Maidexpl
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Luecarou
What begins as a feel-good-human-interest story turns into a mystery, then a tragedy, and ultimately an outrage.
Kaelan Mccaffrey
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Robert Reynolds
This is a color short in the Silly Symphonies series produced by the Disney studio. There will be spoilers ahead:If you know the fable of King Midas, you essentially know the plot of this one. I don't even need to go through the plot, but here's the Cliff's Notes version-a greedy king named Midas wants even more gold than he has and is given the "gift" of the golden touch, so that everything he touches turns to gold.The king here isn't the shiniest pebble in the pond, so he misses the obvious more than once in this short. Despite warnings from the elf named Goldy that this "gift" would be a curse instead, he demands to be given the "golden touch" and gets his wish.You know what happens next-the obvious: Everything turns to gold. The beauty of the short is in the details, how things happen. The animation is beautiful and the gags are great, particularly the mirror gags, which have a bite to them.The Nimrod in chief finally grasps the obvious and begs to be released. But being as his bulb is still dimmer than a ten watt bulb at half power, he makes an even more idiotic bargain than before. The end is no less than he deserves.This short is available on the Disney Treasures Silly Symphonies DVD set and it and the set are well worth finding. Highly recommended.
TheLittleSongbird
There was only one thing really that I didn't like about The Golden Touch was the ending, the whole idea that King Midas lost everything for a hamburger didn't convince me and came across as absurd instead. Then again, that's just me having one of my personal thoughts. Otherwise it is a great cartoon, that sadly gets a lot of hate(even from Walt Disney himself!) for some reason which I'd love to find out, especially when there are far worse Silly Symphonies out there(El Terrible Toreador for instance). Why did I love this cartoon? The animation is absolutely great, colourful and fluid throughout, with the standouts being how things turn to gold and the chilling part where Midas sees the skeleton through the mirror in his own robes, and complete with one of the catchiest beginning songs of any Silly Symphony the music is energetic and really sets the tone of the story well. The jokes are very clever, and while it is a tad predictable once Goldie offers Midas the golden touch the story is crisply paced and charming with a great message about how self-destructive greed is, though I have always wondered what happened to the cat once he's turned to gold. What is remarkable about The Golden Touch, other than the sprightly character of Goldie was the portrayal of Midas, who is so much more than the one-dimensional figure he could've been, instead he is greedy, but also subtle, pretty likable and you do feel sorry for him at the end. All in all, not a masterpiece but a great cartoon. 9/10 Bethany Cox
zetes
This is just a superb retelling of the King Midas story, who asked that everything he touched be turned to stone. The jokes in this one are extremely clever. I especially like the visualization of the skeleton in the mirror and the elf. 10/10.
Ron Oliver
A Walt Disney SILLY SYMPHONY Cartoon Short.Jolly monarch King Midas is gold mad and nothing seems to satisfy his avarice. Then one day a strange little elf grants him THE GOLDEN TOUCH...An enjoyable retelling of the tale from Greek Mythology, competently animated.The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
