The Haunting of Hell House

1999 "The Dead Never Forgive!"
4.3| 1h28m| R| en| More Info
Released: 16 November 1999 Released
Producted By: New Concorde
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A mysterious, morbid professor who has suffered a number of horrid events in his life tries to help a young troubled man, whose girl friend was killed during an illegal abortion.

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Reviews

Plantiana Yawn. Poorly Filmed Snooze Fest.
Micitype Pretty Good
MoPoshy Absolutely brilliant
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
james-kennedy-1 This dreadful movie suffered more than anything from poor production work and the slip-shod work of the extras.It's hard to imagine that a hand to act badly but at one stage a hand appeared on screen (deliberately) and managed it. It was like watching a hand shaped Madonna appear on screen and ruin the movie.I would never watch this movie again, I watched it and another couple of turkeys, The unlucky leprechaun, warlock 3 and knocking on death's door. All of which suffered a similar affliction, whether it be an implausible scream and wooden man in crowd or obvious stunt double i am sure there is a common theme.Whoever is behind this would do well to give it up, take a job in sales and hope to one day hit the heady heights of their own car parking space rather than director chair.Good riddance
rixrex Roger Corman produced, but not really typical of Corman, yet there's a bit of the style of the old Corman/Poe/Vincent Price series from the 60s here. I'd say that the title would be about the only thing "Cormanesque" about this in regards to making it interesting commercially, to kind of cash in on the same-time remakes of "Haunting" and "House on Haunted Hill". Other than that, it's a nice, yet small, psychological thriller, with some plot elements influenced by The Tell-Tale Heart. York gives a nice and slightly hammy performance as the tortured old professor, and the others are more than adequate. It will keep the interest of those who don't mind a gradual build and don't care for the lack of real terror and/or gruesome displays of killing. There's some violence and slight gore, but nothing gratuitous. Nothing here ever gets beyond being just a grade more than mediocre, say about B-, EXCEPT the really nice use of the Irish countryside as a substitute for old New England, which is an A grade. Nothing grand, but better than average.
hershiser2 Save your money if you're looking for a good haunted house flick. This isn't even a bad haunted house movie... it's just a bad movie. I was bored 15 minutes in, and it never got any better. First of all, the direction is poor, as is the cinematography... it looks poorly done and cheap... there's a story, if you stay awake to follow it. It sure doesn't move quickly. If you're looking to be creeped out, stay away. If you're watching because your class is reading the story... well then tell your teacher that the class should read a more interesting Henry James story.
Robert J. Maxwell I expected more from a story by the author of "Turn of the Screw," but didn't get it here. Unrelieved by any humor whatever the narrative unrolls at a lugubrious pace with interspersed quick cuts of blood dripping from tables, walls, portraits, wherever -- and even more blood rolling in rippling overly crimson waves down a hallway (thank you, Stanley Kubrick). Peter York is okay, given his character, a tormented professor who does everything but shriek, "True, I am very very nervous, but why WILL you call me mad!" The other actors do what they can. The most depressing aspect of the film is in many ways its overall eidos -- the material artifacts and the natural backdrop against which the action takes place. Few movies have so many bare blackish twisted tree limbs dripping with cold rain, so many pale bodies wrapped uncomfortably in wet woolen capes and unbecoming gowns that seem to have been built around internal struts made of wire coat hangers. The interiors are just about as dreary, dim candles and fireplaces that seem to throw little heat or light. Given all of this, I still didn't find the movie so bad as to be unwatchable. It's just that it left me so gloomy, like watching the evening news on a particularly bad day.