Rpgcatech Disapointment

Onlinewsma Absolutely Brilliant!

DipitySkillful an ambitious but ultimately ineffective debut endeavor.

Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Tweekums One might be forgiven for thinking for thinking a film about a samurai would be full of swordplay and bloodshed; that isn't the case here though. The protagonist Katagiri is a samurai in the nineteenth century when Japan is opening up to new technology and the samurai are having to learn for to use rifles rather than the swords they have traditionally used. Some time after seeing his friend Hamaza depart for Edo Katagiri learns that his former servant Kie is being mistreated by her husband's family so he brings her back to his house where she returns to good health; it is clear that they have feelings for each other but they are of different social classes so marriage is out of the question. After a while people start to talk and he has to send her back to her parents; around this time his old friend Hamaza returns as a prisoner accused of plotting against his superiors. When he escapes Katagiri is told that he must either fight and kill Hamaza or he will be considered an accomplice.While this wasn't quite the film I'd been expecting I enjoyed it none the less, largely because it depicted a period of Japanese history that I knew nothing about. The story was interesting with a good cast of characters and while there wasn't much action the fight scene was pretty good. Surprisingly there were quite a few laughs too; just about any time the samurai were receiving training from their instructor from Edo some laughs were to be had. Some viewers may find the upbeat ending a little bit cliché but I for one was rather pleased with it. Away from the story itself I must comment on the look of the film; everything looked great whether it was the houses, the scenery or just a shot of the cherry blossom that is a feature of so much Japanese culture. I'd certainly recommend this to people wanting to see a film about this period in Japanese history without being full of bloody swordplay.

siderite The film is two hours long and most of the time there are only people doing the usual things expected of them. What makes it not boring is the inner conflict of the characters, so subtly rendered through body language and expression.The plot of the movie revolves around one samurai of low caste, living under the shadow of his father's dishonour, but an honest and kind man. Just at the end of the samurai era, when the entire Japanese society is faced with all the change coming from the west, people are still set into rigid behaviour patterns and he feels less and less part of the world around him.A beautiful, thoughtful, rather slow film, it describes the old Japanese culture and the bureaucratic monsters that it spawned.

princebansal1982 This is the second movie I have seen directed by Yoji Yamada. The first one was Twilight Samurai which I really loved. This one is also nearly as good. My only complain is that it is too similar to Twilight Samurai. Yamada movies seem to be inspired by Ozu's. But while Ozu movies don't feel similar even when they are, Yamada's movies do feel similar. Nevertheless it is treat.Hidden Blade is a hybrid samurai/family drama, with very little action. I love this movie because it defies many aspects associated with those movies. Primary of course is the violence. Here the protagonist is a samurai who finds violence distasteful and treats it as a last resort. He is a good swordsman but never boastful or ambitious, and is content with his relatively low status.When the fight does happen, he strikes his opponent with a move that seems cowardly. He almost turns his back to his opponent but just when his opponent strikes he turns swiftly both dodging and striking at the same time. His opponent calls the move cowardly, but if the opponent was so honor bound he wouldn't have struck him while he was turning his back. So the move only works on somebody who is opportunistic.But this movie is not about action, it is a family drama. It is a forbidden love story between the protagonist and his maid who belong to different castes and hence cannot marry. It is wonderfully shot and you actually feel that is made in 50's. There are no fast action flourishes associated with modern movies, instead it is more faithful to how people actually used to fight and live in that time.

bob the moo Munezo is a samurai who serves closely with friends and peers Samon and Yaichiro. When Yaichiro goes far overseas to serve for the clan, Munezo is left with Samon, who becomes closer as he marries Munezo's sister Shino, leaving him at home with his aged mother and maid Kie. The years go by and when his mother dies, Munezo struggles with his studies of new Western weaponry and battle techniques and misses Kie – who has long since married into a merchant family befitting someone of her caste. A man of tradition and respect – Munezo is forced to act against inherited wisdom and practice when he learns of Kie's mistreatment and also of the dishonourable imprisonment of Yaichiro.Some have warned caution of this film to those expecting an action film and they are right to do so, but to me the opposite applied. Screened late at night on BBC4, I recorded this film thinking it sounded interesting but could easily be a very dry film full of its own importance and depth, delivered with long shots for the sake of, stilted dialogue and every single bit of it screaming "restrained!" like the audience is an idiot. Suffice to say, I have been hurt before when it comes to such films! I needn't have worried though because The Hidden Blade manages to be about the restrained traditions of feudal Japan without making the telling or the film be dry and withdrawn into itself. Nor does the film labour the point in the way some similar works have, indeed it does give the audience food for thought in regards the pros/cons of both tradition and progress – neither of which is an entirely good or bad thing but has bits of both. To me this made it more worthy of my respect and interest but what made it so engaging was the amount of ground it covered. I am surprised to read that some found this film "boring" because to me the narrative is surprisingly packed with threads that cover friendship, relationships, loyalty and tradition across many aspects – all of which work really well. OK, I will give you that the final ten minutes could have been done with a bit more certainty but even this was only a minor thing because mostly there is plenty to watch. What surprised me most about it was that it did also have a good vein of humour running through it, my favourite moment of which was the men trying to catch a chicken with a basket – great little throwaway gag.The script is the starting point for it as it builds conflicted characters with as much attention to them as to the world they inhabit. The visual construction of the film matches this as it feels very much in the period and I was quite surprised to find it was made as recently as it was because of how of its time it felt. The cast come good mostly even though I didn't think anyone really nailed it or dominated proceedings. Nagase is a strong actor with almost what the character needs in terms of expression and inner thought processes. He was not quite as distinctive as I would have liked the odd time but mostly he is a firm lead. Matsu overplays the "sweet little maid" role just a tad but the script is strong enough to make it work regardless and she does come over as charming and a character we care deeply for. The supporting cast around these are mostly good with turns from Ozawa (not given enough time though), Ogata, Yoshioka and Tabata among others.The Hidden Blade may not be what you think it is going to be but, whether you assume it is action-packed or dry as a bone, it doesn't matter because the film performs really well at what it sets out to do. The plot builds the world and characters really vividly, providing thoughts on progress and tradition while also laying out both in terms of the relationships, positions and lifestyles of the main characters. It has humour, sadness and intelligence all delivered with professional direction and atmospheric design and cinematography. It is well worth seeing and rewarding with only a little patience required.