Maidexpl
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Dirtylogy
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Mathilde the Guild
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
secondtake
The 7th Dawn (1964)The best of this movie is an attempt to show the politics of Malaysia after WWII. There are lessons here that apply to our own time, with European powers facing rising anger in developing countries. Here it's the British who are facing horrors from the Malaysians because they own so much of the good land and maintain typical colonial class and monetary power (even though it was no longer an official colony). A little like half the world, I suppose, in mid-Twentieth Century, including South Africa and Vietnam.The movie is stiff and forced in other ways, and often feels like a movie that might have been made a decade earlier. It plays with clichés and uses convenient movie tricks that are false even to the uninitiated. The leading man hasn't that worn well over the years--William Holden. I generally like him, but here I can feel him acting too often. Some of the charming ticks in his face, or his dry delivery, now seems fake and even smarmy, like the letch in him can't hide beneath his acting, or the "leading man" in him is all he has. I have a feeling these quirks were attractive at the time, fifty years ago.It's not a total train wreck of a movie. Susannah York is stunning in a way that avoids the stereotyping she often reluctantly fit into, the Pop British flower-child. Unfortunately York isn't a terrific actress here, and at first is merely the serious woman to put against Holden's character. She does have an important role, but it's extremely limited (you'll see why) and she can be sculptural without pretense. But then next to York is the "other" woman to whom Holden (46 years old here) is attracted (which by itself is absurd, York playing the less desirable woman). This is played by the younger and unconvincing Capucine. (She went by one name, but was born with the usual allotment.) It's not that she's a bad actor really, but that she's a frivolous object with so little awareness of what surrounds here. I'm sure people like her were in Malaysia, but to make her a centerpiece of the movie brings everything down a couple notches.If we can absorb the stilted (at times) style and the improbable aspects in the subplots (Holden with the young tart slashing through the jungle with machetes) we are able to go back to the political facts. The details are fictional, for sure, but the broad outline, the fear of Westerners in a land where they are not at all welcome, is believable. And the film doesn't paint it completely as a bunch of innocent English richies being killed and tormented by the rabble, though there is a little of that. It's more about a the real conflict of histories and ways of life. And a sticking to principles. I think a more potent idea here, without York by this point, is whether personal friendship can hold up through huge differences of culture and loyalty. This might be the best part of the movie, and in those sections you'll at least feel depth to the idea and even the acting, even if the outcome is a bit beside the point. In one later scene the woman at this point (the tart) asks, "How can you believe him?" Exactly! The question of trust in the mind of the audience is obvious to the characters, too, and so it's the final large theme, taking us from the first scene to almost the last.Everything outside shot on location, which adds authenticity not only on the plantations (rubber) but later in the raw jungle. If you watch this you'll find things to like for sure. But it's not constructed very well, and the clunky parts will overwhelm you at times. You'll also find that people who should be freaking out (on death row, or a man seeing his daughter likely to die) calmly proceed instead. Or when someone takes a prisoner after a huge fight, they then let down their guard and trust him to walk away with his weapon.It's too bad. A lot was pointed in the right direction at first. There are more recent movies that take the realism of their periods seriously and to probably better results (blockbusters like "Gandhi" or "The Last Emperor" and more perceptive if imperfect films like "Lust Caution" and the weirdly chilling "Disgrace"). But the theme is really one of the largest in the history of movies, actually, if you start looking at everything from "The Rains Came" to "The Letter" both from the classic black and white Hollywood years. "The 7th Dawn" fits into this picture somewhere.
