BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Scott LeBrun Famed adventurer / sea captain Sinbad (John Phillip Law) comes into the possession of a mysterious bauble while sailing. Soon after, he arrives at the kingdom of Marabia, where he meets the Vizier (Douglas Wilmer), and Prince Koura (Tom Baker), the evil and cunning man who will become his nemesis. In the company of the Vizier, an indolent shopkeepers' son (Kurt Christian), an incredibly gorgeous slave gal (Caroline Munro), and assorted others, he sets sail for the island of Lemuria, where he will have his final showdown with Koura and where the mystery of the bauble(s) will be solved.The under rated director Gordon Hessler is in fine form here, guiding a spirited fantasy / adventure with robust action, excellent location shooting, rousing music (by Miklos Rozsa), lovely photography, and a top cast. Naturally, the film comes to life whenever Ray Harryhausens' effects creations are on screen - whether they be a griffin, a one eyed centaur, or a sword wielding and six armed statue. They never become the whole show, as well they shouldn't, but serve to function as wonderful set pieces that enhance the experience. The screenplay by Brian Clemens (based on a story by him and Harryhausen) is filled with literate & colourful dialogue, as well as a sense of humour. "Trust in Allah, but tie up your camel." becomes a recurring line.Law is an amiable, vivid hero. Wilmer, and Martin Shaw as Sinbads' compatriot Rachid, are excellent. Christian is a hoot as a character whom we don't doubt WILL rise up to the challenge once the stakes are raised. Spaghetti Western actor Aldo Sambrell also appears. Baker is a wonderful villain, camping it up a bit but never becoming TOO outrageous. You can't wait to see him get his. One might wish that the eternally stunning Munro had more to do, but her presence in anything is ALWAYS welcome.Fairly lengthy for this sort of thing, at an hour and 45 minutes, but it is able to hold your interest and provide a great diversion, for any old school fan of this genre.Eight out of 10.

Mathewdixon42 The Golden Voyage of Sinbad follows the legendary sailor as he races against a dark sorcerer to an ancient land. Sinbad and his crew are aided by two golden tablets which contain clues to finding a treasure beyond any of their imaginations. Some may consider this film a cheesy, old, over-the-top, episodic waste of time. Well that is all correct, aside from the waste of time. This is a fun and nostalgic film, and contains some terrific stop motion animation from Ray Harryhausen. John Phillip Law plays Sinbad in this version of the story. He adopts a somewhat convincing accent. This makes him a little more believable than his eventual successor Patrick Wayne. Although not as energetic or enjoyable. He gives a passable performance, but he is overshadowed very easily by his more interesting supporting cast. Caroline Monroe and Douglas Wilmer are worthwhile in this film. Their performances show commitment to the subject matter, which could be very difficult to take seriously. Although it can be frustrating that their characters Margiana and the Vizier are not developed in any way past their uses to advance the plot. Kurt Christian does his job as comic relief, although his character Haroun's dialogue is where most of the cheesiness comes from. Tom Baker, who would later gain worldwide popularity as the Fourth Doctor on the iconic British science fiction series Doctor Who, portrays the main antagonist of the film, Prince Koura. Tom Baker gives a joyfully over-the-top performance in this film. His memorizing voice will distract you enough from the fact that a lot of what he is saying is pure gibberish. There is a particular scene where Koura is controlling a creature aboard Sinbad's ship from a distance, and he does not move from his chair the whole time, but his pure commitment to the intensity and pain of the scene would make anyone think he was really there, experiencing every moment. Baker seems to be both charming and slimy in this film and it makes for a very intriguing performance. There is not much to say for the story of this film. However, the story has a nostalgic feeling to it. It is almost better than most modern fantasy films because of the simplicity of the script. The beautiful production design and clever animation make up well for the lack of compelling writing. The final set piece of the fountain is particularity well done. It is gorgeous to look at and very well built. Although some of the scene is obvious green screen, it integrates well with the action and the set remains pretty enough to look at. Almost all of the worthwhile material in this film comes from Tom Baker's performance and the animation from industry pro Ray Harryhausen. Harryhausen, of course, was the most well known animator of the time. He was known for his imaginative creatures and almost flawless stop motion techniques that melded with the films so well. I was first introduced to this film as a child in the 90s, and the effects seemed more interesting to me than dated. Which in later years got me thinking that stop motion may be the only timeless for of special effect, because of the sheer amount of effort it takes. Sidenote: I would like to mention Koura's theme music composed by Miklos Rozsa, every time I see this film, this particular piece of the score gets completely stuck in my head. It is energetic and perfectly befitting an over-the-top villain such as Prince Koura. Overall this is a fun adventure film, probably more for the film buffs among us than the general crowd. The effects are brilliant, as Mr. Harryhausen's always we're. The story has a nostalgic feel. Tom Baker gives a very fun performance to watch, and an intriguing villain at that. I give the film 7 out of ten for a couple of reasons: 1: The classic feel of the film. 2: Tom Baker's terrific performance as the evil Prince Koura. 3: The production design and sets are fantastic. 4:MOST IMPORTANTLY! Ray Harryhausen's unique special effects and creature designs. The film loses points due to the following: 1: The script is cheesy and for the most part uninteresting. 2: The story is very episodic. 3: John Phillip Law seems for the most part disinterested when playing Sinbad, aside from his accent. 4:The comedy in the film feels tacked on.

TheLittleSongbird By all means this is not my favourite Sinbad movie, that is the family favourite that is The 7th Voyage of Sinbad, but I still really like this movie. The ending isn't quite as strong as the majority of the film, in fact the last twenty five minutes or so meander slightly, but it is certainly isn't terrible either. The Golden Voyage of Sinbad is still a delight to watch, especially visually. The story is exciting enough, the screenplay has some nice elements to it, the direction is fine and the score by the legendary Miklos Rosza compliments the film beautifully. The acting isn't that bad really. John Phillip Law is likable enough in the lead, and Caroline Munro is incredibly beautiful. Tom Baker is a joy to behold as a somewhat campy villain(even so it works!), while Douglas Wilmer is good as the Vizier. The cinematography is skillful, and the scenery is splendid. What steals the film though are the fantastic special effects by Ray Harryhousen. They all look wonderful and meticulous after all this time. My favourites are the walking figurehead, the hideous centaur and the multi-armed statue. Overall, delightful film, well worth watching for the special effects alone. 9/10 Bethany Cox

liasummers This story unfolds effortlessly with noble characters who take us on a spontaneous adventure. It is a spin on the original story from "1,001 Arabian Nights." John Philip Law makes a dashing Sinbad, and he and his costars do a great job of underplaying. Even the villain is likable. This movie is a feast for the eyes with amazing costumes, sets, and Ray Harryhausen's legendary special effects. I love the historical and anthropological references to the evil eye, the temple of faces at Ankor Wat, the Gryphon, and a multi-armed Kali doing best version of Bharata Natyam. I also appreciate the message of fighting evil with bravery, positive attitude, etc. This is a great movie for kids.