The Cathedral

2002
7.2| 0h6m| en| More Info
Released: 24 March 2002 Released
Producted By: Vision
Country: Poland
Budget: 0
Revenue: 0
Official Website:
Synopsis

The Cathedral (Polish: Katedra) is a 2002 short animated science fiction movie by Tomasz Bagiński, based on a short story by Jacek Dukaj, winner of the Janusz A. Zajdel Award in 2000. The film was nominated in 2002 for the Academy Award for Animated Short Film for the 75th Academy Awards.

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Reviews

Cebalord Very best movie i ever watch
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
elshikh4 I have seen countless animated, CGI, or live short films. Yet, nothing was like Katedra or The Cathedral. It's maybe the best of them all. This time, not a movie, but a piece of art, could brilliantly summarize the human's journey on earth. So how about being a 7 minutes long as well ! There is a certain poetic pace, making the whole thing very special. The moment of losing the arm is as unforgettable as the most painful moment you had. And the final shot is sublime, just sublime, giving you the confirmation that you're watching a true great work. It's a film that leaves you dazzled with all the meanings of the word.I can't find out what could be the best of it; is it the design of the pilgrim's character?, is it the idea of The Cathedral itself as a holy center for all the human development ?, is it the music of the end ?, or is it the finale with its profoundly rousing spectacle in which all the human's power, abilities, age and self contribute to add just a small step towards a noble, unreached, aim ? I think it's one of the times when the best of the movie is the whole movie.As for the Oscar, let me gird up my loins. Firstly I was shocked when I knew that The Cathedral lost. But the shock of knowing that (The Chubbchubbs) was the one which won made me so mad! There is absolutely no comparison between the 2. Actually (The Chubbchubbs) can't be nominated in the first place, especially when The Cathedral is around!I don't trust the Oscar, or any other award for that matter, but when it comes to preferring a joke of a movie, or – at best – a show reel of a company's characters such as (Chubbchubbs) over this film then it's a partiality, stupidity, or sheer blindness, whatever the name of the crime is !Some films don't need any Oscar to be immortal. This one is on the top of them.
Bonegang This is a mysterious, Gothic, fantasy vision crafted from the story by Polish sci-fi author Jacek Dukaj. There is no dialogue in the piece, only a haunting soundtrack that complements the expertly rendered CGI. And what great animation this is: a sense of gentle foreboding permeates every part of the beautiful and grandly scaled cinematography that is reminiscent of H.R. Giger with a dark palette in twilight shades and the surreal organic feel to the 'architecture'. The story starts with a young man leaning on his staff, taking in the huge vista of a sun setting behind a redly lava-rous world that takes up half the sky. As the line of night races past him we take in the scale of what can be seen to be a cathedral, behind him. He appears to sigh inwardly and turns to walk into the huge 'building'... You will probably watch this short over and over again back to back, as I did and, apparently, as did the jury of Siggraph 2002 that awarded this piece their prestigious "Best Animated Short" by unanimous vote. Since this is Tomek Baginski's first major release, I will look out for his subsequent work: to set such a high standard from the start could indicate a rare and special talent.
Michael DeZubiria Cathedral is such a simple film that it is even more amazing how powerful it is. There is not a word of dialogue and almost no plot, but there is just enough going on so that you can insert your own meaning onto it, it means whatever is most important to you. The animation is spectacular, it reminds me of Final Fantasy, from a purely technical standpoint (this film is much, much better than Final Fantasy), and the music, by far my favorite part of the film, is breathtaking. There is a fascinating cross breed between techno and classical chant that fits with the material like no other kind of music ever possibly could. When the music picks up near the end of the film, it is some of the best combination of sound and sight that I have ever experienced.The movie delves into the meaning of existence and suffering in such an obscure but powerful way that it is unbelievably moving to witness the fate of a person who we do not know anything about, especially since it plays off of the meaning of cathedrals themselves in a way that pays respectful homage. It uses them as a catalyst to tell the story but does so respectfully, returning the power to them that it borrowed for its own purposes. Bravo.
Robert Reynolds While having just the barest of a discernable storyline and no plot to speak of (at least not one that I could find), this matters not a whit in my eyes. This is a treat for the eyes, first and foremost, an absolutely breathtaking piece of work. This blows the "crowd" scenes in Gladiator away, though that is admittedly not a difficult feat to manage. I suspect that Gladiator had a larger budget for SFX alone than was spent on Katedra in its entirety and the lead in Katedra is likely more amiable and personable (if just as laconic) than the chap in Gladiator. Quite impressive, even if work done three or four years from now makes this look like a Model T compared to a Rolls. Nominated for an Academy Award and deservingly so. Most highly recommended.