Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Jenna Walter The film may be flawed, but its message is not.

Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

bkoganbing I remember seeing this at a drive-in back when it first came out with my cousin's family in Rochester. This is one of those films that really sticks with you. At the time however some of the more adult themes of the film went completely over my head.The Bold And The Brave focuses on three soldiers in the Italian campaign. Wendell Corey plays an amiable drifter type who in civilian life was a lawyer, but never practiced much law as he was married to a rich woman. He's not sure if he has the right stuff.Corey's best pal is Mickey Rooney who got an Oscar nomination for Best Supporting Actor. He's a cheerful extrovert who lives for his off duty moments. He's got a marvelous scene cleaning out the company in a crap game. In the end though, that truly does him in.Both are commanded by Don Taylor who is their uptight model GI Joe sergeant. In war he's great, but has some issues in his personal life. They call him preacher and it's suggested ever so gently that he's been celibate. Corey tries to fix him up with Nicole Maurey who also gives a great performance as a girl who does what she can to survive the war.The Bold And The Brave has for some reason been lost for years. Hopefully it will be broadcast and a new generation can appreciate a fine underrated classic.

lchadbou-326-26592 I saw this on Mickey Rooney's 93rd (!) birthday. It's in some ways a typical mid 50s U.S. product: One of those titles popular at the time (The Bad And The Beautiful, The Proud And The Profane, etc.), a theme song (co-written by Rooney) played during the opening and end credits, and one of the dubious then trendy widescreen spinoffs, SuperScope (It is hard to judge how well it was used here as the only watcheable copy I was able to find is in the standard TV ratio.) The story of American foot soldiers in Italy in 1944 concentrates on three characters who have a certain amount of psychological depth in the (Oscar nominated) writing. Wendell Corey stars as a cynical, well off guy who's afraid to shoot but not surprisingly gets the courage in the well done climax to fire back and even destroy a German tank. Don Taylor's role is the most complex, as the sergeant Preacher, a hard taskmaster, sexually repressed, and unable to accept when he finally meets a woman that she has already been with others.But Rooney, nominated for a Supporting Actor Oscar, has the show stealing big scene, as a gambling obsessed little dynamo, when he plays with dice in a tent full of other soldiers and scrambles for his scattered bills after the lights go out. In the combat scenes that finally come, an hour into the picture, when they go on recon patrol in a forest, he gets killed trying to retrieve some of these winnings.(The rock formations later in this scene are a giveaway that the movie was shot not in Italy but in Southern California.) Rooney's acting throughout is hyper, wound up, almost as if he were on pep pills during the shooting.Director Lewis Foster, based on his credits, looks worthy of further study.

william-gruendler I hadn't seen this since childhood; the moving climax stuck in my mind long after the ballad sung over the credits faded from memory. The crap game is somewhat replicated a few years later in the memorable Mickey Rooney-starring episode of COMBAT!: "Silver Service". Mickey brings the same self-effacing, self-sacrificing ebullience to the role of Harry White as he does to Dooley in The BOLD AND THE BRAVE... Louis Morgan says, on his blog: ''Mickey Rooney is an actor who is commonly derided by modern viewers for his Rooney mannerisms, and tendency to overact his parts. I must personally I have no animosity toward Rooney. Firstly he showed in The Human Comedy he is capable of giving a moving performance, secondly I personally never had a problem with his Rooneyisms. This is not to say that I do not understand people who do hold this animosity, Rooney certainly is an actor that if he rubs you the wrong way he probably really rubs you the wrong way. He simply does not annoy me in that way, although it most certainly is true that his performances tend to be better when they are further away from a typical Rooney performance than closer.''Highest recommendation!

wilvram Set in a unit of the U.S. infantry during the Italian campaign of 1944, this focuses on three soldiers. Fairchild (Wendell Corey) whom in civilian life had got by doing very little after marrying a rich woman, further doubts himself after failing to kill an enemy sniper. He is saved by his sergeant, known as Preacher (Don Taylor) a puritanical bigot whose upbringing has left him with all sorts of hang-ups with the notable exception of "Thou shalt not kill". Extrovert Willie Dooley (Mickey Rooney) is a compulsive and successful gambler, obsessed with winning as much as he can to set himself and his family up in the restaurant business after the war.This is a mostly gripping film which succeeds in portraying the heroism, courage and spirit of self-sacrifice demanded of soldiers in battle without glorifying war. The leading actors are all good with Rooney's fast-talking ebullient character particularly memorable; his marathon crap game provides the film's funniest moments. Nicole Maurey gives a sensitive performance as a beautiful Italian girl with whom Preacher falls in love, prior to callously dumping her on learning she's previously been with other men for money to survive. Perhaps best of all is Wendell Corey, one of those actors who could create believable characters with hidden depths, while apparently doing very little, who brings a quiet integrity to the part of Fairchild. It's all introduced with a rousing march, to which Mickey Rooney supplied the lyrics.