Rijndri Load of rubbish!!

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

co co The Monkey's Mask is not a great film. The plot is not originally made and the thriller last only half an hour. Anyway it is interesting for some reasons. The lesbian love between Jill and Diana is very well interpreted by both Susie Porter and Kelly McGillis (a bit over-aged for nude scenes). Even though the only remarkable detail which worth the vision of the movie is the superb erected penis showed by Marton Csokas at the end (almost) of the film. Csokas is pretty handsome: his realistic interpretation offers a spectacular "out of program" to the - till now - exhausted and annoyed watcher. This is why director Samantha Lang must be considered an innovative sex-showed-maker. Italian director Tinto Brass has been fighting for years to demolish any censorship and censure in movies for total realistic interpretations. It is important not to fall in vulgar images. Samantha Lang's style is very elegant. She has directed sex scenes with authentic good taste. Marton Csokas, here, is the husband of Poetry professor Diana/McGillis. He is a very pleased partner to his wife and try to seduce Jill also. Marton Cksokas seems to be accustomed to play strong roles (Rain and Asylum for example). To see Csokas' sex excited is an occasion not to lose. It would be grateful to see a sequel, possibly more involving than this, but starring Csokas and Porter again.

evraymer This movie was a big disappointment. First, it was billed as a suspense, but it wasn't very suspenseful or even interesting (I found I really didn't care that much who killed the dead woman). Second, the film is probably only appealing to those who don't mind a lot of foul language, or sex between characters who try to choke and/or insult each other. Third, elements of it were highly improbable (are murderers really that cavalier about their crimes being discovered?). I admit I switched back and forth to other programs while watching this film on TV, but it was still too long a viewing. Even Kelly McGillis couldn't save it.

jay_thompson680 Dorothy Porter's book "The Monkey's Mask" was a groundbreaker on numerous levels. The text was a novel constructed from poetic verse ("is it a novel or a bloody long poem"? one commentator asked). Furthermore, Porter took a harboiled detective/ noir narrative and relocated it from the streets of NY or LA to seamy inner-city Sydney. Where once we had misogynist male gumshoes(i.e. Sam Spade), Porter gave us Jill Fitzpatrick, a female detective who was also - and proudly - a lesbian.So how does it translate to film? Very interestingly, indeed.The story (for those unfamiliar) entails Jill investigating the disappearance and subsequent murder of Mickey Norris, a young Uni student whose amateurish poetry is laced with sex and death. Jill's investigation leads her into Sydney's incestuous poetry scene, and particularly into the bed of Diana Maitland, Jill's duplicituous lecturer. And that's where trouble starts ...Susie Porter and Kelly McGillis are brilliant as Jill and Diana respectively. There is more emphasis given here to the sexual side of their relationship than there was in Porter's text, and some of the sex scenes do, alas, border on fetishistic.However, I was fascinated by the way their relationship was mediated by a whole range of other factors. There is class: Diana is an uber-wealthy city dweller who dines at Darling Harbour, while Jill is a working-class woman living in a dingy caravan on Sydney's exclusive North Shore. Also, Diana is entwined in two seedy 'scenes': the poetry world, and the world of English/cultural studies academia. The seamy, incestuous, inhumane side of academia has been explored in films as diverse as Hitchcock's 'Rope' (which TMM bears a resemblance to stylistically- and that also had homosexuality as a theme) to the 1970s horror film 'Bloodsuckers' (an appropriate title for Diana). In The Monkey's Mask, Diana talks down about her students (the women in her class love 'victim poetry', apparently). When Jill tells her of Mickey's gruesome murder, Diana is more excited over her latest academic grant!In support, Marton Csokas was brilliant as Diana's 'kept man' Nick. He reminded me of Vincent Price's 'kept man'/ playboy in the 1944 noir classic 'Laura'. Unfortunately, the rest of the supporting cast are under-used. As Jill's father, Chris Winwood is given little to do bar totter around with a whisky bottle. Then there is the talented Deborah Mailman, wasted in a thinly-sketched role as Jill's best friend (the most she is given to do is 'come onto' her friend during a time of grief, and that - as another commentator suggested - suggests a dubious link between lesbians and sexual voraciousness. This is a link that is made absolutely concrete in Diana's character, whose evil is - in the film - largely attributed to her sexual appetite).Also, the movie's conclusion was too neat and polished, given all the ambiguity and uncertainty that preceded it. The ending of Porter's book wasn't nearly as cut-and-dried.And what was the point of Jill's closing line: "Forget the bitch"? Porter didn't mention that. Was its inclusion to comfort the (conservative, hetero, etc) viewer that the dangerous dyke relationship is over, and we can all sleep nice and easy. Worrying stuff, indeed.Having said that,though, Lang's 'The Monkey's Mask' is an interesting contributionto the noir genre. Stylish and sensual, with some great chemistry between the leads, it is intelligent entertainment that deserves a look.

matthew Let me state first of all that I liked this film. It revolves around a female PI who is investigating the disappearance of young student poet who is later found murdered. She becomes involved in an affair with the student's teacher who may or may not be involved in the murder. It flows quite well maybe abit slowly for some but to me this is the right pace. The movie is delineated into sections much like a poem and in some ways the lead (admirably played by Susie Porter) seems to float through this world of poetry readings, steamy love trysts and threatening phone calls a player yet somehow disassociated from it all.There were however some things that annoyed me a little about the whole film and while they didnt spoil it for me they nevertheless grated on me. Susie Porters character though solidly played nevertheless did not ring true to me. She is meant to be a working class ex-cop familar with the mean streets of Western Sydney now navigating her way through this bunch of artsy intellectual types. She didnt quite ring true to me - she almost seemed part of that crowd herself - her outsider status wasnt obvious to this viewer.I found the some of the use of nudity and sexual profanity abit try hard. What I mean by this is that it was almost abit forced.To me It looked as though it was saying look how comfortable we are in showing nudity etc,I suspect it was almost there to spice things up rather than being integral to the plot (to be fair a pretty hard line to draw on many occasions).I also found the whole characterisation of the murdered girl and her parents abit annoying. The parents are cardboard carictures of what inner city intellectuals view the suburbanites (with money) as -dull boring and clueless , & the murdered girl is portrayed as some spoilt little brat from the leafy suburbs on a parent subsidised rebellion - another cliche. I find this more than a little ironic as the subject matter of this film is likely to draw an audience (in Australia anyway) that is largely the arthouse end of the market (ie monied and educated) Anyway these points though somewhat annoying to this viewer really are only minor distractions.Overall the film is worth seeing.