have to say that this concert was fairly disappointing. The entire concert was not filmed, as you can see the list of songs near Charlie Watts' drum kit several times in the movie and a few--Harlem Shuffle, Angie, Jumping Jack Flash--were not filmed. I could not believe they left off the latter song, one of the Stones' signature songs. The songs they did perform were over-extended versions of other classics like Satisfaction, where Mick climbs the rafters and catwalks and just acts silly. I glanced around the IMAX theater while this movie was playing, and everyone was frozen in their seats. It would have been a good opportunity to really "cut loose" and move to the huge images and sound, but no one did. The filmmakers really missed out on an opportunity to film a great concert with "At the Max." You are left with the feeling that the Stones were patting themselves on the backs for "revolutionizing" the concert film.