Limerculer
A waste of 90 minutes of my life
Mehdi Hoffman
There's a more than satisfactory amount of boom-boom in the movie's trim running time.
Geraldine
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
petdix-1
cinematography starts out excellent, actors talented but do not bother with this film. I love Eddie Izzard and Steven MacIntosh; all the other actors were excellent but this was a hateful script, which tortures viewers. We readily identify with MackIntosh's & Natasha Little's characters, so evil done to them is spikes driven into our eyeballs. Not since "Clockwork Orange" have I hated a film so intensely and I admit that Clockwork had redeeming values, art-wise & social commentary-wise. "The Criminal" was a lame excuse for someone who is de-sensitized to violence (whether by video games or limbic system dysfunction) to slam viewers' heads down onto a table. I put it on fast fwd after 20 minutes into the film and made stops to catch up with dialogue, skipping violence. Thus, for me, the film was thankfully 45 minutes long. Despised the ending. Let it be known that my favorite writer is Dostoyevsky. So I'm not a suburban granny making whiny comments. I can handle intensity/violence if the plot is worthwhile & characters get to develop (I have to hand it to MackIntosh, his work in this was, as usual, top notch). My favorite movies are "Dr. Zhivago" and "Gangs of NY" (and I recently appreciated "In Bruges") These films do not spare the viewers' sensibilities, with Cossaks slaughtering innocents and Bill Cutting's vengeful personality. Please DO see Anything else that these talented actors have done & best wishes to the script writer. Director, you've got talent but get out of this genre, it's old hat.
George Parker
"The Criminal" is a noirish Brit crime flick which tells of a man (Mackintosh) who is in the wrong place at the wrong time and finds himself as a murder suspect on the run from the police and a bunch of super secret underground heavies. A busy flick with little to offer save a bunch of running around, "The Criminal" suffers from low budgetness, a thin plot, lots of filler, and an awful ending. An okay time waster for the couch potato who can't find anything better. (+D)
clydebest
Oh dear, British films, what happened? I saw this little slab of nastiness just under a year ago (Oct 99) and it still isn't out today (Oct 00) - and really it is no surprise. Debuting at the London Film Festival to lukewarm response, The Criminal appears to be a hark back to the dark days of late fifties Brit crim flicks where everyone got in too deep for their own good and co-incidentally came across a superfluous American character to help the thing get distributed in the US. Only this boy's been watching too many Brit gangster films. Although a cinematographically a worthy first pop by the debut director, the story is a seen-it-all-before-with-bells-on stab at a conspiracy theory movie with one minor exception...whereas you'll normally side with the beleagured protagonist in this genre, ten minutes in and you really stop caring what happens to the unsympathetic little git. For most people, the chance to see Eddie Izzard in a straight role will be the main bait, but even he's dead ropy in it, and all in all this spiteful little drain on a couple of hours of your life really isn't worth missing the soaps for. Be warned - if the police are stationed in a building that plush and majestic there really must be something dodgy going on.
The Movie Goblin
Okay, it may not have the budget of Enemy of the State, but Julian Simpson's first film was undeniably enjoyable nonetheless. The Criminal, withstanding a few minor glitches, is one of the most likeable British films I've seen in ages. I must admit that I am slightly biased as I love conspiracy films but this had all the right ingredients: the innocent everyman hero on the run, spies, femme fatales, plot twists etc. It occasionally felt as if some scenes could've been cut to quicken the pace, but as it is it's still very entertaining.Bernard Hill, the Captain from Titanic, was brilliant as the foul-mouthed bad-tempered policeman, and Steven Mackintosh was believable as the everyman hero, without resulting to cliche's. The rest of the cast was made up with faces from TV, but this didn't matter as they were all great.
