The Last Woman

1976 "Love. Hate. Loneliness. Humor. Sensuality. Nothing will prepare you for the devastating climax."
6.4| 1h48m| en| More Info
Released: 21 April 1976 Released
Producted By: Flaminia Produzioni Cinematografiche
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Budget: 0
Revenue: 0
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Synopsis

Psychological drama of the compelling relationship between a young French engineer and the girl he takes into his home after his wife has left him with their baby son.

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Flaminia Produzioni Cinematografiche

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Reviews

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.
Mort Payne All of the reviews so far have missed the mark on this one. The funniest comment is that Depardieu is "corpulent." He doesn't have a six-pack, by any means, but he is not at all corpulent. Even in his later years, he has been, at most, a little chunky. What intrigues me most of all is that none of the reviews mention the creepy fact that a number of sex scenes in this film have a toddler in the middle of them, and that Gerard Depardieu, in a few scenes, spends an inappropriate time exploring said toddler's boy parts. I get that it's supposed to be a comment on some vague Freudian male penis obsession, but it doesn't have to be creepy like that to make such a point (whatever point that is; it's never made clear). It stops just this side of getting the baby involved in the sex, but goes as far as having a swinger fondling party while the baby watches and to have the baby naked on the bed between Depardieu and Muti carrying out some obvious foreplay, to name a couple of disturbing examples. No wonder this one is hard to find.
lazarillo The good news is this movie features some gratuitous nudity from the beauteous Italian actress Ornella Muti. The bad news is it features far, far more gratuitous nudity from the not-so-beauteous and quite corpulent French actor Gerard Depardieu. This is another slice of Italo-Gallic insanity from director Marco Ferreti. It somewhat resembles his later, more famous film "Ciao, Monkey", but instead of a baby monkey, Depardieu's character has a chubby human baby. But like the monkey in the later film, the male baby is largely a metaphor for the perpetual narcissistic infantilism of Depardieu's character.Depardieu plays a single father whose feminist wife leaves him alone with their small baby. This doesn't slow down his inveterate womanizing,however, and he soon starts an affair with a young daycare teacher (Muti). It's a little disturbing, especially by modern-day standards, the way Depardieu and Muti engage in naked foreplay pretty much right in front of the baby (although they do have the decency to go into the next room to actually screw). Children that young have little memory, however, so I'm sure the infant actor was much less traumatized by Depardiue's bloated nude body than I was. Anyway, there's a lot of melodrama involving the Depardieu character's continuing compulsive infidelities and his feelings of male irrelevancy in the face of feminism and female sexual liberation. In fact, if the male organ with its insatiable appetites, extreme insecurities, and fickle nature somehow became an actual person it would be just like Depardieu's character in this movie. (So basically, Depardieu here plays a big chubby dick).As other reviewers have said,the end of this movie is quite shocking-- Depardieu is harpooned by Captain Ahab and he drags him, his ship, and his entire crew to the bottom of the ocean. . . Oh wait, that was "Moby Dick". Well, the end of this movie is even more shocking, especially if you're male. Depardieu does give a very good performance, so I certainly would recommend this to his fans. Muti is not as good (but, oh man, is she beautiful), and this film really marks her transition to the kind of daring art films she is best known for (and without which she'd be a forgotten Italian version of Brooke Shields today) And whatever you can say about Marco Ferreti's films, they're definitely NOT dull. This not great, but check it out if it sounds interesting to you.
luminous_luciano This movie (maybe more so than Le Futur Est Femme) immortalizes the young Ornella Muti as the ultimate dream woman... as far as sultry ravenous brunettes go anyhow!!! Mayhaps because there is no competition here for her (Carole Perle? Nice name but...) unlike in Le Futur... where Ornella is actually loved by co-star Hanna Schygulla... Here the same is true, as her co-star here also loves her and may in fact love her too much... However, unlike Hanna, Gérard Depardieu fights the attraction to the utmost degree... (And THAT is the true reason why this film was banned by the U.S. censors - the way G.D. goes about to finally purge his desires for her is quite... unbelievable to say the least!)The mature Ornella Muti is now even better in my estimation... But for a wider audience of woman-lovers, this young Venus-like Ornella is the one and only. She was, in the ten years that followed, constantly in the top ten of the most beautiful women in the world... Too bad her acting talent wasn't up to par...I will respectfully disagree with the other three here -so far- and state my belief that Marco Ferreri is *not* on the same level as Fassbinder or Bunuel. But he and João César Monteiro are certainly "the next two" I'd say!Note also the presence of one Michel Piccoli in this one - he who despite being ''just a guy'', balding, not all that fit, not that great an actor himself, managed to co-star often with some of the most beautiful leading ladies in Europe - Romy Schneider, Catherine Deneuve (of course - une compatriote...!), Dany Robin (une autre compatriote!), Sabine Azéma (et une autre!), Martine Carol (et encore une autre!), Ornella here... Proof that it is good to be at the right place, at the right time...And to the eight who find this "not useful" - a review would be useful.A comment is just a comment. Ferreri fans...
AlisBuna-2 I am a Marco Ferreri fun, this superlative movie has Ornella Muti still young - she became my number 1 for years. I saw it in 1977. I must see this film again with more 23 years on my eyes. Recently I saw "L'Inconnu the Strasbourg" and I felt in love with the new "charm" of Ornella Muti as a mature woman and I cried of happiness. I hope to see her again soon.