The Good Girl

2002 "It's her last best chance... is she going to take it?"
6.4| 1h33m| R| en| More Info
Released: 12 January 2002 Released
Producted By: Fox Searchlight Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A discount store clerk strikes up an affair with a stock boy who considers himself the incarnation of Holden Caulfield.

... View More
Stream Online

Stream with Paramount+

Director

Producted By

Fox Searchlight Pictures

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Images

Reviews

Bereamic Awesome Movie
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
merelyaninnuendo The Good GirlPitching it up for around 90 minutes; the track is short and the pace is on, resulting onto an entertaining experience but is it satisfying? Well that's a question one will take it to its grave for there is too much going on to digest and accept even if it is barred within logic and genuine reasoning. Miguel Arteta doesn't quite gets the depiction right which leads to the most confused experience ever for on the other hand Mike White's screenplay is fast and gripping. On performance level, there isn't much to complaint from Jennifer Aniston, John C. Reilly and Jake Gyllenhaal but there surely isn't anything inspiring or impressive too. The Good Girl lacks a character development and a better projection of it and due to this the reasoning; no matter how much circumstantial and concrete, the feature just doesn't fit for it doesn't help connecting the audience to them.
sol- Mostly memorable for Jennifer Aniston's lead performance, 'The Good Girl' offers the Golden Globe actress perhaps her finest acting hour, cast here as an unhappily married store clerk who sees life passing her by. The promise of something new, exciting and different comes in the form of a much younger coworker who fancies her, but is there really a possible 'happily ever after' scenario for them? And does she really love him or simply what he represents with his championing of 'The Catcher in the Rye' and ramblings about defying social norms? Their affair eventually leads to a fork in the road in which Aniston is forced to make a choice and her decision, while perplexing at first, seems simply inevitable in retrospect. The film is well acted by not only Aniston, but also a stellar supporting cast including Jake Gyllenhaal, Zooey Deschanel, 'Zodiac''s John Carroll Lynch, John C. Reilly and Tim Blake Nelson, and yet, the film does not quite have the same effect upon revision. The script relies heavily on elements of surprise for impact and none of the twists (other than Aniston's choice at end) have that much power once one knows they are coming. The philosophical voice over narration also seems to spell about a bit too much, especially concerning Nelson's character, upon revision. Aniston's internal strife resonates either way though, and her down-to-earth performance ensures that the film is engaging the whole through. 'The Good Girl' might not be a flawless film, however, if nothing else it will make you think twice before eating blackberries again!
juneebuggy Well this ended up being better than I was expecting as it wasn't the usual Jennifer Aniston romantic comedy (which all tend to blend together). Aniston is still another version of Rachael Green just more bored and depressed here. She does put on a great southern accent though, and outdoes herself in the wardrobe department, donning ugly sweaters and unflattering mom jeans throughout.The movie is plugged as a comedy but honestly its fairly depressing, just kinda miserable and cheerless throughout following 'Justine' a frustrated 30 year old wife and grocery store cashier who is bored, depressed, stuck in a dead end job and married to a stoner (John C. Reilly). Her life changes when she begins an affair with a co-worker, (Jake Gyllenhaal). The story didn't at all go where I was expecting it to, entering some very dark areas.Gyllenhaal does a great job here, he is young, intense and crazy. I also enjoyed John C. Reilly, as the husband, he's always the "nice guy" and is here too. Zooey Deschanel's character was very funny and probably the only ray of light in this. Lots of decent acting from sub characters though including John Carroll Lynch as the manager of the Retail Rodeo grocery store -which is where much of this movie takes place, the boredom and mundaneness was well represented there.A bit of a surprise hit for me. 7/5/15
MBunge If you crossed The Catcher in the Rye and Madame Bovary and set the result in a small Texas town, it would be something like this film. It has all the angst and adolescent turmoil of the former and the emotional desolation and individual isolation of the former. Toss in the work of a fine cast and the star power of Jennifer Aniston and you've got yourself a funny, touching movie.Justine Last (Jennifer Aniston) is a 30 year old woman who got married too soon and has found herself trapped in a boring job and to a pot-headed house painter. Stewing in her own misanthropy, Justine is only roused from her self-pity and self-destructive anger by a young man who gets a job at the Retail Rodeo where Justine works. The 22 year old (played by Jake Gyllenhall) calls himself Holden, after the J.D. Salinger character, and refers to the name his parents gave him as his "slave name". Those two things tell you pretty much everything there is to know about him. Justine begins an affair with Holden, if you can call sex in a motel after work an affair, and it seems to brighten up Justine's miserable existence. But Justine soon realizes that Holden, for all his overly-sensitive pretensions, is just an angry and unstable boy who has fixated on her as the answer to all his dreams. Then her husband's best friend uncovers her infidelity, touching off a chain of events that forces Justine to choose between the life she thinks she hates and another existence she can't even imagine.I quite liked this film. It's smart and honest and has just a bit of snark, while acknowledging how immature such snark usually is. The Good Girl makes you think about personal unhappiness and the choices and attitudes that create it. The main characters of Justine and Holden are terribly discontented with their lives, yet as the story goes along it makes you understand that probably none of the characters are living the lives of their dreams. The difference is they aren't torturing themselves and everyone else over it. Most movies that focus on the quiet desperation of ordinary life either embrace too completely the idea that normal, unexceptional lives are awful things or they are too viciously judgmental of such common angst. The Good Girl takes a more mature and measured perspective. It validates Justine's unhappiness with the life she chose by marrying the first man she really loved but holds her accountable for not making the best of that life. Her actual problem isn't her circumstances. It's her own lack of ambition or imagination to do anything to improve them.As the story unfolds, you can see that the other characters have found ways to deal with their individually unsatisfying lives. Justine's husband smokes pot to escape. The security guard at the Retail Rodeo has his religious faith. An older co-worker of Justine's has a stoic determination to make the best of things and a disdain for those who don't. A younger co-worker uses snide sarcasm to lash out at a world that doesn't meet her standards. But they all do something, while Justine and Holden just wallow in their anger and resentments.Now, there's a subplot in the story involving the best friend of Justine's husband that's much more over-the-top and overtly self-aware than the rest of the movie. It explicitly details some of the themes that remain under the surface of the rest of the film and you might find it either bracing or off putting. I suppose it depends on your tolerance for a smart script hitting you over the head a few times to make sure you get its point.Jennifer Aniston got a lot of praise when this movie first came out and it was deserved. She's able to convey the subtle nature of Justine's passivity so that you can empathize with the character, even when she's not all that sympathetic. Jake Gyllenhall is also very good with the dual nature of Holden. On the one hand you can see how Justine was attracted to him as a kindred spirit, but on the other hand Gyllenhall always keeps the stunted emotional side of Holden in view of both Justine and the audience. John C. Reilly as Justine's husband does some nice work as well. He takes a character that is supposed to be dumber and shallower than either Justine or Holden and makes him into a person and not a plot device.There have been a lot of independent films made about the ordinary lives or ordinary people. Most of them suck because they're made by filmmakers who either hate such ordinary people or see their lives as nothing more than metaphors to be exploited. The Good Girl does none of that, which makes it a movie worth seeing.