Jonathon Dabell
Based on a now forgotten novel entitled The Durian Tree (by Michael Keon), The 7th Dawn emerges an absorbing, involving and fairly interesting political adventure movie. At the time the film wasn't greeted with much enthusiasm by the critics but looking back there are several factors that make their negative outlook of the film seem somewhat inaccurate. For starters, the film takes a surprisingly damning stance against the way the British deal with terrorism and anarchy in far flung corners of the world. One would expect a cosier, more flattering representation but The 7th Dawn has the courage to be critical of the British handling of such situations. Add to that some strong performances, luscious cinematography (by Frederick Young), and a number of memorable scenes and you're looking at a film that has been largely under-rated down the years.At the end of WWII, freedom fighters in the Malayan jungle are finally able to leave their dens and hideouts in the undergrowth and get back to something resembling normality. One fighter, the American Ferris (William Holden), decides to buy a patch of land and turn it into a rubber plantation, taking his old lady guerrilla friend Dhana (Capucine) as his mistress. Meanwhile another guerrilla named Ng (Tetsuro Tamba) heads off to Moscow to learn about communism. Fast-forward several years and Ng returns to Malaya a whole-hearted communist to fight against his former allies, the British, for the country's independence. Ng's men wreak havoc against the rubber plantations in the country but leave Ferris's alone because of their old comradeship. The British approach Ferris and ask for his help in stopping Ng's campaign of terror. Initially reluctant, Ferris nevertheless attempts to make his old friend see reason but to little avail. Matters are complicated further when Candace Trumphey (Susannah York), daughter of the British governor, falls in love with Ferris. When Dhana is accused of sympathising with the communist terrorists and sentenced to execution, Candace foolishly offers herself as a hostage to the communist forces in the hope of saving her…. and the battle weary Ferris faces a race against time and the elements to save them both.The 7th Dawn has its share of faults for sure. Karl Tunberg's script wanders a lot and seems in need of a little tightening-up; York's character isn't always convincing and upsets the solid characterisation found elsewhere in the film; the final scene virtually plagiarises the ending of Casablanca. But there's still a good deal to enjoy in this exotic jungle romp – Holden is fine, Capucine plays a refreshingly strong female character, the action is exciting enough. One particularly powerful sequence features the British burning to the ground a village which has been unsuspectingly harbouring terrorists and their explosives; another shows hundreds of Malayan cyclists carrying out a protest ride against the British governor for ordering for a night-time bicycle curfew. Undeservedly forgotten and almost never screened nowadays, The 7th Dawn is a worthwhile watch if you can find it!
kaydon-1
This film was made in Malaya in 1963. Because it was to show scenes of burning a malay kampong, the British government refused permission for their troops to take part. Australia was approached and agreed. Myself and about 80 other soldiers from the 2nd Battalion, the royal Australian regiment, who were based at terendak camp, malacca, malaya were selected. We got to meet bill holden and beautiful cupacine the french actress and many other people on the set (directer camera men and so on). it was all very exiting and over 40 years ago. I still have a number of black and white photos taken at various times. by the way when it was released it was called "the year of the dragon" evidently it was thought not a good title for America and changed to the "seventh dawn" when i attend battalion re-unions on the gold coast in queensland, those of us who were in the film still enjoy a good laugh about our parts, but then again the subject was very close to our hearts. it is the only fight against communist terrorist that was a full success, although Vietnam was, only for what the press did at tet.
bbsilvers
When the old KCOP Channel 13 in Los Angeles showed matinées (afterschool for me then), I saw this engrossing movie. Who could resist the lushness of the Malay jungle juxtaposed with the British Governor's pristine lawns? Not to mention the fascinating interweaving of the old love triangle amongst Ferris, Dhana, and Ng with an anti-colonial rebellion? I may have been a precocious child, but these things were clear to me amidst the Vietnam War. It's good to see others who recall this movie for what it remains--a trenchant comment on nationalist insurgents fighting their imperialist overlords. The irony is that, despite the purity of their intentions, the guerrillas destroy what they fight for: control of their own destiny. One might read the lovely Dhana as the fragile Malayan countryside laid waste in the ensuing skirmishes. True enough that the British colonial government executes Dhana. Yet both Ferris and Ng lose their dreams as well: Ferris leaves Malaya without Dhana (or even Candace), and Ng is dead.When I found the LP recording of the beautiful Riz Ortolani score about 20 years ago, I snatched it up. I won't expect a CD version, but Ortolani deserves to be lauded for music that supports the storyline. We may well remember "More" from Mondo Cane, but the haunting theme from The 7th Dawn can hold its own.Now, if only one could include this movie in a grouping of films with the broad theme of protesting war (Live for Life, Year of Living Dangerously, Torn Apart, Indochine)and show them to politicians....
