The Emperor's Candlesticks

1937 "Drama that will toy with your heart"
6.5| 1h29m| en| More Info
Released: 02 July 1937 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

Spies on opposite sides fall in love in pre-revolutionary Russia.

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Reviews

AniInterview Sorry, this movie sucks
Pluskylang Great Film overall
Comwayon A Disappointing Continuation
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
edwagreen No wonder Luise Rainer's career went south following this film and several others. Following her Oscar wins, Ms. Rainer was rushed into some poor films and the results showed quickly.In this film, she sounds like she has congestion, but people would say that this was because of her accent.A tale of Polish and Russian spies, the entire concept needed reworking. The writing is weak, the performances by Rainer and Powell just aren't there because they're given such poor material to work with.As the Countess Mironova, Rainer acts and looks like a refugee living in Brooklyn. She appears as one of the foreigners you would meet at a marketplace.The plot is a good one. Polish nationalists kidnap a Russian emperor's son in the hopes that a Polish nationalist will be freed. Instead of concentrating on this, the film devotes itself to how 2 spies, Rainer and Powell, try to outwit each other by getting the candlesticks which reveal important information inside.Frank Morgan provides some comic relief to Robert Young, the victim of the kidnapping. Yet, his part is mainly understated as is the problem with the entire film.
bkoganbing I've seen The Emperor's Candlesticks twice now and I'm still trying to figure it out. Why are the Russian secret police so intent on getting their Grand Duke killed is beyond me?Polish patriots kidnap a Romanov Grand Duke while he's on a holiday in Vienna. The Grand Duke is played by Robert Young and he's with Frank Morgan as his protector. That alone should tell you Romanov security stinks big time. Young's seduced and led to his kidnappers by the lovely Maureen O'Sullivan. She's got a good reason for doing it, her father's in a Czarist prison awaiting a death sentence. The idea is to swap Young for dad. But for some reason I absolutely can't fathom, the Poles are afraid their note explaining their demands to the Czar won't reach him.The Poles get William Powell to deliver the message and the Russians have their own agent Luise Rainer. The note is to be delivered in one of a pair of Louis XV candlesticks and Powell and Rainer run all over Europe, Vienna, Paris, London and finally St. Petersburg. Naturally of course the opposing spies are falling for each other.The same plot gambit was used by MGM in Operator 13 with Gary Cooper and Marion Davies in the American Civil War and also in The Firefly with Allan Jones and Jeanette MacDonald. Those were pretty good films, but MGM came up short with this one. The Emperor's Candlesticks wastes a pretty good cast in a very trite and incoherent story that Powell and Rainer can't save no matter how much they turn on the charm.
blanche-2 Back in the '30s, the studios made dozens of movies that were set in Europe to give Americans during the Depression a sense of fantasy and other world glamor, and to keep their foreign market. "The Emperor's Candlesticks" starring William Powell and Luise Rainer is such a film, with supporting roles featuring two young stars, Robert Young and Maureen O'Sullivan. Powell and Rainer are opposing foreign agents who each hide their documents in a pair of candlesticks to be brought to Russia as a gift to a noblewoman. The candlesticks were to be delivered by Powell, but Rainer talks the Austrian who has given him the task to let her do it. They are stolen by her maid and her boyfriend, and both Powell and Rainer try to be the first to recover them.Powell and Rainer are delightful in this crazy story. Rainer, with her small face and enormous eyes, is gorgeous, playing the part of a spy with charm. Powell is always good and plays off Rainer very well. Robert Young and Maureen O'Sullivan portray a prince and his kidnapper's accomplice, respectively, who meet at a masquerade ball, he dressed as Romeo and she as Juliet. Their last scene together is very sweet.This movie is odd for one reason. The stars all lived for a very long time, and in fact, Rainer at this writing is still alive at the age of 96. Young lived to 91, O'Sullivan to 87, Powell to 91. Must have been something in the water on the set. Wish it had been present on more films!
som1950 The plot of "The Emperor's Candlesticks" is total nonsense in the 1930s Hollywood fantasies about benevolent despots, courteous kidnappers, and gallant spies. The story is only an excuse for a masquerade ball and a dash across Europe in pursuit of two candelabras that do not belong to the Russian czar or the Austro-Hungarian emperor, but are a gift from an Austrian nobleman to a Russian noblewomen. The carriers (the Polish Baron Wolensky and the Russian Countess Mironova, played by the stars, William Powell and Luise Rainer) lose and find and mistakenly switch the pair of candelabras.Powell was unflappable in the midst of many ludicrous plots during the 1930s, often with Myrna Loy as a co-conspirator. Here, he is pitted against a lovely czarist secret agent, played, in a large wardrobe, by the great Luise Rainer. In the two immediately preceding films for which she won back-to-back Oscars ("The Great Ziegfeld" with Powell and "The Good Earth" with Paul Muni) and in her only other readily available film, "The Great Waltz," she suffered mightily. In "Candlesticks" she got a chance to play the kind of glamorous clothes horse role in which Marlene Dietrich specialized, with no occasion for jealousy at all. Dietrich and Greta Garbo both played spies in 1930s movies. Each appeared more sophisticated than Rainer's, but I find Rainer more credible as a spy with regrets about the consequences of her occupation than either Dietrich or Garbo. Rainer was also quite beautiful with high cheekbones and eyebrows as plucked as Dietrich, and received star keylighting from MGM.Back in a gilded cage, Robert Young got a chance to be charming and gallant, impeded by the humorous bumbling minder played by Frank Morgan.