Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

gridoon2018 A visually elegant psychological mystery thriller, with stylish direction by Michael Anderson, an intelligent script by Joseph Stefano, and strong performances by two acting legends, Gary Cooper and Deborah Kerr. Some sequences are Hitchcockian (the one at the edge of a cliff in particular), but in its examination of (mutual) trust, doubt, and love, the film may also remind you of Claude Chabrol at his prime. And a great twist to cap it all off. *** out of 4.

Andrew Sterne There is a stylistic feel to this film, a clever use of dark and light tones and an impressive use of camera angles and close ups which does give more than a nod towards Hitchcock, though perhaps at times it is a little overdone. The story itself is a good one, with a number of clever twists and turns, and the two leads give good solid performances. I did enjoy this film; the sort I felt could bear more than one watching. Unfortunately, the ending is too obviously hurried in its attempt to tie up all the loose ends, and this, for me, is what lets it down.

moonspinner55 Not-bad adaptation of Max Ehrlich's novel "First Train to Babylon" turned out to be Gary Cooper's final film (he died before its release). An American Air Freight sales manager in London testifies against a fellow employee in a murder/robbery trial; five years later, with the manager and his spouse now living in luxury, the wife begins to suspect that her husband was the killer the entire time. Hurt by a seemingly lower-end budget--and by a script that doesn't always make sense--this is still a most unusual project for Cooper, who manages a fine performance. Film builds to a fine pitch of suspense in its concluding sequence (which Adrian Lyne might have studied for his "Fatal Attraction" closer). Deborah Kerr stays wide-eyed and white-knuckled throughout as Cooper's wife; she's also quite good, though the godawful shlock music by William Alwyn underlines all of her suspicions with a thundering of drums that could wake the dead. So, is Cooper guilty or not? The finale provides an amusing frisson or two--and a twist which the ghostly voice-over informs the audience to please not betray. **1/2 from ****

David Vanholsbeeck The last film of Gary Cooper is an enjoyable thriller-drama. It's not great cinema, but I was surprised by the pace of it. With most of those "old" films, I have trouble to sit them through. But this one kept my attention from beginning to end.The story is about a man(Cooper) who's a witness to a murder and thanks to whose testimony the killer is locked away. But did this guy really commit the murder? Years later, Cooper's wife(Kerr) starts to suspect her husband. Slowly, everything begins to point in HIS direction. Is she still safe with the man she loves? Will he kill her(too)?As I said, this film is very entertaining. The story however has some major holes in it and the ending is a bit of a let-down. You'll have to see what you make of this film with the ending in mind. This could have been done much better. Cooper is very good in his last role as the husband, but Kerr was less convincing as his wife. There are also some rather colourful, but sometimes annoying supporting roles. I can recommend it, as long as you don't expect to much of it. But if you don't like old films, this is a good movie to help you with that. The filming is very up-to-date. 6/10