Super 8

2011 "It Arrives."
7| 1h52m| PG-13| en| More Info
Released: 09 June 2011 Released
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

In 1979 Ohio, several youngsters are making a zombie movie with a Super-8 camera. In the midst of filming, the friends witness a horrifying train derailment and are lucky to escape with their lives. They soon discover that the catastrophe was no accident, as a series of unexplained events and disappearances soon follows. Deputy Jackson Lamb, the father of one of the kids, searches for the terrifying truth behind the crash.

... View More
Stream Online

Stream with Prime Video

Director

Producted By

Paramount

AD
AD

Watch Free for 30 Days

Stream on any device, 30-day free trial Watch Now

Trailers & Images

Reviews

Cebalord Very best movie i ever watch
SnoReptilePlenty Memorable, crazy movie
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Freeman This film is so real. It treats its characters with so much care and sensitivity.
jacobjohntaylor1 This is an awful movie. It has an awful story line. It also has an awful ending. It is not scary at all. Why do people like this movie. I was really disappointed by it. It is very overrated. Do not see this movie. It is an awful movie. If you want to see something scary see Alien. Do not see this.
a_chinn Before "Stranger Things" was ever a thing, J.J. Abrams did his own love letter to early Steven Spielberg, a nostalgic and spot-on homage to films such as "E.T.," "Close Encounters of the Third Kind," or "Poltergeist." Sure Tobe Hooper directed the last one, but Spielberg produced and left his mark all over it and the horror elements of that film are embraced in "Super 8". Spielberg also produced "Super 8" and it contains many early Spieberg-ian hallmarks; childhood innocence, broken families, government conspiracies, the sense of wonder and faith, parent-child relationships, etc. Set in the summer of 1979, a group of middle school boys and one girl are filming their super 8 zombie movie when they unexpectedly film a train crash transporting a secret cargo. To reveal more would spoil the plot, but the plot isn't what make "Super 8" memorable. Just like the best Spielberg films, it's the characters and their relationships that have endeared those film to us and made them classics. "Poltergeist" is a perfect example of this. The plot is a fairly straightforward haunted house story that is basically a riff on "The Twilight Zone" episode "Little Girl Lost," but the believability of the characters and the realistic portrait of a typical suburban family connect the audience so much more to the plot (and the scares) than would a similar haunted house story with lesser defined of characters. Even strong haunted house films like "The Entity" or "House by the Cemetery" are nowhere as immediately identifiable to audiences as the family depicted in "Poltergeist," which has the impact of making the scares all the more scary. "Super 8" manages to capture that same type of middle America feel, but does so steeped in nostalgia, in very much the same way the Duffer Brothers have done with "Stranger Things." Now despite the well drawn characters and the warm nostalgia the film generates, the story about the mysterious cargo on the train and the kids investigation is nowhere as interesting or compelling as Spielberg's best films. "Super 8" is probably on the same level as "Explorers" when it comes to story, which isn't bad, but the plot is just not up to ET or Close Encounters levels of greatness. Back to the film's strengths, it boasts a strong cast of unknown child actors, with the exception of Elle Fanning who I think at the time was more famous because of her sister, Dakota. The always reliable Kyle Chandler is also a standout as a deputy sheriff looking into the train crash against his superior's wishes and who's also the father of the main boy of the group, both who are grieving the recent loss of the boy's mother. Also of note is a fine score by composer Michael Giacchino, which manages to be nicely evocative of the John Williams/Jerry Goldsmith type of scores that frequently accompanied Spielberg films of this era. Overall, J.J. Abrams does a terrific job of capturing the innocence and wonder of early Steven Spielberg, which is a real treat for anyone who grew up watching these film.
areatw 'Super 8' starts off promisingly enough, but after the initial scenario is set (in spectacular fashion), the film's lack of ideas are quickly exposed and it nose-dives fast. Technically it's very impressive - well produced and the CGI/special effects are excellent and realistic, but visuals only get you so far. When you dig beyond the surface, there's nothing impressive about 'Super 8' at all. It's no different to 90% of other sci-fi films that have come before it.It's a distinctly average sci-fi thriller that borrows virtually all of its ideas from elsewhere. Despite all the action sequences, explosions and other special effects, the generic, shallow plot and uninteresting characters make it a completely forgettable film. The glowing reception it received on release is baffling, especially from the critics. 'Super 8' gets an average 5 from me.
westley34 This movie could have been really good but there are major, major problems. The train wreck was way over done. For one thing, at one point early on in the train crash the train was wrecking behind where the kids were running but they were reacting to something in front of them, which I guess was the train wrecking, but then how could it wreck on both sides of them? Then there is the fact that the guy that drove the pick up into the train caused the train to crash in such a dramatic way. It would take a train running into another train head on to create anything even remotely similar to what we saw (even then the way the trains were flying was probably 20 times more spectacular by far than any real train wreck in history). Then how does the man in the pick up not only survive running his pick up into what must have been an extremely fast moving train for it to have crashed the way it did, his vehicle also was shown to explode into a large ball of fire on impact. And so not only does he live, he is well enough to talk and move his arms around? Incredibly unrealistic. I also have major problems the intense contrasting in volume in this movie. You have to turn the TV up loud to hear what they are saying then something designed to startle the audience happens and the volume suddenly becomes a thousand times louder. Its annoying as heck. I won't blindly like what should be a good movie with so much nonsense thrown into it.