Alicia I love this movie so much

Fairaher The film makes a home in your brain and the only cure is to see it again.

Rexanne It’s sentimental, ridiculously long and only occasionally funny

Logan By the time the dramatic fireworks start popping off, each one feels earned.

anonreview2 This movie is PATHETIC and BORING!. Kilmer and Mornay are stiffer than concrete. the plot is ridiculous--nothing but the worst caricatures and uninformed stereotypical behaviors ever portrayed in a film. the illogical events in the film are untenable--e.g., having sworn to protect the young virgin, the young detective then leaves her alone in the dark park, to be subsequently attacked, even though he knows the murderer is still at large and supposedly in the park! Moreover, it is factually untrue that the "murderer" could have committed this crime, as this species is completely vegetarian and non-violent towards humans unless directly attacked. Check out writings by Birute Galdikas if you have any doubts.It is shameful to perpetuate such outdated notions about a fellow primate that is on the verge of extinction because of humans.

gavin6942 A detective (George C. Scott) comes out of retirement to help his daughter's fiancé (Neil Dickson) prove that he did not commit a series of murders.I really enjoyed this film, and was surprised to see it was the only attempt to adapt the Poe tale since the 1930s (the one in the 1970s hardly counts as being remotely close to the source material). While I think some liberties were taken (my memory of the story is not perfect), it follows the general feel and does its best to keep the mystery going as long as it can.And, indeed, that is what I enjoyed most about the film -- the mystery! How did the killer get in and out of the house? What was the motive? Why did he not want the gold coins? Even though I already knew the story, they successfully brought me along for the ride.

Michael_Elliott The Murders in the Rue Morgue (1986)** (out of 4) Made-for-TV version of the Edgar Allan Poe story has Detective Auguste Dupin (George C. Scott) coming out of retirement after his daughter (Rebecca DeMornay) comes to him saying that her fiancé has been charged with the brutal murder of a group of people. There aren't any real clues and it appears the murderer just vanished from the scene of the crime and it doesn't take long for the veteran detective to realize something strange is going on. This version of the familiar story really comes across as a disappointment for a number of reasons, which is a real shame since we got such a good cast of actors. The screenplay is the real villain here because the entire thing is shown from the detective's point of view. I'm going to guess that if you were unfamiliar with the story then perhaps this approach would work but if you know who the killer is then the suspense is pretty much taken away from you. The entire film is built around who did the murders but those familiar with the story already know. I think a straight adaptation would have been much more effective had the film let us in on the "secret" and went from there. Another problem is that the music score gets quite annoying at times as it's constantly going into high gear to make you feel as if a scene is all the more dramatic than it really is. Director Jeannot Szwarc (JAWS 2) does a decent job with the material he has to work with. He does manage to build up a nice atmosphere and he also gets some good performances from his cast. Val Kilmer appears in a small role and does a nice job. DeMornay isn't too bad, although she isn't always believable playing the weak lady. She also has to deal with the screenplay giving her an incredibly annoying character. As for Scott, as you'd expect, he's terrific and really delivers a strong performance. It's really too bad he wasn't given a better screenplay because his performance does so much with little to work with. THE MURDERS IN THE RUE MORGUE is pretty flat all around, which is a shame because there's some good stuff scattered throughout.

FISHCAKE While the basic crime plot of Poe's story is the framework of this color film noir, we have tacked onto it a melange of elements not in the story, not the least of which is having Dupin as a cashiered, or maybe just retired, Inspector of Police. The "real" Dupin was often consulted by the Prefect of Police, but he was a private citizen, a recluse if you will, with marvelous powers of ratiocination. Furthermore, where did the writers get the idea that the Prefect hated Dupin. According to the stories he pretended a supercilious attitude, but knew that often without Dupin he was nowhere. In this film, we see Dupin at work but get no details about his "ratiocination". It's a good cast, though, and interesting seeing them at work. Give it an A+ for atmosphere, but a C- for classic tale telling.