Jeanskynebu the audience applauded

Steineded How sad is this?

Beanbioca As Good As It Gets

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

cinematicheroes As a writer and a filmmaker myself, I try not to be ultra-critical when you consider all of the elements that go into making a film. When viewing this one, I quickly realized that John Benjamin Martin's script didn't have the same quality of writing of a William Goldman script, and for the most part it certainly lacked the dialogue of a Quentin Tarantino ... or even a Jon Favreau script, for that matter. But, if you're looking for a semi-fun, serviceable B-thriller, this will do fine. In fact, it's the perfect Friday Midnight Movie when you just want to veg-out with a BIG tub of buttered popcorn!In fact, a little over four years ago, a similar film - WHAT LIES BENEATH - was released starring Michelle Pfeiffer and Harrison Ford. Was it a better movie? Sure, but not that much better when you consider all of the variables involved: HOUSE NEXT DOOR was made with a lot less dough than WHAT LIES BENEATH was. And HND certainly lacked both the A-list stars and the BIG-Studio backing of 20th Century Fox and Dreamworks. In fact, I would go so far as to say that director Joey Travolta did the best he could with what was given him.And one of the things given him in this film is a fine performance by James Russo, who is at his utmost-creepiest, playing Carl Schmidt, the next door neighbor of Lori Peterson (played by A.J. Cook). Russo's performance - along with Travolta's direction - actually makes this film not only watchable, but enjoyable as a "guilty pleasure." As does the performance of Sean Young, who also does the most she can with the supporting role of Monica, Peterson's long-time friend. It's priceless to hear her utter lines such as, "It's crazy - I mean like get in the car and move to Arizona crazy!" Frederic Forrest, who garnered a Best Supporting Actor nomination in 1980 for his performance in THE ROSE, also lends credibility to the cast.And again, I felt Travolta's direction, which seems to get better with each new film, helps to offset the movie's notoriously low budget.As was the case with WHAT LIES BENEATH several years back, THIS film is filled with the obvious cheap thrills you'd expect from a movie of this nature, but again, that's part of the reason that makes THIS the perfect Friday Midnight Movie!

cmehrlic the title really says it all but i can expand a bit. The acting was breathy and lacked any talent what so ever. The plot was obvious and stupid. I saw the end of the movie the second the movie started and i am ashamed that i saw the movie through. I suggest that NO ONE buy/rent this movie, because it would only encourage the producers of this movie to make another one. Bottom line: if there were a zero, I would have voted that one instead of the 1 I was forced to cast.

Skreee This is slightly less suspensefull then having somebody tell you the plot of "Rear Window". All scenes are done by the book, with no big mistakes, but with no imagination or heart either. The actors save the movie from being downright rotten.

jagproductions I had the opportunity of being invited to the Vancouver screening of `The House Next Door'. The movie was very well done; it kept everyone in the audience on the edge of their seats wondering... why doesn't she leave? Vancouver composer John Sereda did an outstanding job on the films soundtrack. It was "Dramatic, Dynamic, Suspenseful, and it Rocked you"... It is definitely a movie worth seeing... and a soundtrack worth hearing.