Diagonaldi Very well executed

UnowPriceless hyped garbage

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Yashua Kimbrough (jimniexperience) Two Triad Leaders, Mr. K and Mr. Lung, control the underground of Macau .. The Old Triad Lord, Mr. Hung, is upset he's been left out .. He orders for both groups to pay dues but instead , they decide to join forces to maximize business ..Overnight , a rumor spreads Mr. K has ordered a hit on Mr. Lung for over 50 grand .. Negotiators from both sides have 24 hours to get to the bottom of this before things get ugly ..... Simultaneously a mysterious character arrives in town and is stirring up trouble everywhere he goes ..

jadavix "The Longest Nite" is a deliriously entertaining Hong Kong crime flick with style to spare. It also has an unexpected dash of humour to offset the grim proceedings.Crooked cop Sam (played by the usual charming "Little Tony", Tony Leung Chiu-Wai) is attempting to broker a meeting between Triad figures in Macau. He is a brutal figure, shattering a man's hands with a sauce bottle in a restaurant, and doling out gruesome torture to an alcoholic hostess played by Maggie Siu.A suspicious, menacing bald man, Tony (played by Lau Ching Wan) appears out of the blue and becomes an ever-present thorn in Sam's side. Who is he? And what does he want? Well, I'm going to level with you, reader: I don't really know. Presumably the movie revealed that at some point, but I don't think it's really important. This movie was riveting, entertaining from start to finish, with many humorous and nasty touches. Lau Ching Wan was perfect as the shadowy bald man, and although the camera loves little Tony, I think he may have been a bit miscast as the crooked cop.I didn't understand every aspect of the plot but I'm not sure you're meant to. I mean, have you ever understood every detail of a Hong Kong crime flick?

dbborroughs This is a bleak dark nasty ugly film of the sort Hong Kong no longer makes. Tony Leung plays a corrupt cop who is trying to make a peace between two of three powerful crime lords on Macau. Things are going from bad to worse as word hits the street of a contract on one of the crime bosses. A tall bald headed fellow is wandering about and seems intent on collecting the cash reward no one knows who is offering. Worse for Leung is the fact that someone seems intent on making his life miserable beginning with a naked dead man in his apartment. Things only go down hill from there as Leung tries to unravel the plot and stay out of increasing trouble.A fever dream of foul things this was started by one director, Patrick Yau, who shot five scenes before hitting a creative brick wall and then was finished by the producers Wai Ka-fai and Johnnie To who stumbled around trying to stitch it together. The result is a really violent, bloody affair with no hope and no light. Much of the film operates in a seeming dream logic as it becomes clear that a greater power is operating just beyond Leung's view. Its all comes together in the end but until then its like being trapped in blood soaked nightmare with an occasional severed head. I'm kind of at a loss for words, this movie operates on a level somewhere underneath the surface and sends out shock waves.I really like the film but at the same time find it rather disturbing. Its the sort of bleak rough edged crime drama that Hong Kong excelled at in the 1980's and 1990's but which it seems to have stopped making.Recommended if you can find yourself a copy and like rough edged mind warping crime dramas.

marquis de cinema Tony Leung Chiu Wai is cast against type as the corrupt and violent Police officer in this Noir thriller. He gives his most deepest and powerful performance since playing the mentally tough protagonist of John Woo's Bullet in the Head(1990). In the tradition of the pessemistic noir pictures of the 1940s. A complex and thrilling story with surprising plot twists. Mixture of Martin Scorsese, Fernando Di Leo, John Woo, and Takeshi Kitano. Another fabulous movie from Patrick Yau with his tight and taut direction. Has Patrick Yau done anything recent as it seems he hasn't done anything since Expect the Unexpected(1998). The most talented director from Hong Kong of the late 1990s. Involved in the production was Johnny To who is known for his dark and grim action and crime thrillers. The sequence in the warehouse is stunning. Ching Wah Lau is terrific as the cool and enigmatic stranger. The whole gangster poltics in the movie echos the ideas of Martin Scorsese's mob flicks and Fernando Di Leo's Italian Crime movies especially Il Boss/The Boss(1973). The gunbattle between Tony Leung Chiu Wai and Ching Wah Lau reminds me of the best of John Woo. The final scene reminds me a lot of the final sequence from the Takeshi Kitano movie, Violent Cop(1989). The Longest Nite(1997) is more closer in tone to Takeshi Kitano than John Woo.