Cubussoli Very very predictable, including the post credit scene !!!

BootDigest Such a frustrating disappointment

SnoReptilePlenty Memorable, crazy movie

VeteranLight I don't have all the words right now but this film is a work of art.

TheLittleSongbird 'The Bedroom Window' has garnered a lot of Alfred Hitchcock comparisons. It is not hard to see why, quality-wise it is not in the same league as the best of Hitchcock's (one of my all-time favourite directors, so the comparison already fascinated me like any film compared to Hitchcock does) work but in terms of atmosphere and the tone of the story the influence is definitely there.Starting with what doesn't quite work, which was actually not much, 'The Bedroom Window' after being strong for most of its duration loses its way in the final third when it tries to start resolving the many twists. Sadly it does struggle to do that with too much of the final third being contrived and implausible, feeling like what needed to be resolved either wasn't resolved enough or was done too conveniently. After the rest of the film being so promising and well done, it was sad that the most important section of the story was where the film most fell down.Will always admire anybody who tries to do something different to usual and try and shy away from their usual personas/roles. And there are plenty of examples of actors being cast against type and giving great or more performances (James Stewart in 'Vertigo' and Rosamund Pike in 'Gone Girl' being two notable examples). Best known for the 'Police Academy' series, Steve Guttenberg takes on a career that couldn't be more different from his typical image. Sadly count me in as somebody who (although he gives it a decent bash) who found it didn't quite pay off, for the type of film Guttenberg just seemed too laid back and that he didn't seem comfortable toning things down.However, 'The Bedroom Window' is very well made visually with a darkly slick look. The haunting but never overbearing music score is a good fit and gives the film and atmosphere good character. Hanson's direction is efficient, failing only in losing control of the twists in the final third, everywhere else he did very well.The script is taut and intriguing and for much of the film the story was paced tightly. It's always compelling and entertaining with very nice, nail-biting at its best, suspense.Guttenberg aside, the performances are fine. Particularly from a charming Elizabeth McGovern and a chilling Brad Greenquist. Isabelle Huppert is suitably calculating, and there are fine, if somewhat underused, turns from Wallace Shawn and Paul Shenar (who would have on a side note made for a better lead, although he typically played villains he had the intensity).Overall, good film and almost a great one until going off the boil in the last third. 7/10 Bethany Cox

Predrag Being a huge fan of Hitchcock's works and other suspense movies like "Along Came a Spider" and "Body Double", I found this movie pretty good. Good plot, well made, good acting. Plenty of surprises.The plot is one of those that motors along solely because nothing ever goes right. All of the twists are perfectly thought out and it makes for a delightfully messed up tale, but it all totally unrealistic because, come on, who is ever really that unlucky? Also there were a few twists that really were weak . . . the smoking gun in the court room was a joke. Most people who wear contact lenses also have glasses by their nightstand. That was not even hinted at as that would blow a hole through the plot so big you wouldn't be able to watch the movie on your 13" TV screen. And this must have been the era when the push for more gratuitous male nudity was on. There are lots of Hitchcockian touches: the premise itself from "Rear Window" and a stabbing scene at the ballet from "North by Northwest." Not a bad movie at all.Overall rating: 7 out of 10.

the_wrinkled_mind I came across this movie on YouTube, and decided to give it a look. I firmly believed that this would be one of those good bad movies, which are corny but harmless fun movies to watch. But boy was I surprised.The best thing about this movie, despite Steve Guttenberg and his lack of acting, and few loopholes, is that it keeps you absolutely hooked, from the start to the finish. Everyone else does their part well, but Brad Greenquist is absolutely brilliant. I loved Elizabeth McGovern as well, who did a good job with her character. She also gives strong Audrey Horne vibes.Overall, it feels like a Alfred Hitchcock movie, and that in itself is a huge compliment.

The_Void The Bedroom Window is one of those films you can just stick on to blow the cobwebs away when you're tired. It's not life-affirming or magnificent; but it's well constructed and a lot of fun to watch. The film is often compared to Hitchcock, and that's mostly owing to the central plot which clearly takes influence from Rear Window, although director Curtis Hanson does occasionally implement a Hitchcock-like style during the rest of the film. It is not, however, comparable to the films Brian De Palma made in the seventies and eighties. The film focuses on a man named Terry Lambert. Terry is having an affair with Sylvia; his boss' wife. Whilst at his apartment one night, Sylvia spots a man being attacked out of the window. The next morning, another girl turns up dead and Terry, thinking the two incidents may be related, decides to go to the police and tell them that he witnessed the attack. However, things soon start to spiral out of control when Sylvia will have nothing to do with it for fear of the affair being exposed, and the police begin suspecting Terry.Steve Guttenberg; an actor often not taken seriously because of his ties to the Police Academy series, takes the lead role and does surprisingly well with it. Guttenberg cuts a likable figure who is easy to root for, and that is important in a film like this. The story moves well throughout; and although I initially felt that almost two hours was too long for a film like this; the time is well used and the film flies by. The Bedroom Window is based on a novel by Anne Holden; and directed by Curtis Hanson; the talented director of the 1997 masterpiece L.A. Confidential. Hanson's direction is assured and he does a good job of telling the story. The support cast is decent too; the casting of Isabelle Hupert is a bit of a surprise considering most of her previous films were made in her native France; but Elizabeth McGovern is a good choice as the victim of the attack towards the start. The first two thirds of the film are rather subdued; and so it's a bit of a surprise when the film explodes into life for the final half hour. However, the change works well and the payoff is worth it.